妻との離婚直後、銀行強盗に遭遇したジョンは人生を再出発させようと警官への転職を決心。ペンシルベニア州からロサンゼルスに引っ越したジョンはポリスアカデミーを卒業し、ロサンゼルス市警 (LAPD) で新人巡査となる。彼と20代の2人の新人、勝ち気なルーシーと二世警官のジャクソンは、それぞれ指導巡査とコンビを組んで、パトカーに乗って街のパトロールへ。新人たちは、くせ者ぞろいの先輩たちから警官の心構えやストリートのおきてを学びながら、凶悪な犯罪やドラッグ関連など、住民が起こすさまざまな事件･トラブルの対応へ。体力では周囲に劣るジョンだが、情熱と成熟した人間味で異色のルーキー警官に成長していく。
ザ・ルーキー 40歳の新米ポリス!?の視聴方法
- Drew14時間前Started out with a decent premise but has gone for twice as long as it should. Further, the worst offence, the writing has the women portrayed as men and the men as women. Typical horsecrap for the time and runs into every cliche as if it was written by a feminist team of idealogs roun tabling about "wouldn't it be great if..." The women can do no wrong, the men apologize for everything and are just happy to be with them and their insane behavior, all the while being 110 pounds and some flavor of ex military, special forces or some variation there of. The show takes every opportunity to hit most every woke cliche from stating misogny to girl power to the men should be afraid to we don't have it equal. The writers need to be slapped like the whiney children they are and put a parent in control. Beyond that it's every other cliche and stereotypical BS you can come up with. The bad guys are always white, the Christians are crazy, the women wear the pants, the minorities only do bad because they must or it's not their fault but the systems, the female minorities always have sage level nuggets of wisdom and act is if they're waiting to be met at the conclusion you'll eventually land on, it's all just too woke and dumb in that regard. Basically if they write a man doing man things, he's aloof, misogynistic or frat boy, but if they write the woman doing those things, it's brave and beautiful. Not to mention the ridiculousness of the plot lines later in the show, there's always a shoot out, a serial killer, KGB, drug lord, or some crazy thing happening and wrapped up by the end of the show. It drifted far from its original intent. For Nathan's character, the Pennsylvania boy with the aww shucks gee whiz attitude, I've never disliked him but he seems to play the same character in everything he does. In this one, his wife Bailey is insufferable and easily the worst character on the show gaslighting and emasculating any chance she gets while treating conversations like a minefield for her partner. She's the worst. The show is cheeseball, first few seasons are OK, but it's at best a background distraction while you do anything else more meaningful but someone please slap the writers.
- Vögii the G2026年5月18日American cops should be like this, but unfortunately they aren’t... I’ve never seen a series that is as black-and-white as this one. The ‘good guys’ are portrayed in such an unnaturally perfect way, while the ‘bad guys’ are made out to be unbelievably evil. At the beginning, the first few seasons were still somewhat entertaining, but by now it’s just boring because there’s always a happy ending — or it turns into a wokeness-cringe overload. This series definitely cured my FOMO because it’s the first one I actually quit. That’s what the half star is for.
- keira joyal2026年4月21日I love the rookie. I didn’t know I was gonna be so addicted to it for a very long time. It’s mostly my favourite show. I ever watched every single day and I hope one day I can meet the rookie cast that’s one of my most dreams to ever do and I live so far away from them I live in Canada and they live in USA. I really wish I could go and visit them. I love the rookie so much it has changed me through the toughest moments and helped me
- hybrid201182026年4月11日Is it the show of the year? No. But it’s a great binge watch with likable characters and realistic situations, sometimes happening so often that it starts to feel a little unlikely overall. Still, I really enjoyed it. The characters grow meaningfully between seasons, and the world around them evolves in a natural, organic way. Highly recommended!
- Cubane2026年3月10日It's a police procedural. Like its contemporaries, you may find it difficult to ignore how it's the same 6 beat cops getting in massive gunfights every week. The storytelling is slightly more nuanced sometimes, and while it does occasionally dare to approach being critical toward some police practices, it pulls back pretty quickly. We in the biz call this "cop slop". It definitely does not reinvent the genre, but Fillion is great as usual and the rest of the cast is a good accompaniment. It's another cheap margarita show: fun to consume, maybe to poke fun at a bit, but probably not going to measurably improve your life. All that said, still definitely has its place and everyone could use a margarita every now and then.
- Matt Kelly2026年2月27日The Rookie is a police procedural that succeeds not by reinventing the genre, but by giving it heart, humor, and an unusually relatable point of view. Centered on John Nolan, a forty‑something man who uproots his life to become the LAPD’s oldest rookie, the series immediately stands out with a premise rooted in second chances and personal reinvention. What could have been a gimmick instead becomes the emotional backbone of a long‑running and surprisingly resonant show. Nathan Fillion is the show’s greatest asset. His portrayal of Nolan balances optimism, vulnerability, and quiet determination, making the character both believable and deeply likable. Fillion’s natural charm carries the series early on, but The Rookie quickly grows into a true ensemble drama. The relationships between rookies and their training officers—especially the tough‑but‑principled Tim Bradford and the driven Lucy Chen—give the show its rhythm and emotional stakes. What truly elevates The Rookie is its tone. The series blends action, drama, and humor with ease, often shifting from tense street encounters to character‑driven moments without losing momentum. While firmly grounded in procedural storytelling, it also takes time to explore the personal lives, moral dilemmas, and evolving careers of its characters. Over time, the show becomes less about a single rookie and more about the many ways people serve, struggle, and grow within law enforcement. Like many long‑running network dramas, The Rookie isn’t without its uneven stretches. Some storylines lean into heightened drama or familiar tropes, and later seasons occasionally favor spectacle over subtlety. However, the series consistently rebounds by focusing on character growth and relationships—its greatest strengths. Ultimately, The Rookie endures because it understands its appeal. It’s hopeful without being naïve, dramatic without being cynical, and entertaining without losing its humanity. Anchored by a charismatic lead and supported by a diverse, evolving cast, The Rookie has earned its place as one of the most enjoyable and accessible police dramas of the past decade.
- Callum2025年10月22日⭐⭐⭐⭐½ – ⭐⭐⭐⭐⭐ (out of 5) If Blue Lights is Warhammer 40K with badges, then The Rookie is what happens when someone paints the grimdark universe pastel and hands everyone emotional support doughnuts. This is a very American show — not in a bad way, but in that “everything’s going to be OK by the time the credits roll” sort of optimism that could single-handedly power the Los Angeles grid. Even when bullets fly and lives fall apart, there’s an almost magical certainty that someone will crack a smile, deliver a life-affirming speech, and the background music will cue up a “we’re all in this together” vibe. It’s the TV equivalent of a golden retriever: loyal, heroic, occasionally ridiculous, but always ready to make you feel better about the world. In a landscape where Blue Lights is busy punching existential dread in the face, The Rookie shows up with cupcakes and says, “Hey, maybe we can talk this out.” You could say Blue Lights is a trench fight under a rain-soaked sky, while The Rookie is a sunny-day parade with good coffee and a morale boost. Both belong in your watchlist — just don’t expect them to inhabit the same galaxy.
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ザ・ルーキー 40歳の新米ポリス!?は、全8シーズンです。
ザ・ルーキー 40歳の新米ポリス!?は、全144話です。
ザ・ルーキー 40歳の新米ポリス!?の主要人物はJohn Nolan (Nathan Fillion), Lucy Chen (Melissa O'Neil), Tim Bradford (Eric Winter)です。
ザ・ルーキー 40歳の新米ポリス!?はBill Roe, TK Shom, Tori Garrett, Michael Goi, Chi-Yoon Chung, Lisa Demaine, Sylvain White, Lanre Olabisi, John Terlesky, Alexi Hawley, Jon Huertas, Robert Bella, Daniel Willis, Rob Seidenglanz, Bill Johnson, David McWhirter, Liz Friedlander, Jennifer Lynch, Cherie Nowlan, Toa Fraser, Ashley Williams, Anne Renton, Omar Madha, Nelson McCormick, Daryn Okada, John Hyams, Marcus Stokes, Jessica Yu, Valerie Weiss, Rachel Feldman, Timothy Busfield, Wendey Stanzler, Adam Davidson, Stephanie Martin, Carol Banker, Tessa Blake, Bethany Rooney, Steve Robin, Fernando Sariñana, Dinh Thai, Greg Beeman, John Fortenberry, Gina Lamar, Charissa Sanjarernsuithikul, Antonio Negret, Tara Miele, Leslie Libman, Rob Bowman, SJ Main Muñoz, Troian Bellisario, Tasha Smith, April Mullen, Stephanie A. Marquardt, Barbara Brown, Anna Mastroが監督を務めました。
ザ・ルーキー 40歳の新米ポリス!?はMarco Black, Patrick McKee, P. Todd Coe, Llewellyn Wells, Michele Grecoがプロデューサーを務めました。
妻との離婚直後、銀行強盗に遭遇したジョンは人生を再出発させようと警官への転職を決心。ペンシルベニア州からロサンゼルスに引っ越したジョンはポリスアカデミーを卒業し、ロサンゼルス市警 (LAPD) で新人巡査となる。彼と20代の2人の新人、勝ち気なルーシーと二世警官のジャクソンは、それぞれ指導巡査とコンビを組んで、パトカーに乗って街のパトロールへ。新人たちは、くせ者ぞろいの先輩たちから警官の心構えやストリートのおきてを学びながら、凶悪な犯罪やドラッグ関連など、住民が起こすさまざまな事件･トラブルの対応へ。体力では周囲に劣るジョンだが、情熱と成熟した人間味で異色のルーキー警官に成長していく。
ザ・ルーキー 40歳の新米ポリス!?はTV-14と評価されています。
ザ・ルーキー 40歳の新米ポリス!?は、犯罪, ドラマ, コメディの番組です。
ザ・ルーキー 40歳の新米ポリス!?は、視聴者によって10点満点中7.5点をつけられています。
ザ・ルーキー 40歳の新米ポリス!?の話の長さは、43mです。
はい、ザ・ルーキー 40歳の新米ポリス!?の新シーズンとエピソードが予定されています。