t.o.11
2016    1 t 50 mDrama
7.498%79%7.4
Se på Apple TV
På Apple TV
Køb $12.99Reklame
Den stilfærdige, indadvendte Chiron vokser op i et barsk nabolag i Miami. Hans mor har svært ved at tage sig af ham, og i stedet bliver den sympatiske pusher Juan en slags surrogatfar for drengen. Senere, både som teenager og som ung mand, kæmper Chiron stadig for at finde sin plads i verden og finde ud af, hvem han er. Barry Jenkins' smukke, indfølte drama modtog Oscars for bedste film, bedste manuskript baseret på et andet forlæg og bedste mandlige birolle (Mahershala Ali).
Instrueret af Barry Jenkins
  • Trevante RhodesBlack
  • André HollandKevin
  • Janelle MonáeTeresa
  • Ashton SandersChiron
  • Jharrel JeromeKevin Age 16
  • Alex R. HibbertLittle
  • Jaden PinerKevin Age 9
  • Naomie HarrisPaula
  • Mahershala AliJuan
  • Shariff EarpTerrence
  • Duan SandersonAzu
  • Herman 'Caheei McGlounLongshoreman
  • Kamal Ani-BellowPortable Boy 1
  • Keomi GivensPortable Boy 2
  • Eddie BlanchardPortable Boy 3
  • Rudi GoblenGee
  • Edson JeanMr. Pierce
  • Patrick DecileTerrel
  • Herveline MoncionSamantha
  • Fransley HyppolitePizzo
  • Spanktacular
    Spanktacular8. maj 2025
    BrokeBlack Mountain. Absolutely worth the hype, beautiful emotional story with tremendous acting.
  • Nicholas Florio
    Nicholas Florio8. december 2025
    Great movie. It is sad but really good. Watch this if you are reading these reviews. This won't be a waste of your time.
  • jdough7
    jdough730. juli 2026
    amazing!!!!!!!
  • Tyler S
    Tyler S22. marts 2025
    👍👍 8/10
  • Garrett Wilkins
    Garrett Wilkins22. juli 2026
    Just as Andrea Arnold did in American Honey, Barry Jenkins turns his attention toward a part of America that mainstream filmmaking rarely cares to acknowledge. While American Honey follows one forgotten corner of the country's underclass, Moonlight reveals an entirely different one. Both films remind us just how many American stories remain untold. What struck me most was how little interest the film has in assigning blame or making a certain audience feel guilty by outright claiming any type of systemic injustice exists. It never seems interested in telling viewers what they're supposed to think. Instead, it simply presents its characters as they are, trusting that their humanity is enough to earn empathy on its own. I found that approach far more effective than the kind of mainstream dramas that arrive with their social justice lessons already baked into the screenplay. Mahershala Ali is phenomenal despite appearing for far less of the film than I expected. He had an aura of security about him that extended well beyond his limited screen time. I wasn't entirely convinced at first that Trevante Rhodes was the right choice for the film's final chapter. By the end, though, he had completely won me over as the right choice for the final act protagonist. Barry Jenkins directs with remarkable confidence and allows these performances and the silence between them to carry as much weight as the dialogue itself. I spent much of the film thinking less about where the story was going and more about what it was trying to say. It raises questions about identity, masculinity, sexuality, family, addiction, poverty, and belonging. I wondered whether it was subtly or perhaps even incidentally suggesting that society begins shaping a person's understanding of themselves long before they have the opportunity to define that identity on their own. Whether that was Jenkins' intention or simply my own interpretation, I appreciated that the film never forces an answer. But at the same time, I think Moonlight reaches into so many different areas that it never fully commits to any single one of them, and even though this can sometimes be a successful tactic, I can't quite say this film pulls that effort off well enough to be worthwhile. I have to say too, if I'm being forthright, I personally believe the Academy had stronger Best Picture nominees that year. With that said, I completely understand why Moonlight has become such a respected film. More than anything, I'm glad I watched the two A24 products, American Honey and Moonlight, back-to-back. They complement one another remarkably well, revealing two different perspectives of life beneath the surface of modern America without either one pretending to have all the answers.
  • Tim and Ken
    Tim and Ken15. februar 2026
    I've seen this movie 2 or 3 times. I always enjoy an LGBT coming of age story. Some other older gays might be able to relate to the challenges of coming out. The need to "act like one of the guys" to fit in. The sense that some of us are unable to come out to ourselves and others until there's some distance to feel safe enough to do so. But when it finally happens, it just feels so right, and freeing.
  • welton
    welton7. marts 2026
    One of the worst movies I’ve ever watched.
  • remii
    remii6. februar 2026
    What a debut movie
  • arekyyz
    arekyyz26. januar 2026
    Perfect.
  • Kevin Ward
    Kevin Ward2. juli 2025
    Finally got around to watching this and holy sh🤩 it is so f🤩king good and worthy of all the praise. Such a powerfully moving story, it’s beautifully scored, with exquisite performances.
  • kenkaeumlen
    17. juli 2026

    Moonlight is hard

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Se Moonlight-videoer

  • Moonlight
    MoonlightTrailer
  • Moonlight (Home Ent. Trailer)
    Moonlight (Home Ent. Trailer)Trailer
  • All Love All Pride
    All Love All PrideScene
  • Middle Of The World
    Middle Of The WorldScene
  • Juan Brings Little Home
    Juan Brings Little HomeScene

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