- SirMonkalot2026年5月18日So much CG and so many bullets! Holy hell this was way too over the top. Super generic story and ultra violent for no reason. Why does everyone in this movie need to riddle people with bullets? I did like how grimy the city looked, probably the most grimy city I’ve ever seen in a movie. BANG BANG BANG SHOOT SHOOT SHOOT!
- RipLinesMan2025年4月24日Event Horizon (1997) tore open the fabric of space and sanity to show us the abyss, but Havoc slashes into the heart of urban decay with just as much ferocity—only this time, the hellscape is manmade, and it breathes corruption. Directed with surgical precision by Gareth Evans, Havoc feels like a spiritual cousin to Paul W.S. Anderson’s sci-fi horror, trading haunted starships for crime-ridden cityscapes, and replacing the supernatural with the chillingly systemic. Tom Hardy delivers a volcanic performance as the war-torn detective—a man whose moral compass spins violently as he wades deeper into a mire of violence and political rot. His descent mirrors that of Sam Neill’s Dr. Weir, who, in Event Horizon, becomes both architect and victim of his own damnation. The characters in both films act as lightning rods for their environments. Just as Laurence Fishburne’s Captain Miller anchors Event Horizon with a righteous fury and reluctant empathy, Forest Whitaker in Havoc brings a quiet gravity that keeps Hardy’s chaos tethered, however tenuously, to something resembling hope. These are not heroes in the traditional sense—they are men clawing against inevitability, screaming into the void, and daring it to scream back. Cinematographically, Havoc trades the baroque, cathedral-like horror of a doomed spaceship for noir-soaked alleyways and crumbling institutions. But the sense of claustrophobia, of walls closing in both physically and psychologically, is shared. Evans channels dread like Anderson did—slow, deliberate, with moments of operatic violence punctuating long silences filled with tension. Havoc may lack the literal portal to hell that made Event Horizon iconic, but it conjures its own inferno from human nature, corruption, and guilt. It is a meditation on entropy, not of stars, but of souls. And much like Event Horizon, it leaves you unnerved, unsettled, and deeply, darkly moved.
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ハボックは2025年4月25日に公開されました。
ハボックはGareth Evansが監督を務めました。
ハボックの上映時間は1h 47mです。
ハボックはSarah Dibsdall, Gareth Evans, Tom Hardy, Ed Talfan, Aram Tertzakianがプロデューサーを務めました。
事の発端は、甚大な被害を出した麻薬強奪計画。人生に疲れ果てたひとりの警察官は、ある政治家の息子を救出するため、腐敗しきった街の裏社会で戦い抜くことを強いられる。
ハボックの主要人物はWalker (Tom Hardy), Ellie (Jessie Mei Li), Vincent (Timothy Olyphant)です。
ハボックはR15+と評価されています。
ハボックはAction, 犯罪, スリラー映画です。
ハボックは、視聴者によって10点満点中3.5点をつけられています。
ハボックの予算は$9000万です。