John P. Livadary
1896年5月20日 — 1987年4月7日 (90年)
From Wikipedia, the free encyclopedia
John Paul Livadary (born 20 May 1896, Istanbul, Turkey, died 7 April 1987, Newport Beach, California, USA ) was a sound designer.
He started work in 1928 at Columbia Pictures and won the Academy Award for Best Sound Mixing Three times, in a career that spanned 30 years. The first Oscar was for One Night of Love (1934), the second for The Jolson Story (1946) and the third for From Here to Eternity (1953).
John Paul Livadary (born 20 May 1896, Istanbul, Turkey, died 7 April 1987, Newport Beach, California, USA ) was a sound designer.
He started work in 1928 at Columbia Pictures and won the Academy Award for Best Sound Mixing Three times, in a career that spanned 30 years. The first Oscar was for One Night of Love (1934), the second for The Jolson Story (1946) and the third for From Here to Eternity (1953).
作品リスト
| 1960 | Comanche Station · as Recording Supervision |
| 1959 | 1001 Arabian Nights · as Sound |
| 1959 | The Last Angry Man · as Sound Supervisor |
| 1959 | The Crimson Kimono · as Recording Supervision |
| 1959 | The Tingler · as Sound SupervisorPlex上 |
| 1959 | Gidget · as Sound Supervisor |
| 1959 | Ride Lonesome · as Recording Supervision |
| 1958 | The Last Hurrah · as Sound Recordist |
| 1958 | Bell Book and Candle · as Recording Supervision |
| 1958 | The 7th Voyage of Sinbad · as Recording Supervision |
| 1958 | Apache Territory · as Recording SupervisionPlex上 |
| 1958 | Buchanan Rides Alone · as Recording Supervision |
| 1958 | Gunman's Walk · as Recording Supervision |
| 1958 | The Lineup · as Sound Supervisor |
| 1958 | The Case Against Brooklyn · as Recording Supervision |
| 1957 | Pal Joey · as Sound Supervisor |
| 1957 | Decision at Sundown · as Recording Supervision |
| 1957 | 3:10 to Yuma · as Recording Supervision |
| 1957 | Jeanne Eagels · as Recording Supervision |
| 1957 | The Garment Jungle · as Recording Supervision |
| 1957 | The Guns of Fort Petticoat · as Recording Supervision |
| 1956 | Nightfall · as Recording Supervision |
| 1956 | Autumn Leaves · as Recording Supervision |
| 1956 | The Solid Gold Cadillac · as Recording Supervision |
| 1956 | The Harder They Fall · as Recording Supervision |
| 1955 | A Lawless Street · as Recording Supervision |
| 1955 | The Last Frontier · as Recording Supervision |
| 1955 | Picnic · as Sound Supervisor |
| 1955 | Queen Bee · as Recording Supervision |
| 1955 | The Man from Laramie · as Sound Supervisor |
| 1955 | Tight Spot · as Recording Supervision |
| 1955 | Cell 2455, Death Row · as Recording Supervision |
| 1955 | The Violent Men · as Recording Supervision |
| 1955 | Pirates of Tripoli · as Sound |
| 1955 | The Long Gray Line · as Sound |
| 1954 | Masterson of Kansas · as Sound |
| 1954 | Human Desire · as Sound |
| 1954 | Phffft · as Recording Supervision |
| 1954 | Three Hours to Kill · as Recording Supervision |
| 1954 | Cannibal Attack · as Sound |
| 1954 | The Law vs. Billy the Kid · as Sound |
| 1954 | The Bamboo Prison · as Sound Recordist |
| 1953 | From Here to Eternity · as Supervising Sound Editor |
| 1951 | The Brave Bulls · as Sound |
| 1941 | You'll Never Get Rich · as Sound Engineer |
| 1939 | The Amazing Mr. Williams · as Supervising Sound Editor |
| 1937 | Lost Horizon · as Sound Engineer |
| 1936 | Mr. Deeds Goes to Town · as Sound Director |
| 1935 | Love Me Forever · as Sound Engineer |
| 1934 | One Night of Love · as Sound Director |
| 1930 | Ladies of Leisure · as Sound Engineer |
| 1929 | Flight · as Sound Engineer |