JL
James Laxton
Additional CreditsBorn February 3, 1981 (44 years)
James Laxton is an American cinematographer who is best known for his collaborations with filmmaker Barry Jenkins, specifically his work on Jenkins' 2016 film Moonlight, for which he won an Independent Spirit Award and received an Academy Award nomination.
Laxton began at Florida State University, where he met Jenkins. They collaborated on numerous films, including the critically acclaimed 2016 film Moonlight. After graduating, Laxton entered the industry by assisting the camera department on features and shorts, including projects from directors such as David Nordstrom, David Parker, and Cole Schreiber.
In childhood, Laxton accompanied his mother, a noted costume designer, to film sets. He reported being inspired by the rhythm of chaos and calm on the movie set, which played a significant role in his decision to enter the industry.
Laxton's most critically acclaimed credit is the 2016 film Moonlight, directed by Barry Jenkins. The film explores themes of sexuality in a harsh urban environment. A relatively low budget of 1.5 million dollars forced Laxton to forgo equipment such as underwater camera gear and search for innovative cinematographic solutions.
If Beale Street Could Talk was also a Jenkins collaboration. The film features a tragic love story set in 1970s New York City, between Clementine "Tish" Rivers (played by KiKi Layne) and wood artist Alonzo "Fonny" Hunt (played by Stephan James). The two struggle against racism, sexual harassment and assault, and a false rape accusation. The film is based on a novel by James Baldwin and uses a non-linear structure.
In discussing the success of the movie, which has been described as "trading docu-realism for crafted visual poetry of the highest level," Laxton and Jenkins accredited their years-long process of conversation and collaboration.
Description above from the Wikipedia article James Laxton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Laxton began at Florida State University, where he met Jenkins. They collaborated on numerous films, including the critically acclaimed 2016 film Moonlight. After graduating, Laxton entered the industry by assisting the camera department on features and shorts, including projects from directors such as David Nordstrom, David Parker, and Cole Schreiber.
In childhood, Laxton accompanied his mother, a noted costume designer, to film sets. He reported being inspired by the rhythm of chaos and calm on the movie set, which played a significant role in his decision to enter the industry.
Laxton's most critically acclaimed credit is the 2016 film Moonlight, directed by Barry Jenkins. The film explores themes of sexuality in a harsh urban environment. A relatively low budget of 1.5 million dollars forced Laxton to forgo equipment such as underwater camera gear and search for innovative cinematographic solutions.
If Beale Street Could Talk was also a Jenkins collaboration. The film features a tragic love story set in 1970s New York City, between Clementine "Tish" Rivers (played by KiKi Layne) and wood artist Alonzo "Fonny" Hunt (played by Stephan James). The two struggle against racism, sexual harassment and assault, and a false rape accusation. The film is based on a novel by James Baldwin and uses a non-linear structure.
In discussing the success of the movie, which has been described as "trading docu-realism for crafted visual poetry of the highest level," Laxton and Jenkins accredited their years-long process of conversation and collaboration.
Description above from the Wikipedia article James Laxton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
James Laxton Filmography
| 2019 | Walrus Yes: The Making of Tusk · as Self |
| 2024 | Mufasa: The Lion King · as Director Of Photography |
| 2021 | The Underground Railroad (TV Series) · as Director Of Photography |
| 2021 | The Gaze · as Director Of Photography |
| 2019 | Black Monday (TV Series) · as Cinematographer |
| 2018 | If Beale Street Could Talk · as Director Of Photography |
| 2018 | Here and Now (2018) (TV Series) · as Cinematographer |
| 2017 | Anything · as Director Of Photography |
| 2016 | |
| 2016 | The Black Jacket · as Cinematographer |
| 2016 | Yoga Hosers · as Director Of Photography |
| 2016 | Welcome to the Last Bookstore · as Cinematographer |
| 2016 | Garfunkel and Oates: Trying to Be Special · as Cinematographer |
| 2016 | Holidays · as Director Of Photography |
| 2016 | Youth · as Director Of Photography |
| 2014 | Rubberhead · as Cinematographer |
| 2014 | Camp X-Ray · as Director Of Photography |
| 2014 | Tusk · as Director Of Photography |
| 2013 | Tradition Is a Temple: The Modern Masters of New Orleans · as Cinematographer |
| 2013 | Bad Milo · as Director Of Photography |
| 2013 | Dealin' with Idiots · as Director Of Photography |
| 2013 | You and Your Fucking Coffee (TV Series) · as Cinematographer |
| 2013 | The Moment · as Director Of Photography |
| 2013 | Adult World · as Director Of Photography |
| 2012 | California Solo · as Director Of Photography |
| 2012 | For a Good Time, Call... · as Director Of Photography |
| 2012 | The Murder of Hi Good · as Director Of Photography |
| 2012 | Leave Me Like You Found Me · as Director Of Photography |
| 2011 | Sawdust City · as Cinematographer |
| 2011 | The Last Buffalo Hunt · as Cinematographer |
| 2010 | Karma · as Director Of Photography |
| 2010 | The Myth of the American Sleepover · as Director Of Photography |
| 2010 | Futurestates (TV Series) · as Cinematographer |
| 2010 | The Violent Kind · as Director Of Photography |
| 2008 | Medicine for Melancholy · as Director Of Photography |
| 2003 | Little Brown Boy · as Cinematographer |