A wickedly funny moral minefield. Strong performances and a clever shift in who you're rooting for turn a far-fetched premise into something uncomfortably believable. A cracking little film that leaves you questioning exactly where your own moral boundaries lie.
Watching Ghostwatch as a 10-year-old, I genuinely didn't know if it was real. A perfect storm of familiar BBC faces, convincing effects and an audience completely unprepared for what was coming. A genuine cultural moment in British television that's never really been replicated.
A bizarre few weeks in 2016 become a gripping documentary about creepy clowns, internet hysteria and idiots desperate for attention. Unsettling, surprisingly tragic and a refreshing alternative to your usual Halloween horror.
Clown Panic
Models vs. Werewolves
Models vs. Werewolves is bloody awful, but I kind of admire it. Terrible acting, a rubbish plot and some bizarre AI visuals, yet the technology allows a tiny production to deliver freaky werewolves and buckets of gore. A terrible film, but a fascinating experiment.
Stupid, ridiculous and not in a good way. Fall 2 delivers a parade of terrible decisions, irritating characters and the occasional moment of genuine vertigo. By the end, I wasn’t hoping they’d survive, I was hoping they’d slip so the film would finally be over.
Onslaught feels like the bastard offspring of The Guest and Assault on Precinct 13: pounding synths, unstoppable super-soldiers, glowing eyes and enough lovingly staged badass imagery to make its killers instant genre icons.