I admired it more than I loved it, with the endings lack of closure left me emotionally cold rather than haunted.
Hallow Road turns a late-night family panic attack into 80 minutes of pure claustrophobia. Rosamund Pike is fantastic, Matthew Rhys is brilliantly frustrating, and Babak Anvari squeezes real tension out of nothing but dark roads, speakerphone calls and collapsing family dynamics.
Hallow Road
Faces of Death
Faces of Death somehow manages the impossible: taking one of the most infamous shock films ever made and turning it into something painfully dull. No real tension, no genuine shock, irritating characters, and a forced dramatic storyline that drags the whole thing down. I spent most of it waiting for the credits.
The Drama is the kind of relationship film that starts with a simple question and then slowly twists the knife. Darkly funny, awkwardly honest, and powered by brilliant chemistry from Robert Pattinson and Zendaya. Like Closer (2004) with sharper teeth and modern anxieties. You’ll absolutely end up asking your partner “what’s the worst thing you’ve ever done?” afterwards… maybe don’t do it before bed. 😬
A blood-splattered playground of chaos. They Will Kill You blends Kill Bill style carnage with Get Out racial politics and Ready or Not madness. Slick, stupid, and seriously fun.
How to Make a Killing plays like a twisted Hitman run-through of family members, each with their own grim exit. Fun, a bit messy, and never quite sure what it wants to be. Glen Powell brings charm, but it doesn’t fully land. Easy Sunday watch.