Better than “Masters of the Universe”, but still something is off. The online hate is just female lead troll noise. Delete your social media and suddenly you can think and breathe clearer.
That said, think ‘buddy road film’-ish typical cheap banter. I blame the screenplay. The forced witty back and forth is, indeed, forced. You’ll feel you seen this before. They simply didn’t take any chances. But the chances they did take, the plot of the bad guys, though interesting, was shoehorned in. Like the plot about Krypto. That was obviously “let’s get dog lovers involved”…. Sorry. At least for me, didn’t care.
The DC animation of this story of Kara is soooooo much better. But that’s an industry that takes chances by simply staying closer to the source material. Film executives thinking: “we’re spending upwards of $250 million, our data shows from a theater audience likes plot A, B, C and D in order to make back our budget and do well overseas” That includes killing off the only Black characters in the film, by the way. Don’t think I didn’t catch that BS. That was a shit screenplay decision and it shows pandering to one of their “quadrants”.
There it is. The word I was looking for: “Pandering” Every film Hollywood strives to bring you to the theaters with is a pandering maneuver. Marvels forthcoming Doomsday (as of this July 2026) coming up in December 2026, bringing everyone back, is big budget pandering. Any reboot ever made is pandering. Suckering you back in because it worked before.
Meanwhile, there are a billion original novels out there unread by Hollywood. I foresee generative AI filling in that gap. A $3 million or less AI produced original story making the money Hollywood only wished it would is coming. But refer to my first paragraph. They would have to stop listening to online troll noise to be that brave. Online people only think they have power.
This is where the real contextual use of the word “woke” works: my eyes are wide open, I see what they’re doing, I’ll only go to the theater for films that take chances and tell a story that doesn’t pander to “me” or a racist “overseas market” (and domestic) but for the sake of its own original story.
Supergirl, good only for streaming or however you get your hands on it, but spend $50+concessions at the theater? GTFOH.