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A bizarre few weeks in 2016 become a gripping documentary about creepy clowns, internet hysteria and idiots desperate for attention. Unsettling, surprisingly tragic and a refreshing alternative to your usual Halloween horror.
Normally I don't care for chick flicks, but I can't seem to stop watching this one over and over again. I was surprised that so many others didn't care for it. I just loved the sets, the costumes, the women and their relationships, the real magic in the film, the special effects, the child actresses. This was stuff that women could relate to better than men. Aidan Quinn was the only boring part of the movie. I wished they'd chosen an actor who was more into the role. He seemed bored and made his part in the film more boring. (Also, he mumbles. Someone should give him elocution lessons.)
This movie wasn't meant to be heavy. It was meant to be light, fun fluff, and that it is. The characters weren't meant to be deep, but I felt the relationship between the two sisters was deeper and well performed by two skilled actresses. In spite of the fluffiness of it, I enjoyed the two scenes in which we got to sit and relax to the sound of Stevie Nicks' "Crystal." So what if cars weren't crashing and guns weren't shooting. They weren't supposed to be. I felt the camaraderie of the moment as the two sisters and their aunts got drunk on "midnight margaritas" while dancing to Harry Nilsson's "Lime in the Coconut." It was just plain light fun. Also, women can enjoy the vicarious satisfaction of watching these women destroy the evil, bullying man who tries to destroy them.
The end of the film was rather Disney-kiddie-flick-like. Another ending might have worked better, but it was tolerable because it reminded the audience that the film was all in fun, and not to be taken seriously.
I usually prefer deeper films, but I thoroughly enjoyed this piece of fluff. Sure it was silly and campy, but it was fun. A film doesn't have to take itself seriously to be fun. Bullock, Kidman, Channing, and Wiest are beautiful, charming and wonderful to watch in this flick, and I love watching the four of them over and over again.
Models vs. Werewolves is bloody awful, but I kind of admire it. Terrible acting, a rubbish plot and some bizarre AI visuals, yet the technology allows a tiny production to deliver freaky werewolves and buckets of gore. A terrible film, but a fascinating experiment.
It is just a gang of Matchbox Kids who loved collecting the iconic toys and turning their hobby into a social gathering. But life always changes as you get older, even more-so when one of them turns out to be a spy and drags them all into a deadly espionage situation that takes them around the globe. At least the non-spies all have a talent that will come handy in these situations, and the writers do a fun job in setting it up nicely. The fighting scenes with Crena are always spot-on, and the over-the-top action is done to perfection (wouldn't expect anything less from a stunt person turn director). Yes, it is filled with cliches and silliness, but it's these ridiculous things that make this a great high explosive entertaining movie...
Stupid, ridiculous and not in a good way. Fall 2 delivers a parade of terrible decisions, irritating characters and the occasional moment of genuine vertigo. By the end, I wasn’t hoping they’d survive, I was hoping they’d slip so the film would finally be over.
Onslaught feels like the bastard offspring of The Guest and Assault on Precinct 13: pounding synths, unstoppable super-soldiers, glowing eyes and enough lovingly staged badass imagery to make its killers instant genre icons.
Good plot, great cast, decent action - overall a good superhero show that leaned into the mystery.
I need this kid on my fantasy team
(◣_◢)A fantastic film that is a roller-coaster of emotions. So much fun and very grounded. The emotional beats are brilliant and well-timed. Definitely a top performance from Tom Holland. Sadie Sink is the scene stealer of the third act. Can't go wrong with Spider-Man - just goes to show that when Marvel put in effort, it pays off.
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Eraser was a return to form for action star Arnold in Eraser, a box office hit and his best action movie since Total Recall. Eraser is big budget 90's action with an A list cast, high tech weapons, a fast pace and packed with action. James Caan is an excellent villain and Vanessa Williams is hot to trot as the damsel in distress. The stuntwork and action was done well and the film as a whole is pretty tight and well made with a plot twist here and there as well as a little comic relief. Eraser is a pretty good choice for an evening's entertainment and a good 90's action movie.
great film, David Hyde Pierce is brilliant & quite scary. highly recommended. The characters are simple but effective. The plot is easy to follow & keeps you on the edge of your seat. If you like David Hyde Pierce in Frasier then this character is much darker but just as funny. I would love to see Hyde Pierce play more nutter's in other films because he played the character so well.
Clayne Crawford supports well & his character is likable as a petty criminal.
Easy to watch, very clever
RED or WHITE wine????
Infirmary turns its decaying hospital into a wonderfully eerie liminal maze, with strange camera angles, fisheye lenses and superb lighting constantly suggesting something is hiding just out of sight. The journey builds genuine dread, but an ambiguous ending never quite delivers on it.
After watching the film Locker I was blown away. Just to think this was made in a short time frame on a small scale budget in pure creative amazement. Director Peter Ninos used what he had and created this environment, the actors bring everything together with their top notch performances shout goes to Vincent Donato and Marcus Catt. Overall the film keeps me interested at all times and doesn't loosen its grip on the plot. The aspect of what will happen (next even though this film is based on the submarine that went down to the titanic) ensures that you are in for a ride while watching Definitely worth the watch!!
🏹⁀➴This movie had more action than I expected, I really loved the raw performance by Andrew Garfield. At times I got lost into the world of the movie because of how authentic and real it felt. The ending was very satisfying because I did not expect it to end the way it did. Overall I had a roller coaster of emotions throughout the movie and loved the cinematography. There were a few moments where it did get slow for a few minutes, but nothing that took the experience away.
“That’s my secret: I’m always sad.”
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Runner ticks all the boxes. Acting, story, cinematography, sound design, message. Owen Wilson has never been easier, more natural, comfortable and honest. His character is annoying, charming, believable and someone you come to love. Ritchson brings nuance and texture to his role in a surprisingly subtle way, for a film so reliant on action. The relationships established throughout are interesting, complex and fully fleshed out. The story is simple: get something precious to the hospital by 5PM -- and then complications arise which engender the action, action, action. Some great camera work during these scenes. Some might say the action was larger than life, but what action movie isn't? Music was great, moving us from one scene to the next, and sound in general was awesome. Most importantly, the movie has a moral core, and regardless of cost, the heroism demanded to get that precious thing to the hospital is met. This is a terrific action film, but it's also a film with laughs, heart, and an important message. Go see it.
A fresh and unsettling take on abusive relationships that makes love bombing feel every bit as disturbing as outright horror. Ray Nicholson is frighteningly nuanced, Sofia Black-D’Elia matches him brilliantly, and the hyper-online Gen Z dating world makes the whole thing feel uncomfortably real.
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I think this film can best be viewed as a brief summary of the much better 2017 mini-series 'Manhunt: Unabomber', starring Sam Worthington and Paul Bettany. That series goes into much greater depth about both the investigation into discovering who the Unabomber was (based upon linguistic analysis) and the psychology of Ted Kaczynski himself. I think the jury is still out as to how much the Harvard experiments would have sent him over the edge. But there's no doubt in my mind that they would have proven to be extremely traumatic to a young and still-developing genius brain - which is undoubtedly what Kaczynski had. His IQ was 167. The film also neglected to mention that when the 'Manifesto' was published, it generated a huge response from people who said that, basically, he was right - but he just chose the wrong way to deal with the grievances he had.
Look at the society we have now. Look at what Big Tech has reduced us to. How often do you go out on the street now and NOT see someone engaging with a phone? If you're a thinker about human behaviour and society, you surely can't help but stop and say to yourself: Is any of this normal? Is this constant distraction, this infinite scrolling, this clutching at the device like it's some kind of essential life-support system, really what it means to be human now? Is this really the level of pathetic dependency that technology has reduced us to?
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This movie was great! Stupid and funny gore filled film. Don't take it seriously. I was extremely entertained through it all! It's literally a modern classic version of a cheesy 80s film. Don't listen to the haters saying it uses AI and that it's not worth your time. Go enjoy yourself! Life's too short to not have some mindless entertainment.
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