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Clem Portman
Additional Credits
Born March 1, 1905Died October 21, 1992 (87 years)
From Wikipedia, the free encyclopedia
Clem Portman (March 1, 1905 – October 21, 1992) was an American sound engineer. He was nominated for an Academy Award in the category Sound Recording for the film Gaily, Gaily. He worked on over 200 films between 1930 and 1970.
Clem Portman (March 1, 1905 – October 21, 1992) was an American sound engineer. He was nominated for an Academy Award in the category Sound Recording for the film Gaily, Gaily. He worked on over 200 films between 1930 and 1970.
Clem Portman Filmography
| 1969 | The Happy Ending · as Sound Recordist |
| 1969 | Gaily, Gaily · as Sound Recordist |
| 1969 | Flareup · as Sound Re-Recording Mixer |
| 1969 | Riot · as Sound Recordist |
| 1969 | Guns of the Magnificent Seven · as Sound Re-Recording Mixer |
| 1969 | The Secret of Santa Vittoria · as Sound Recordist |
| 1968 | Charly · as Recording Supervision |
| 1968 | The Devil's Brigade · as Sound |
| 1968 | The Thomas Crown Affair · as Sound Recordist |
| 1967 | Fitzwilly · as Sound Recordist |
| 1967 | Guess Who's Coming to Dinner · as Sound Re-Recording Mixer |
| 1967 | In the Heat of the Night · as Sound Re-Recording Mixer |
| 1967 | The War Wagon · as Sound Re-Recording Mixer |
| 1967 | The Way West · as Sound Recordist |
| 1967 | How to Succeed in Business Without Really Trying · as Sound Re-Recording Mixer |
| 1966 | Hawaii · as Sound Re-Recording Mixer |
| 1966 | Cast a Giant Shadow · as Sound Re-Recording Mixer |
| 1965 | The Collector · as Sound Re-Recording Mixer |
| 1965 | The Hallelujah Trail · as Sound Recordist |
| 1964 | Kiss Me, Stupid · as Sound Re-Recording Mixer |
| 1964 | Sex and the College Girl · as Sound Recordist |
| 1963 | It's a Mad Mad Mad Mad World · as Sound Re-Recording Mixer |
| 1958 | Macabre · as Sound Re-Recording Mixer |
| 1954 | Susan Slept Here · as Sound |
| 1953 | Devil's Canyon · as Sound |
| 1953 | Split Second · as Sound |
| 1953 | The Hitch-Hiker · as Sound Designer |
| 1952 | Blackbeard, the Pirate · as Sound |
| 1952 | Angel Face · as Sound |
| 1952 | Androcles and the Lion · as Sound |
| 1952 | The Lusty Men · as Sound |
| 1952 | One Minute to Zero · as Sound |
| 1952 | Beware, My Lovely · as Sound |
| 1952 | The Narrow Margin · as Sound |
| 1952 | Clash by Night · as Sound Designer |
| 1952 | Target · as Sound |
| 1952 | Macao · as Sound |
| 1952 | The Las Vegas Story · as Sound |
| 1952 | Trail Guide · as Sound |
| 1952 | At Sword's Point · as Sound |
| 1951 | Double Dynamite · as Sound |
| 1951 | Overland Telegraph · as Sound |
| 1951 | On Dangerous Ground · as Sound |
| 1951 | The Racket · as Sound |
| 1951 | The Blue Veil · as Sound |
| 1951 | His Kind of Woman · as Sound |
| 1951 | Behave Yourself! · as Sound |
| 1951 | Roadblock · as Sound |
| 1951 | Pistol Harvest · as Sound |
| 1951 | Flying Leathernecks · as Sound |
| 1951 | Best of the Badmen · as Sound |
| 1951 | Hard, Fast and Beautiful! · as Sound |
| 1951 | The Company She Keeps · as Sound |
| 1951 | Sealed Cargo · as Sound |
| 1951 | My Forbidden Past · as Sound Designer |
| 1951 | Saddle Legion · as Sound |
| 1951 | The Thing from Another World · as Sound |
| 1951 | Law of the Badlands · as Sound |
| 1951 | Payment on Demand · as Sound |
| 1950 | Outrage · as Sound Designer |
| 1950 | Double Deal · as Sound |
| 1950 | Where Danger Lives · as Sound |
| 1950 | Rio Grande Patrol · as Sound |
| 1950 | Bunco Squad · as Sound |
| 1950 | Born to Be Bad · as Sound |
| 1950 | Never a Dull Moment · as Sound |
| 1950 | Border Treasure · as Sound Mix Technician |
| 1950 | Rider from Tucson · as Sound |
| 1950 | Wagon Master · as Sound |
| 1950 | Storm Over Wyoming · as Sound |
| 1950 | Dynamite Pass · as Sound |
| 1950 | The Secret Fury · as Sound |
| 1950 | Riders of the Range · as Sound |
| 1949 | Holiday Affair · as Sound |
| 1949 | The Threat · as Sound |
| 1949 | A Dangerous Profession · as Sound Designer |
| 1949 | Easy Living · as Sound |
| 1949 | Bride for Sale · as Sound |
| 1949 | She Wore a Yellow Ribbon · as Sound |
| 1949 | The Clay Pigeon · as Sound |
| 1949 | Mighty Joe Young · as Sound |
| 1949 | The Big Steal · as Sound |
| 1949 | Follow Me Quietly · as Sound |
| 1949 | Roughshod · as Sound |
| 1949 | Adventure in Baltimore · as Sound |
| 1949 | The Set-Up · as Sound |
| 1949 | A Woman's Secret · as Sound |
| 1948 | Every Girl Should Be Married · as Sound |
| 1948 | The Boy with Green Hair · as Sound Designer |
| 1948 | Good Sam · as Sound |
| 1948 | Variety Time · as Sound Editor |
| 1948 | Mr. Blandings Builds His Dream House · as Sound |
| 1948 | Berlin Express · as Sound Designer |
| 1948 | The Miracle of the Bells · as Sound |
| 1947 | Tycoon · as Sound |
| 1947 | Out of the Past · as Sound |
| 1947 | Mourning Becomes Electra · as Sound |
| 1947 | Night Song · as Sound |
| 1947 | The Bachelor and the Bobby-Soxer · as Sound |
| 1947 | Crossfire · as Sound Designer |
| 1947 | They Won't Believe Me · as Sound |
| 1947 | The Woman on the Beach · as Sound |
| 1947 | The Long Night · as Sound |
| 1947 | Banjo · as Sound |
| 1947 | The Farmer's Daughter · as Sound |
| 1947 | Sinbad, the Sailor · as Sound |
| 1946 | It's a Wonderful Life · as Sound |
| 1946 | The Locket · as Sound |
| 1946 | Notorious · as Sound Re-Recording Mixer |
| 1946 | Till the End of Time · as Sound |
| 1946 | From This Day Forward · as Sound |
| 1937 | Quality Street · as Sound Recordist |
| 1936 | Bunker Bean · as Sound Recordist |
| 1936 | The Ex-Mrs. Bradford · as Sound |
| 1936 | Love on a Bet · as Sound Recordist |
| 1934 | The Little Minister · as Sound Recordist |
| 1934 | Bachelor Bait · as Sound Recordist |
| 1934 | This Man Is Mine · as Recording Supervision |
| 1934 | Spitfire · as Sound Recordist |
| 1933 | Professional Sweetheart · as Sound Recordist |
| 1933 | Sweepings · as Sound Recordist |
| 1933 | King Kong · as Sound Re-Recording Mixer |
| 1933 | Scarlet River · as Sound |
| 1933 | The Cheyenne Kid · as Sound |
| 1932 | The Most Dangerous Game · as Sound Recordist |
| 1932 | Bird of Paradise · as Sound |
| 1932 | The Lost Squadron · as Sound |
| 1931 | Are These Our Children · as Sound |
| 1931 | Three Who Loved · as Recording Supervision |
| 1931 | Bachelor Apartment · as Sound |
| 1931 | Cimarron · as Sound |
| 1930 | Danger Lights · as Sound |
| 1930 | Framed · as Sound Recordist |