

Mission: Impossible - Dead Reckoning
Directed by Christopher McQuarrieEthan Hunt and the IMF team must track down a terrifying new weapon that threatens all of humanity if it falls into the wrong hands. With control of the future and the fate of the world at stake, a deadly race around the globe begins. Confronted by a mysterious, all-powerful enemy, Ethan is forced to consider that nothing can matter more than the mission -- not even the lives of those he cares about most.
Cast of Mission: Impossible - Dead Reckoning
Mission: Impossible - Dead Reckoning Ratings & Reviews
- Petteri693d agoPerfect Action!
- GBWestJune 3, 2025It is a fun film to watch, filled with adventure and excitement.
- MeghannBJanuary 31, 2025Let's put it this way. The only thing you need to put in an MI trailer to get me to see the movie is tell me that another MI movie is coming out, and the date it's premiering. BUT that being said this movie is actually excellent. A total thrill ride. I'm counting the days til part 2.
- tonymackieMay 29, 2025Pure escapism, fantastic.
- Spaceman JoeMay 28, 2025Dude. It’s perfect. The pacing, story, stunts, music, acting, it’s all top notch! It manages to feel like a completed story while also setting up Final Reckoning. I can’t praise this movie enough.
- James SaenzMay 22, 2025“i swear, your life will always matter more to me than my own.” “you don’t even know me.” “what difference does that make?” in this age of growing over-reliance on artificial intelligence in its myriad forms, an age of burgeoning distrust and disdain where hostility between in- and out-groups festers at the hands of modified and misrepresented information, it’s such a beacon of hope to witness a piece of art that is so deeply entrenched in compassion and humanity. ethan hunt is not just the living manifestation of destiny, but also an avatar of compassion. the entity is cold, callous, unfeeling. it represents the utter lack of empathy and foresight with which both the united states government and capitalism treat people, eager to sacrifice individuality, freedom, privacy and critical thought in exchange for power, complacency and automation. in our modern world, a world in which technofascism is so quickly on the rise, the indomitable human spirit must fight back with the tenacity of ethan hunt. it’s so poignant that the director of national intelligence in this film would be so willing and eager to marry the entity with the overwhelming might of america’s military industrial complex, so willing to rewrite the truth to suit his own interests. gabriel, the fanatical messenger angel of the entity, does not ascribe to these same ambitions, but his own zealotry’s goals can only lead to another form of human subjugation. this is not even technically a war with artificial intelligence, but rather the philosophy that engenders it. it’s a war against apathy, a war against the relinquishment of agency for the sake of convenience. it is a war against the commodification of every moment of human life, a fight to save the sanctuaries of the human soul and preserve artistic integrity; in cruise’s main point of contention, it’s a war to preserve institutions like the theater. what was born out of passion and ingenuity has deteriorated into huxley’s soma, from exploring imagination to simply consuming content. literature, and by extension art in its countless forms, has constantly warned of this evil. from bradbury to orwell, from huxley’s brave new world to herbert’s butlerian jihad, mankind’s desperate need to innovate and develop has lead to our demise in some fashion intellectually, emotionally, physically, etc. at what point will we ever stop? at what point will we ever realize the gravity of our mistakes, and start to seek our own humanity again? the future is bleak, but the ability change it is always in our grasp.
- leyon.palmerMay 22, 2025Looking forward to the final phase of this
- Kit LazerMay 9, 2025Still one of the most flawed entries in the franchise: The Entity is an oft used (and poor) villain moniker, the melodrama is cranked up to 11, and there were some new editing choices that don’t serve the story… …and that choice I’ll never forgive… …but it’s a movie that is also adrenaline-fueled, earnest, and well aware of the stakes, not just the stakes of the plot but of (forgive me) cinema itself. It also gave me Pom Klementieff in a way I’ll never forget.
- Jrochard1523May 22, 2025great movie funny at times great writing and acting
- karthikm470May 21, 2025Good movie
- AMay 18, 2025Lot of action, but zero reason to be nearly 3 hrs long
- bksmarMay 15, 2025if they only hadnt killer Ilsa
- ColeApril 17, 2025I’ll never forget my theater collectively gasping and holding their breath after Tom drives off the cliff. Mr Movies does it again.
- ckent6992January 19, 2025Excellent pace, story and acting... a fun ride if you just want to escape for a couple of hours!
- TanalienJanuary 9, 2025Dead Reckoning Part One is not a match for the full package of Fallout, but the experience of watching it is better in some respects. The narrative seamlessly jumps from conversation to action and from one city to another. It is a style of action filmmaking that only Cruise and McQuarrie can manage. Their pursuit of perfection rages on, but the breadth of the story minimizes this film’s impact. Dead Reckoning Part One has its share of great set pieces, an intriguing and timely premise, and welcome comedy, but there are so many characters that the central cast sees a digression - a descent back to well-trodden territory. A repackaging of old parts, one might say. The pieces of a great Mission film are all here, but it lacks internal consistency. Dead Reckoning Part One is an uneven time at the movies. After the credits rolled, I said, “This was better than Fallout!” As soon as the words were uttered, something felt wrong. When the adrenaline subsided, the experience felt hollow: a rollercoaster experience that looks brand new but feels off. Dead Reckoning Part Two might retroactively patch some holes, but as a standalone title, the first part crumbles upon closer examination.