Stuart Penn
Stuart Penn is a visual effects supervisor at Framestore. Before entering the world of visual effects, Stuart spent a decade as a research physicist specializing in superconductors and dielectric materials. During this time, he established a new research department at London South Bank University, where he led pioneering academic work in the field.
Since leaping VFX, Stuart has contributed to some of cinema’s most iconic films and franchises. His credits include Christopher Nolan’s The Dark Knight, Marvel’s Guardians of the Galaxy, and Alfonso Cuarón’s Academy Award-winning Gravity, where he played a key role in developing the groundbreaking techniques used to simulate zero gravity—working with motion control robotics and an advanced LED lighting stage.
In 2017, Stuart collaborated with Ridley Scott as VFX Supervisor on Alien: Covenant, reviving the legendary ‘face hugger’ creature and applying his technical expertise to the film’s gravity-defying sequences. His extensive on-set experience has supervised key scenes for the BAFTA-nominated Paddington 2 and Amazon’s high-flying adventure The Aeronauts.
Stuart led Framestore’s contributions to Avengers: Endgame, Marvel’s record-shattering blockbuster, the magical Netflix/StudioCanal holiday tale A Boy Called Christmas, and a technically demanding sequence for Venom: Let There Be Carnage.
Since leaping VFX, Stuart has contributed to some of cinema’s most iconic films and franchises. His credits include Christopher Nolan’s The Dark Knight, Marvel’s Guardians of the Galaxy, and Alfonso Cuarón’s Academy Award-winning Gravity, where he played a key role in developing the groundbreaking techniques used to simulate zero gravity—working with motion control robotics and an advanced LED lighting stage.
In 2017, Stuart collaborated with Ridley Scott as VFX Supervisor on Alien: Covenant, reviving the legendary ‘face hugger’ creature and applying his technical expertise to the film’s gravity-defying sequences. His extensive on-set experience has supervised key scenes for the BAFTA-nominated Paddington 2 and Amazon’s high-flying adventure The Aeronauts.
Stuart led Framestore’s contributions to Avengers: Endgame, Marvel’s record-shattering blockbuster, the magical Netflix/StudioCanal holiday tale A Boy Called Christmas, and a technically demanding sequence for Venom: Let There Be Carnage.
Filmography
| 2026 | Project Hail Mary · as Visual Effects Supervisor |
| 2025 | Mickey 17 · as Visual Effects Supervisor |
| 2024 | Ghostbusters: Frozen Empire · as Visual Effects Supervisor |
| 2023 | Doctor Who (2023) · as Visual Effects Supervisor |
| 2023 | Flite · as Visual Effects Supervisor |
| 2022 | 1899 · as Visual Effects Supervisor |
| 2022 | Moon Knight · as Visual Effects Supervisor |
| 2021 | A Boy Called Christmas · as Visual Effects Supervisor |
| 2021 | Venom: Let There Be Carnage · as Visual Effects Supervisor |
| 2021 | Loki · as Visual Effects Supervisor |
| 2019 | The Aeronauts · as Visual Effects Supervisor |
| 2019 | Avengers: Endgame · as Visual Effects Supervisor |
| 2017 | Paddington 2 · as Visual Effects Supervisor |
| 2017 | Alien: Covenant · as Visual Effects Supervisor |
| 2009 | Avatar · as Modeling |
| 2005 | Kingdom of Heaven · as Senior Modeller |