去年在马里昂巴德
Directed by Alain Resnais
本片用一种现实与记忆穿插的方式勾勒了男主人公X（吉奥吉欧·艾伯塔基 Giorgio Albertazzi 饰）与女主人公A（德菲因·塞里格 Delphine Seyrig 饰）公剪不断理还乱的情感纠葛。X的记忆中对于巴洛克宫殿里的亭台楼阁如数家珍，在他的描述性旁白中，人们 得以感受到他内心巨大的波澜。在剧场舞台上，戏子正在表演着离愁别绪的桥段。观众席上X跟贵妇A对视良久。歇息之时，剧场响起舞曲，X向A邀舞，两人在近距离表达了对彼此的感受。A觉得这个X是个关注自己的陌生人，但是X却讲述了去年与她发生的一段鲜为人知的故事。期间，还穿插了X跟A丈夫M（莎查•皮托夫 Sacha Pitoëff 饰）游戏对决的场景……
Where to Watch 去年在马里昂巴德
去年在马里昂巴德 Ratings & Reviews
- eif9992025年1月24日Artsy-fartsy look. But what a look! I'm totally into that damned card game too. There are only a handful of movies that I don't have a grip on what's going on but I love the journey anyway -- as long as I'm in the right frame of mind (Tetsuo: The Iron Man and the original Solaris come to mind). This beautifully shot B&W one has beautiful people in a beautiful location. I guess I chose my own adventure here and felt very bad for the man trying to hide the lovely woman posing everywhere.
- Mike2024年10月11日Last Year at Marienbad is a film that is masterfully crafted into perfection and transports the viewer into the cognitive state of the characters "And again I made my way along these corridors, walking for days and months, walking for years, towards you." The plot of Last Year at Marienbad doesn't sound all that special, and on itself it really isn't. What makes it interesting is how the plot is communicated to the viewer—through its editing. The editing transports the viewer into the cognitive state of the characters on screen, in a way I have never experienced before. Last Year at Marienbad has, by far, the best editing I have ever seen. What the editing accomplishes is really hard to explain. It is almost like my subconscious mind can comprehend the editing and follow the plot, but my conscious mind can't—Like remembering a dream. Quickly you'll notice that the conversations are not bound by time and space. The way the shots are seamlessly, and also not so seamlessly, cut is a great example of this. We see a woman looking in front of her. Then there is a cut at the exact moment she turns around. Her movement is seemless between the two shots, but her environment has changed. It is done so precisely that you would miss it if you weren't paying close attention. There are also scenes where the image does not match the dialogue, or where different moments in time are combined as if they were happening at the same time. It are things like this what makes this film so interesting. It's not just the editing that transports the viewer into the cognitive state of the characters, it the cinematography as a whole. From the hypnotizing dolly zooms through the corridors, the static and almost abstract blocking of the characters, to the masterfully use of mirrors... Literally everything is done into perfection. Even looking at the background in certain scenes, you get the feeling something isn't adding up. Some backgrounds look like they are endless. This feeling gets even further enhanced by the characters and their behavior. The consciously absent people throughout the film accurately represent the people in our dreams and memories. For me personally, I tend to remember events more clearly than the reactions and movements of others. The audio was another aspect that was interesting. The monotonous voice-over, drowned by the musical score that is present on the forefront, is almost like trying really hard to focus to remember what someone said in a distant memory or vague dream. The combination of these two makes the viewer experience the dream-like dialogue, instead of understanding it. Now back to the plot. Like I said, this isn't something that is all that special in itself, but that doesn't mean it isn't thought-provoking. Throughout the film I was constantly wondering if these two people did or didn't met in the past... and why would the man think they did if they didn't? Read full review at Letterboxd: Mike_v_E
去年在马里昂巴德 Trivia
去年在马里昂巴德 was released on 1961年9月29日.
去年在马里昂巴德 was directed by Alain Resnais.
去年在马里昂巴德 has a runtime of 1小时 35分钟.
去年在马里昂巴德 was produced by Raymond Froment, Pierre Courau, Anatole Dauman.
本片用一种现实与记忆穿插的方式勾勒了男主人公X（吉奥吉欧·艾伯塔基 Giorgio Albertazzi 饰）与女主人公A（德菲因·塞里格 Delphine Seyrig 饰）公剪不断理还乱的情感纠葛。X的记忆中对于巴洛克宫殿里的亭台楼阁如数家珍，在他的描述性旁白中，人们 得以感受到他内心巨大的波澜。在剧场舞台上，戏子正在表演着离愁别绪的桥段。观众席上X跟贵妇A对视良久。歇息之时，剧场响起舞曲，X向A邀舞，两人在近距离表达了对彼此的感受。A觉得这个X是个关注自己的陌生人，但是X却讲述了去年与她发生的一段鲜为人知的故事。期间，还穿插了X跟A丈夫M（莎查•皮托夫 Sacha Pitoëff 饰）游戏对决的场景……
The key characters in 去年在马里昂巴德 are A – The Brunette Woman (Delphine Seyrig), X – The man with the Italian Accent (Giorgio Albertazzi), M – The Other Man with the Lean Face, The Husband (Sacha Pitoëff).
去年在马里昂巴德 is rated Not Rated.
去年在马里昂巴德 is a 剧情, 爱情, 悬疑 film.
去年在马里昂巴德 has an audience rating of 8.4 out of 10.
去年在马里昂巴德 has made US$22万 at the box office.