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Mark Taylor
Additional CreditsBorn December 1, 1966 (59 years)
Mark Taylor (born 1 December 1966) is a sound effects and re-recording mixer.
Taylor has won two Primetime Emmy Awards. The first was in 2000 for his work on RKO 281, and the second in 2002 for Band of Brothers: Carentan. In 2014, Taylor and his fellow sound mixers were nominated for an Academy Award for Best Sound Mixing for the 2013 film Captain Phillips. Taylor was nominated again at the 88th Academy Awards for the film The Martian. In 2020, he received his third Academy Award nomination and first win for Best Sound Mixing for the 2019 film 1917 at the 92nd Academy Awards. He received further nominations, this time in the category of Best Sound, for his work on No Time to Die (2021) and Top Gun: Maverick (2022), winning his second Academy Award for the latter. He was nominated again for Best Sound for his work on Mission: Impossible - Dead Reckoning Part One (2023).
Description above from the Wikipedia article Mark Taylor (sound engineer), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Taylor has won two Primetime Emmy Awards. The first was in 2000 for his work on RKO 281, and the second in 2002 for Band of Brothers: Carentan. In 2014, Taylor and his fellow sound mixers were nominated for an Academy Award for Best Sound Mixing for the 2013 film Captain Phillips. Taylor was nominated again at the 88th Academy Awards for the film The Martian. In 2020, he received his third Academy Award nomination and first win for Best Sound Mixing for the 2019 film 1917 at the 92nd Academy Awards. He received further nominations, this time in the category of Best Sound, for his work on No Time to Die (2021) and Top Gun: Maverick (2022), winning his second Academy Award for the latter. He was nominated again for Best Sound for his work on Mission: Impossible - Dead Reckoning Part One (2023).
Description above from the Wikipedia article Mark Taylor (sound engineer), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Mark Taylor Filmography
| 2023 | The Oscars · as Self - Winner |
| 2020 | The Oscars · as Self - Winner |
| 2016 | The Oscars · as Self - Nominee |
| 2014 | The Oscars · as Self - Nominee |
| 2026 | Greenland 2: Migration · as Sound Re-Recording Mixer |
| 2025 | The Family Plan 2 · as Sound Re-Recording Mixer |
| 2025 | Fountain of Youth · as Sound Re-Recording Mixer |
| 2024 | IF · as Sound Re-Recording Mixer |
| 2024 | The Ministry of Ungentlemanly Warfare · as Sound Re-Recording Mixer |
| 2023 | A Haunting in Venice · as Sound Re-Recording Mixer |
| 2023 | Mission: Impossible - Dead Reckoning · as Sound Re-Recording Mixer |
| 2023 | Operation Fortune: Ruse de Guerre · as Sound Re-Recording Mixer |
| 2022 | Top Gun: Maverick · as Sound Re-Recording Mixer |
| 2022 | The Northman · as Sound Re-Recording Mixer |
| 2021 | No Time to Die · as Sound Re-Recording Mixer |
| 2021 | Hitman's Wife's Bodyguard · as Sound Re-Recording Mixer |
| 2019 | 1917 · as Sound Re-Recording Mixer |
| 2019 | Aladdin · as Sound Re-Recording Mixer |
| 2018 | Hunter Killer · as Sound Re-Recording Mixer |
| 2018 | 22 July · as Sound Re-Recording Mixer |
| 2018 | Tomb Raider · as Sound Re-Recording Mixer |
| 2017 | All the Money in the World · as Sound Re-Recording Mixer |
| 2017 | Suburbicon · as Sound Re-Recording Mixer |
| 2017 | The Current War · as Sound Re-Recording Mixer |
| 2016 | Morgan · as Supervising Sound Editor |
| 2016 | Jason Bourne · as Sound Re-Recording Mixer |
| 2015 | The Martian · as Sound Re-Recording Mixer |
| 2015 | Legend · as Sound Re-Recording Mixer |
| 2014 | Big Eyes · as Additional Sound Re-Recording Mixer |
| 2014 | Exodus: Gods and Kings · as Sound Effects Editor |
| 2014 | Edge of Tomorrow · as Sound Re-Recording Mixer |
| 2014 | The Monuments Men · as Sound Re-Recording Mixer |
| 2013 | Captain Phillips · as Sound Re-Recording Mixer |
| 2012 | Wrath of the Titans · as Sound Re-Recording Mixer |
| 2011 | Sherlock Holmes: A Game of Shadows · as Sound Re-Recording Mixer |
| 2011 | Unknown · as Sound Re-Recording Mixer |
| 2010 | Jackboots on Whitehall · as Sound Re-Recording Mixer |
| 2010 | Psychosis · as Sound Re-Recording Mixer |
| 2010 | Clash of the Titans · as Sound Re-Recording Mixer |
| 2010 | Green Zone · as Sound Effects Editor |
| 2009 | 44 Inch Chest · as Sound Re-Recording Mixer |
| 2008 | Quantum of Solace · as Sound Re-Recording Mixer |
| 2008 | Hellboy II: The Golden Army · as Sound Re-Recording Mixer |
| 2008 | Vantage Point · as Sound Re-Recording Mixer |
| 2007 | Harry Potter and the Order of the Phoenix · as Sound Re-Recording Mixer |
| 2006 | Casino Royale · as Sound Re-Recording Mixer |
| 2006 | Black Book · as Sound Effects Editor |
| 2005 | Spirit Trap · as Sound Re-Recording Mixer |
| 2005 | Kingdom of Heaven · as Additional Sound Re-Recording Mixer |
| 2005 | Valiant · as Sound Re-Recording Mixer |
| 2003 | The Gathering · as Sound Re-Recording Mixer |
| 2002 | The Four Feathers · as Sound Re-Recording Mixer |
| 2002 | Possession · as Sound Re-Recording Mixer |
| 2000 | Snatch · as Sound Re-Recording Mixer |
| 1999 | RKO 281 · as Sound Re-Recording Mixer |
| 1998 | Elizabeth · as Sound Re-Recording Mixer |
| 1998 | Ever After: A Cinderella Story · as Adr Recordist |
| 1996 | Trainspotting · as Sound Re-Recording Mixer |