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Marnie
Directed by
Alfred Hitchcock
PG
1964
2h 10m
Mystery
,
Crime
,
and more
7.1
81%
72%
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Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them.
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Cast of Marnie
Tippi Hedren
Marnie Edgar
Sean Connery
Mark Rutland
Diane Baker
Lil Mainwaring
Martin Gabel
Sidney Strutt
Louise Latham
Bernice Edgar
Bob Sweeney
Cousin Bob
Milton Selzer
Man at Track
Mariette Hartley
Susan Clabon
Alan Napier
Mr. Rutland
Bruce Dern
Sailor
Henry Beckman
First Detective
S. John Launer
Sam Ward
Edith Evanson
Rita
Meg Wyllie
Mrs. Turpin
Leon Alton
Party Guest (uncredited)
John Alvin
Hotel Chauffeur (uncredited)
Kimberly Beck
Jessie Cotton (uncredited)
Lillian Bronson
Mrs. Maitland (uncredited)
George Bruggeman
Racetrack Patron (uncredited)
Linden Chiles
Office Worker (uncredited)
Rupert Crosse
Office Worker (uncredited)
Harold Gould
Mr. Garrett (uncredited)
John Hart
Dr. Gilliat (uncredited)
Alfred Hitchcock
Man Leaving Hotel Room (uncredited)
Kenner G. Kemp
Party Guest (uncredited)
Caryl Lincoln
Party Guest (uncredited)
Louise Lorimer
Mrs. Strutt (uncredited)
Milton Parsons
Bald Man (uncredited)
Carmen Phillips
Sidney Strutt's Secretary (uncredited)
Murray Pollack
Husband (uncredited)
Paul Power
Racetrack Patron (uncredited)
Greg Rhinelander
Party Guest (uncredited)
Mark Russell
Party Guest (uncredited)
Melody Thomas Scott
Young Marnie (uncredited)
Bert Stevens
Party Guest (uncredited)
Hal Taggart
Racetrack Patron (uncredited)
Tim Taylor
Party Guest (uncredited)
Luree Wiese
Party Guest (uncredited)
Emmaline Henry
Minor role (uncredited)
Bryan O'Byrne
Rutland Doorman (uncredited)
Pearl Shear
Woman in Restroom (uncredited)
Charles Thompson
Party Guest Charlie (uncredited)
Marnie Ratings & Reviews
High on Films
Shikhar Verma
I think the main thematical implication of Hitchock's [Marnie] is exactly that. The constant confusing morality of leaving the viewers take control as he himself hasn't got it under his spell.
Old School Reviews
John A. Nesbit
professionally crafted film that focuses primarily on character development
Cinemaphile.org
David Keyes
A farsighted yet unassuming thriller with brilliant desires to deconstruct a human mind.
Slant Magazine
Fernando F. Croce
Viewed from the safe distance of four decades after its release, Marnie, perhaps even more than The Birds, emerges as the director's definitive late-period masterpiece.
TIME Magazine
TIME Staff
Hitchcock's elegant cinematic style, evident here and there, seems wasted in a melange of banal dialogue, obtrusively phony process shots, and a plot that congeals more often than it thickens.
The New Yorker
Richard Brody
Psychologically resonant, visually transcendent ...
Chicago Reader
Dave Kehr
Universally despised on its first release, Marnie remains one of Alfred Hitchcock's greatest and darkest achievements.
Variety
Variety Staff
Marnie is the character study of a thief and a liar, but what makes her tick remains clouded even after a climax reckoned to be shocking but somewhat missing its point.
Austin Chronicle
Marjorie Baumgarten
For my money, this Freudian tale about a beautiful kleptomaniac and liar is one of Hitchcock's best accomplishments, certainly one of his most perverse.
AV Club
Keith Phipps
Considered a misfire at the time, it now looks like late-period Hitchcock at his most Hitchcockian.
New York Times
Eugene Archer
At once a fascinating study of a sexual relationship and the master's most disappointing film in years.
Classic Film and Television
Michael E. Grost
Strange, richly told tale, full of echoes of Hitchcock themes.
Video-Reviewmaster.com
Steve Crum
Fine, disturbing Hitchcock near classic w/Connery and Hedren in good form.
Combustible Celluloid
Jeffrey M. Anderson
This messy bit of twisted psychological damage is arguably the most underrated film in Hitchcock's canon (though there's a lot of competition).
TV Guide
TV Guide Staff
A masterpiece of psychological mystery that encompasses all of the director's obsessions.
ColeSmithey.com
Cole Smithey
A savory failure from the Master.
EmanuelLevy.Com
Emanuel Levy
Unfortunately, Marnie was released right after the masterpiece The Birds and comparisons were inevitable, but there's so much to admire about this work, textually, dramatically, visually.
LarsenOnFilm
Josh Larsen
...a crazed and lurid character portrait that spends most of its time psychoanalyzing itself.
Not Coming to a Theater Near You
Leo Goldsmith
Marnie's Mama's house is a masterpiece of repressed emotion, a bland domestic space of seemingly placid creams and yellow, rendered in swirling wallpaper and upholstery patterns.
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