BG
Barrie Gower
Additional Credits
Barrie Gower is a five-time Emmy-winning prosthetics designer.
Gower grew up in the north of England, where his father managed a cinema. As he became a teenager, he became heavily involved in art—mostly drawings and sculpture.
Still, in those early days, his mission felt like more “of a pipe dream.” With the support of his mom, Gower applied for art programmes, stumbling upon one promising option at the London College of Fashion. He didn't get into the university in the first year, as he didn't have any evidence of doing any hairstyling or makeup (although he had a portfolio). His mother enrolled him in a hairdressing course, and the following year he was accepted at LCF, where he “managed to meet quite a lot of industry professionals.” Barrie began his career in the film industry in 1996 after graduating from the London College of Fashion with a HND in Specialist Make-up. His first role was at the BBC Visual Effects Department on projects including ‘Red Dwarf’ and ‘Silent Witness’. The following year, Barrie was employed on his first major feature film, Steven Spielberg's 'Saving Private Ryan'. Barrie has since worked for industry-leading companies and individuals such as Weta Workshop and multi-award winner Rick Baker. Barrie contributed to the Academy Award-winning prosthetics for 'The Wolfman' (2011) and 'The Iron Lady' (2012).
After 10 years working in the Harry Potter film world and then freelancing on other large-scale projects, Gower decided to start his own company, BGFX, with his wife, Sarah, also a prosthetics designer. They’d met working on a film in Budapest. At that time, she was part of the CGI visual effects department. BGFX began as an at-home studio but quickly launched into the big leagues when it received its first major opportunity: designing prosthetics for season four of HBO’s Game of Thrones. Thrones was the beginning of a fruitful relationship with HBO, one that has seen the couple spearheading designs for many more of the network’s biggest hits, among them House of the Dragon and The Last of Us. For the former, the job primarily centred around the ageing and decay of Paddy Considine’s character, the doomed king Viserys Targaryen.
Simultaneously, BGFX was handling The Last of Us, which Gower is quick to describe as “the biggest thing we’ve ever done.” For that series, the company was tasked with designing and executing a whole world consumed by a fungus, plus the resulting zombie-like creatures that are born out of those spores. They didn’t have to start from scratch, however, relying on the catalogue of work created for the original 2013 video game by developer Naughty Dog.
Gower grew up in the north of England, where his father managed a cinema. As he became a teenager, he became heavily involved in art—mostly drawings and sculpture.
Still, in those early days, his mission felt like more “of a pipe dream.” With the support of his mom, Gower applied for art programmes, stumbling upon one promising option at the London College of Fashion. He didn't get into the university in the first year, as he didn't have any evidence of doing any hairstyling or makeup (although he had a portfolio). His mother enrolled him in a hairdressing course, and the following year he was accepted at LCF, where he “managed to meet quite a lot of industry professionals.” Barrie began his career in the film industry in 1996 after graduating from the London College of Fashion with a HND in Specialist Make-up. His first role was at the BBC Visual Effects Department on projects including ‘Red Dwarf’ and ‘Silent Witness’. The following year, Barrie was employed on his first major feature film, Steven Spielberg's 'Saving Private Ryan'. Barrie has since worked for industry-leading companies and individuals such as Weta Workshop and multi-award winner Rick Baker. Barrie contributed to the Academy Award-winning prosthetics for 'The Wolfman' (2011) and 'The Iron Lady' (2012).
After 10 years working in the Harry Potter film world and then freelancing on other large-scale projects, Gower decided to start his own company, BGFX, with his wife, Sarah, also a prosthetics designer. They’d met working on a film in Budapest. At that time, she was part of the CGI visual effects department. BGFX began as an at-home studio but quickly launched into the big leagues when it received its first major opportunity: designing prosthetics for season four of HBO’s Game of Thrones. Thrones was the beginning of a fruitful relationship with HBO, one that has seen the couple spearheading designs for many more of the network’s biggest hits, among them House of the Dragon and The Last of Us. For the former, the job primarily centred around the ageing and decay of Paddy Considine’s character, the doomed king Viserys Targaryen.
Simultaneously, BGFX was handling The Last of Us, which Gower is quick to describe as “the biggest thing we’ve ever done.” For that series, the company was tasked with designing and executing a whole world consumed by a fungus, plus the resulting zombie-like creatures that are born out of those spores. They didn’t have to start from scratch, however, relying on the catalogue of work created for the original 2013 video game by developer Naughty Dog.
Barrie Gower Filmography
| 2023 | Making of: The Last of Us (TV Series) · as Self |
| 2023 | Making of The Last of Us · as Self |
| 2019 | Game of Thrones: The Last Watch · as Self |
| 1968 | 60 Minutes (TV Series) · as Self - Special Effects Artist (segment: Game Of Thrones) |
| 2026 | Ebenezer: A Christmas Carol · as Prosthetic Designer |
| 2026 | Masters of the Universe · as Prosthetic Designer |
| 2025 | Brian Butterfield's Call of Now · as Prosthetic Designer |
| 2025 | The Fantastic Four: First Steps · as Prosthetic Designer |
| 2023 | Luther: The Fallen Sun · as Prosthetic Designer |
| 2023 | The Last of Us (TV Series) · as Prosthetic Designer |
| 2022 | Matilda: The Musical · as Prosthetic Designer |
| 2022 | The Lord of the Rings: The Rings of Power (TV Series) · as Prosthetic Designer |
| 2022 | House of the Dragon (TV Series) · as Prosthetic Designer |
| 2022 | Doctor Strange in the Multiverse of Madness · as Prosthetic Designer |
| 2022 | Death on the Nile · as Prosthetic Designer |
| 2021 | The Matrix Resurrections · as Prosthetics |
| 2021 | Spencer · as Prosthetics |
| 2021 | Last Night in Soho · as Prosthetic Designer |
| 2021 | The Green Knight · as Prosthetic Designer |
| 2021 | Cherry · as Prosthetics |
| 2020 | Small Axe (TV Series) · as Prosthetics |
| 2020 | The Great (TV Series) · as Prosthetics |
| 2019 | Catherine the Great (2019) (TV Series) · as Prosthetics |
| 2019 | Top Boy (TV Series) · as Prosthetics |
| 2019 | Rocketman · as Prosthetic Designer |
| 2019 | Chernobyl (TV Series) · as Prosthetic Supervisor |
| 2018 | Patient Zero · as Prosthetic Designer |
| 2018 | The Little Stranger · as Prosthetic Designer |
| 2018 | Mamma Mia! Here We Go Again · as Prosthetics |
| 2017 | Britannia (TV Series) · as Prosthetics |
| 2017 | Papillon · as Prosthetics |
| 2017 | My Cousin Rachel · as Prosthetic Designer |
| 2016 | A Cure for Wellness · as Prosthetics |
| 2016 | The Legend of Tarzan · as Prosthetics |
| 2016 | Collide · as Prosthetic Makeup Artist |
| 2015 | The Frankenstein Chronicles (TV Series) · as Prosthetic Designer |
| 2015 | Jupiter Ascending · as Special Effects Makeup Artist |
| 2014 | |
| 2013 | Mandela: Long Walk to Freedom · as Prosthetics Sculptor |
| 2013 | Dom Hemingway · as Prosthetics |
| 2013 | How I Live Now · as Prosthetic Makeup Artist |
| 2012 | Life of Pi · as Prosthetics Sculptor |
| 2012 | Dark Shadows · as Prosthetic Makeup Artist |
| 2012 | Wrath of the Titans · as Prosthetics |
| 2011 | The Iron Lady · as Prosthetic Makeup Artist |
| 2011 | W.E. · as Prosthetic Makeup Artist |
| 2011 | Harry Potter and the Deathly Hallows: Part 2 · as Special Effects Makeup Artist |
| 2011 | Game of Thrones (TV Series) · as Prosthetic Supervisor |
| 2011 | Unknown · as Prosthetics |
| 2010 | The Nutcracker: The Untold Story · as Prosthetic Makeup Artist |
| 2010 | Harry Potter and the Deathly Hallows: Part 1 · as Prosthetic Makeup Artist |
| 2010 | Burke and Hare · as Prosthetic Supervisor |
| 2010 | |
| 2010 | The Wolfman · as Prosthetic Makeup Artist |
| 2007 | Cranford (TV Series) · as Prosthetic Makeup Artist |
| 2007 | Stardust · as Prosthetic Makeup Artist |
| 2007 | Hannibal Rising · as Prosthetic Makeup Artist |
| 2006 | The Last King of Scotland · as Special Effects Makeup Artist |
| 2006 | Not Going Out (TV Series) · as Prosthetic Makeup Artist |
| 2006 | Perfume: The Story of a Murderer · as Special Effects Makeup Artist |
| 2006 | Little Miss Jocelyn (TV Series) · as Prosthetic Makeup Artist |
| 2006 | Saxondale (TV Series) · as Prosthetics |
| 2006 | Land of the Blind · as Prosthetic Makeup Artist |
| 2005 | ShakespeaRe-Told (TV Series) · as Special Effects Makeup Artist |
| 2004 | Alien vs. Predator · as Special Effects Makeup Artist |
| 2004 | Troy · as Prosthetic Makeup Artist |
| 2004 | Ella Enchanted · as Prosthetic Makeup Artist |
| 2004 | Shaun of the Dead · as Prosthetic Makeup Artist |
| 2003 | Walking with Cavemen (TV Series) · as Prosthetic Makeup Artist |
| 2002 | 28 Days Later · as Prosthetic Makeup Artist |
| 2002 | Star Wars: Episode II - Attack of the Clones · as Prosthetic Makeup Artist |
| 2002 | Blade II · as Prosthetic Makeup Artist |
| 2002 | Resident Evil · as Prosthetics |
| 2001 | |
| 2000 | Snatch · as Prosthetics Sculptor |
| 2000 | Jason and the Argonauts (TV Series) · as Prosthetic Makeup Artist |
| 1999 | The Magical Legend of the Leprechauns (TV Series) · as Prosthetic Makeup Artist |
| 1999 | A Midsummer Night's Dream · as Prosthetic Makeup Artist |
| 1999 | Alice in Wonderland · as Prosthetic Makeup Artist |
| 1999 | Plunkett & Macleane · as Prosthetics |
| 1997 | Underworld (TV Series) · as Special Effects Makeup Artist |
| 1997 | The Tony Ferrino Phenomenon · as Makeup Artist |