BK
Benjamin H. Kline
Director, Additional Credits
Born July 11, 1894Died January 7, 1974 (79 years)
Benjamin H. Kline Filmography
| 1972 | The Bull of the West · as Director Of Photography |
| 1972 | The Manhunter · as Cinematographer |
| 1969 | Backtrack! · as Director Of Photography |
| 1968 | Something for a Lonely Man · as Director Of Photography |
| 1968 | Istanbul Express · as Director Of Photography |
| 1968 | Blondie (1968) (TV Series) · as Cinematographer |
| 1968 | The Name of the Game (TV Series) · as Cinematographer |
| 1968 | The Counterfeit Killer · as Director Of Photography |
| 1967 | Ironside (TV Series) · as Cinematographer |
| 1967 | Dragnet (TV Series) · as Cinematographer |
| 1966 | Pistols 'n' Petticoats (TV Series) · as Cinematographer |
| 1966 | Munster, Go Home! · as Director Of Photography |
| 1965 | Run for Your Life (TV Series) · as Cinematographer |
| 1964 | Broadside (TV Series) · as Cinematographer |
| 1964 | The Munsters (TV Series) · as Director Of Photography |
| 1963 | Kraft Suspense Theatre (TV Series) · as Cinematographer |
| 1963 | Bob Hope Presents The Chrysler Theatre (TV Series) · as Cinematographer |
| 1963 | Arrest and Trial (TV Series) · as Cinematographer |
| 1962 | McHale's Navy (TV Series) · as Cinematographer |
| 1962 | The Alfred Hitchcock Hour (TV Series) · as Cinematographer |
| 1962 | The Virginian (TV Series) · as Cinematographer |
| 1962 | It's a Man's World (TV Series) · as Cinematographer |
| 1961 | Alcoa Premiere (TV Series) · as Cinematographer |
| 1961 | Frontier Circus (TV Series) · as Cinematographer |
| 1961 | Father of the Bride (TV Series) · as Cinematographer |
| 1961 | 87th Precinct (TV Series) · as Cinematographer |
| 1961 | Kraft Mystery Theatre (TV Series) · as Cinematographer |
| 1960 | Checkmate (TV Series) · as Cinematographer |
| 1960 | Thriller (TV Series) · as Cinematographer |
| 1960 | The Tall Man (TV Series) · as Cinematographer |
| 1960 | Coronado 9 (TV Series) · as Cinematographer |
| 1960 | Johnny Midnight (TV Series) · as Cinematographer |
| 1959 | Shotgun Slade (TV Series) · as Cinematographer |
| 1959 | Laramie (TV Series) · as Cinematographer |
| 1959 | The Deputy (TV Series) · as Cinematographer |
| 1959 | Johnny Staccato (TV Series) · as Cinematographer |
| 1959 | Markham (TV Series) · as Cinematographer |
| 1958 | Cimarron City (TV Series) · as Cinematographer |
| 1958 | Badman's Country · as Director Of Photography |
| 1958 | Crash Landing · as Director Of Photography |
| 1958 | Going Steady · as Director Of Photography |
| 1958 | The World Was His Jury · as Director Of Photography |
| 1957 | Zombies of Mora Tau · as Director Of Photography |
| 1957 | Casey Jones (TV Series) · as Cinematographer |
| 1957 | The Tijuana Story · as Director Of Photography |
| 1957 | Suspicion (TV Series) · as Cinematographer |
| 1957 | Calypso Heat Wave · as Director Of Photography |
| 1957 | M Squad (TV Series) · as Cinematographer |
| 1957 | Wagon Train (TV Series) · as Cinematographer |
| 1957 | Bachelor Father (TV Series) · as Cinematographer |
| 1957 | Escape from San Quentin · as Director Of Photography |
| 1957 | The Night the World Exploded · as Director Of Photography |
| 1957 | The Giant Claw · as Director Of Photography |
| 1957 | Tales of Wells Fargo (TV Series) · as Cinematographer |
| 1957 | The Man Who Turned to Stone · as Director Of Photography |
| 1957 | Utah Blaine · as Director Of Photography |
| 1956 | Don't Knock the Rock · as Director Of Photography |
| 1956 | Rumble on the Docks · as Director Of Photography |
| 1956 | Circus Boy (TV Series) · as Cinematographer |
| 1956 | Miami Exposé · as Director Of Photography |
| 1956 | Secret of Treasure Mountain · as Cinematographer |
| 1956 | Telephone Time (TV Series) · as Cinematographer |
| 1956 | Rock Around the Clock · as Director Of Photography |
| 1955 | Screen Directors Playhouse (TV Series) · as Cinematographer |
| 1955 | Alfred Hitchcock Presents (TV Series) · as Cinematographer |
| 1955 | Tales of the Texas Rangers (TV Series) · as Cinematographer |
| 1954 | The Adventures of Rin Tin Tin (TV Series) · as Cinematographer |
| 1954 | Studio 57 (TV Series) · as Cinematographer |
| 1954 | Captain Midnight (TV Series) · as Cinematographer |
| 1953 | No Escape · as Director Of Photography |
| 1953 | General Electric Theater (TV Series) · as Cinematographer |
| 1952 | Ford Theatre: All Star Theatre (TV Series) · as Cinematographer |
| 1951 | As You Were · as Cinematographer |
| 1951 | Schlitz Playhouse of Stars (TV Series) · as Cinematographer |
| 1951 | The Amos 'n Andy Show (TV Series) · as Cinematographer |
| 1951 | Adventures of Wild Bill Hickok (TV Series) · as Cinematographer |
| 1950 | Racket Squad (TV Series) · as Cinematographer |
| 1950 | Operation Haylift · as Director Of Photography |
| 1949 | Tough Assignment · as Cinematographer |
| 1949 | Apache Chief · as Director Of Photography |
| 1949 | Treasure of Monte Cristo · as Director Of Photography |
| 1949 | Omoo-Omoo the Shark God · as Director Of Photography |
| 1949 | Fireside Theatre (TV Series) · as Cinematographer |
| 1949 | The Judge · as Director Of Photography |
| 1948 | Last of the Wild Horses · as Director Of Photography |
| 1948 | Fighting Back · as Director Of Photography |
| 1947 | Dangerous Years · as Director Of Photography |
| 1947 | Roses Are Red · as Director Of Photography |
| 1947 | The Invisible Wall · as Director Of Photography |
| 1947 | Second Chance · as Director Of Photography |
| 1947 | The Crimson Key · as Director Of Photography |
| 1947 | Danger Street · as Cinematographer |
| 1947 | Shoot to Kill · as Director Of Photography |
| 1947 | Backlash · as Director Of Photography |
| 1946 | Dangerous Millions · as Director Of Photography |
| 1946 | Don Ricardo Returns · as Director Of Photography |
| 1946 | Rolling Home · as Cinematographer |
| 1946 | Deadline for Murder · as Director Of Photography |
| 1946 | Joe Palooka, Champ · as Cinematographer |
| 1946 | The Wife of Monte Cristo · as Cinematographer |
| 1945 | |
| 1945 | Club Havana · as Director Of Photography |
| 1945 | If a Body Meets a Body · as Cinematographer |
| 1944 | She's a Sweetheart · as Director Of Photography |
| 1944 | Gents Without Cents · as Cinematographer |
| 1944 | She's a Soldier Too · as Director Of Photography |
| 1943 | Dizzy Pilots · as Cinematographer |
| 1943 | Higher Than a Kite · as Cinematographer |
| 1943 | Saddles and Sagebrush · as Director Of Photography |
| 1943 | Riders of the Northwest Mounted · as Director Of Photography |
| 1943 | Dizzy Detectives · as Director Of Photography |
| 1942 | The Lone Prairie · as Director Of Photography |
| 1942 | Three Smart Saps · as Director Of Photography |
| 1942 | Riders of the Northland · as Cinematographer |
| 1942 | Cactus Makes Perfect · as Cinematographer |
| 1941 | Riders of the Badlands · as Director Of Photography |
| 1941 | The Son of Davy Crockett · as Cinematographer |
| 1941 | Hands Across the Rockies · as Director Of Photography |
| 1941 | Redhead · as Cinematographer |
| 1941 | All the World's a Stooge · as Cinematographer |
| 1941 | The Big Boss · as Director Of Photography |
| 1941 | Dutiful But Dumb · as Cinematographer |
| 1940 | Nobody's Children · as Director Of Photography |
| 1940 | Before I Hang · as Director Of Photography |
| 1940 | Five Little Peppers in Trouble · as Director Of Photography |
| 1940 | From Nurse to Worse · as Cinematographer |
| 1940 | Out West with the Peppers · as Director Of Photography |
| 1940 | Babies for Sale · as Director Of Photography |
| 1940 | Island of Doomed Men · as Director Of Photography |
| 1940 | Men Without Souls · as Director Of Photography |
| 1940 | A Plumbing We Will Go · as Cinematographer |
| 1940 | The Man with Nine Lives · as Director Of Photography |
| 1940 | Convicted Woman · as Director Of Photography |
| 1940 | Cafe Hostess · as Director Of Photography |
| 1939 | My Son Is Guilty · as Director Of Photography |
| 1939 | The Man They Could Not Hang · as Director Of Photography |
| 1939 | Mandrake, the Magician · as Director Of Photography |
| 1939 | Homicide Bureau · as Cinematographer |
| 1938 | Juvenile Court · as Cinematographer |
| 1938 | The Great Adventures of Wild Bill Hickok · as Cinematographer |
| 1937 | The Game That Kills · as Cinematographer |
| 1937 | Goofs and Saddles · as Cinematographer |
| 1937 | Dizzy Doctors · as Cinematographer |
| 1937 | Grips, Grunts and Groans · as Cinematographer |
| 1936 | Slippery Silks · as Cinematographer |
| 1936 | Whoops, I'm an Indian! · as Cinematographer |
| 1936 | False Alarms · as Cinematographer |
| 1936 | A Pain in the Pullman · as Cinematographer |
| 1936 | Disorder in the Court · as Cinematographer |
| 1936 | Half Shot Shooters · as Cinematographer |
| 1936 | Panic on the Air · as Director Of Photography |
| 1936 | Movie Maniacs · as Cinematographer |
| 1936 | Ants in the Pantry · as Cinematographer |
| 1935 | Three Little Beers · as Cinematographer |
| 1935 | Hoi Polloi · as Cinematographer |
| 1935 | Riding Wild · as Director Of Photography |
| 1935 | The Revenge Rider · as Director Of Photography |
| 1935 | Restless Knights · as Cinematographer |
| 1934 | The Prescott Kid · as Cinematographer |
| 1934 | Men in Black · as Director Of Photography |
| 1934 | Girl in Danger · as Cinematographer |
| 1934 | Whom the Gods Destroy · as Cinematographer |
| 1934 | The Line-Up · as Cinematographer |
| 1934 | Whirlpool · as Director Of Photography |
| 1934 | The Man Trailer · as Cinematographer |
| 1934 | The 9th Guest · as Director Of Photography |
| 1933 | Let's Fall in Love · as Cinematographer |
| 1933 | East of Fifth Avenue · as Cinematographer |
| 1933 | My Woman · as Director Of Photography |
| 1933 | The Woman I Stole · as Director Of Photography |
| 1932 | End of the Trail · as Director Of Photography |
| 1932 | The Western Code · as Director Of Photography |
| 1932 | Two-Fisted Law · as Director Of Photography |
| 1932 | South of the Rio Grande · as Director Of Photography |
| 1932 | Texas Cyclone · as Director Of Photography |
| 1932 | The Final Edition · as Director Of Photography |
| 1932 | The Shadow of the Eagle · as Cinematographer |
| 1932 | Ridin' for Justice · as Cinematographer |
| 1931 | The Range Feud · as Director Of Photography |
| 1931 | The Fighting Marshal · as Director Of Photography |
| 1931 | The Galloping Ghost · as Director Of Photography |
| 1931 | Branded · as Cinematographer |
| 1931 | The Vanishing Legion · as Director Of Photography |
| 1931 | King of the Wild · as Cinematographer |
| 1930 | The Phantom of the West · as Cinematographer |
| 1930 | Journey's End · as Director Of Photography |
| 1930 | The Lone Defender · as Director Of Photography |
| 1930 | Peacock Alley · as Director Of Photography |
| 1929 | Painted Faces · as Cinematographer |
| 1929 | Woman to Woman · as Cinematographer |
| 1928 | The Count of Ten · as Director Of Photography |
| 1927 | The Chinese Parrot · as Cinematographer |
| 1927 | Sensation Seekers · as Director Of Photography |
| 1925 | Daring Days · as Director Of Photography |
| 1925 | Red Clay · as Director Of Photography |
| 1923 | A Chapter in Her Life · as Director Of Photography |
| 1923 | The Untameable · as Director Of Photography |
| 1923 | Crossed Wires · as Director Of Photography |
| 1923 | The First Degree · as Director Of Photography |
| 1922 | Sky High · as Director Of Photography |
| 1921 | Trailin' · as Director Of Photography |
| 1920 | Hitchin' Posts · as Cinematographer |