Gianni Di Venanzo
18. Dezember 1920 — 3. Februar 1966 (45 Jahre)
Gianni Di Venanzo (18 December 1920, Teramo, Abruzzo – 3 February 1966, Rome), was an Italian cinematographer.
Di Venanzo was one of the leading Italian post-war cinematographers with the unique distinction to be part of the neo-realist, post neo-realist and modern schools in Italian Cinema. He collaborated with several notable directors, working on Michelangelo Antonioni's L'amore in città (Love in the City), Le Amiche (The Girlfriends), Il Grido (The Outcry), La Notte (Night) and L'Eclisse (The Eclipse), Francesco Rosi's La sfida (The Challenge), I Magliari (The Magliari), Salvatore Giuliano, Le mani sulla città (Hands Over the City), and Il momento della verità (The Moment of Truth), Federico Fellini's 8½ and Giulietta degli spiriti (Juliet of the Spirits) and Joseph Losey's Eva. His last film was Joseph L. Mankiewicz's The Honey Pot (1967).
His work with Michelangelo Antonioni, Francesco Rosi and Federico Fellini made him one of the leading European masters of the camera of the middle part of the century.
His career was cut short when he died in Rome of viral hepatitis at the age of 45.
Description above from the Wikipedia article Gianni Di Venanzo, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Di Venanzo was one of the leading Italian post-war cinematographers with the unique distinction to be part of the neo-realist, post neo-realist and modern schools in Italian Cinema. He collaborated with several notable directors, working on Michelangelo Antonioni's L'amore in città (Love in the City), Le Amiche (The Girlfriends), Il Grido (The Outcry), La Notte (Night) and L'Eclisse (The Eclipse), Francesco Rosi's La sfida (The Challenge), I Magliari (The Magliari), Salvatore Giuliano, Le mani sulla città (Hands Over the City), and Il momento della verità (The Moment of Truth), Federico Fellini's 8½ and Giulietta degli spiriti (Juliet of the Spirits) and Joseph Losey's Eva. His last film was Joseph L. Mankiewicz's The Honey Pot (1967).
His work with Michelangelo Antonioni, Francesco Rosi and Federico Fellini made him one of the leading European masters of the camera of the middle part of the century.
His career was cut short when he died in Rome of viral hepatitis at the age of 45.
Description above from the Wikipedia article Gianni Di Venanzo, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmografie
| 2006 | Marcello, una vita dolce · as Self (archive Footage) |
| 2003 | The Lost Ending · as Self (voice) (archive Footage) |
| 2002 | The Magic of Fellini · as Self (archive Footage) |
| 1967 | The Honey Pot · as Director Of Photography |
| 1965 | Kiss the Other Sheik · as Director Of Photography |
| 1965 | The 10th Victim · as Director Of Photographyauf plex.tv |
| 1965 | Juliet of the Spirits · as Director Of Photography |
| 1965 | Il morbidone · as Director Of Photography |
| 1965 | The Moment of Truth · as Director Of Photography |
| 1964 | Woman Is a Wonderful Thing · as Director Of Photography |
| 1964 | Time of Indifference · as Director Of Photography |
| 1964 | Bebo's Girl · as Director Of Photography |
| 1964 | High Infidelity · as Director Of Photography |
| 1963 | Hands Over the City · as Director Of Photography |
| 1963 | The Basilisks · as Director Of Photography |
| 1963 | 8½ · as Director Of Photographyauf plex.tv |
| 1962 | Eva · as Director Of Photography |
| 1962 | L'Eclisse · as Director Of Photography |
| 1962 | Salvatore Giuliano · as Director Of Photography |
| 1961 | Il carabiniere a cavallo · as Director Of Photography |
| 1961 | Nel blu dipinto di blu · as Director Of Photography |
| 1961 | La Notte · as Director Of Photography |
| 1960 | ...And Suddenly It's Murder! · as Director Of Photography |
| 1960 | Silver Spoon Set · as Director Of Photography |
| 1960 | Vento del Sud · as Director Of Photography |
| 1960 | Howlers of the Dock · as Director Of Photography |
| 1959 | The Swindlers · as Director Of Photography |
| 1959 | Il nemico di mia moglie · as Director Of Photography |
| 1959 | Venetian Honeymoon · as Director Of Photography |
| 1958 | Rascel marine · as Director Of Photography |
| 1958 | Big Deal on Madonna Street · as Director Of Photography |
| 1958 | The Law Is the Law · as Director Of Photography |
| 1958 | The Challenge · as Director Of Photography |
| 1958 | Piece of the Sky · as Director Of Photography |
| 1957 | Il Grido · as Director Of Photography |
| 1957 | Kean: Genius or Scoundrel · as Director Of Photography |
| 1956 | The Awakening · as Director Of Photography |
| 1956 | Defend My Love · as Director Of Photography |
| 1956 | Quando tramonta il sole · as Director Of Photography |
| 1955 | The Bachelor · as Director Of Photography |
| 1955 | Le Amiche · as Director Of Photography |
| 1955 | Abandoned · as Director Of Photography |
| 1955 | Le ragazze di San Frediano · as Director Of Photography |
| 1954 | Women and Soldiers · as Director Of Photography |
| 1954 | Chronicle of Poor Lovers · as Director Of Photography |
| 1953 | Love in the City · as Director Of Photography |
| 1953 | Ai margini della metropoli · as Director Of Photography |
| 1952 | The Moment of Truth · as Cinematographer |
| 1951 | Attention! Bandits! · as Director Of Photography |
| 1945 | Days of Glory · as Director Of Photography |