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Liebe 1962

16
1962    2 Std., 6 Min.Liebesfilm, Drama
7.787%89%7.7
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Vittoria, eine schöne junge römische Frau aus einfachen Verhältnissen, verlässt ihren langweiligen Freund Riccardo. Während ihre Mutter tagein, tagaus die fallenden und steigenden Zahlen an der Börse beobachtet, beginnt Vittoria eine Affäre mit dem reichen, attraktiven aber völlig emotionslosen Börsenmakler Piero. Ihre Beziehung ist Spaß, riskant und gefährlich zur selben Zeit - und verwandelt sich schließlich in innige und aufrichtige Zuneigung.
Regie Michelangelo Antonioni

Liebe 1962 ansehen bei

Besetzung von Liebe 1962

  • Alain DelonPiero
  • Monica VittiVittoria
  • Francisco RabalRiccardo
  • Lilla BrignoneVittoria's Mother
  • Rossana RoryAnita
  • Mirella RicciardiMarta
  • Louis SeignerErcoli
  • Cyrus EliasIntoxicated Man (uncredited)
  • Alba MaioliniWoman at the Stock Market (uncredited)
  • Maria TedeschiWoman with Glasses at the Stock Market (uncredited)
  • Michelangelo AntonioniRegie / Handlung
  • Raymond HakimProduzent
  • Robert HakimProduzent
  • Piero PolettoProduction Design
  • Gianni Di VenanzoDirector Of Photography
  • Gitt MagriniAssistant Costume Designer
  • Bice BrichettoCostume Design
  • Franco FredaMakeup Artist
  • Franco IndovinaFirst Assistant Director
  • Elvira D'AmicoScript/Continuity

Liebe 1962 Rezensionen & Wertungen

  • lennyofficialvor 19 Std.
    An intriguing tug-of-war plays out between a translator named Vittoria and a stockbroker named Piero. Monica Vitti perfectly embodies Vittoria as the very incarnation of romantic angst. She wants to break up with her fiancé—who tries to "make her happy" but only succeeds in driving her further away. The two lovers don't get together right away, held back by Vittoria's insecurity; eventually, however, she lets her guard down and wants to see him again and again, endlessly. Alain Delon commands the screen with his irresistible charm (fuck, I want to be him). I think the final scene represents my ultimate "couple goals" for a lifelong partner. Furthermore, the film makes excellent use of framing and the imagery created by those shots. We are clearly dealing with a high-quality, accomplished work.
  • makdelart17. März 2026
    The most challenging film in Antonioni’s trilogy, but (perhaps) the most compelling and (certainly) the most symbolic.
  • DropsyRocio22. Juni 2025
    This film is a beautiful portrait of solitude. Welcome to a modern world. I think this film proves that the phone destroyed the last bit of beauty we had. I recommend this film to my female friends, but also to the other friends.
  • Charles London25. Februar 2025
    The story within the pictures isn't as much the story as the pictures telling it. Michelangelo Antonioni uses his camera to create a visual masterpiece in exquisite black-and-white, with his celluloid canvas highlighted by beautiful lead actors in all of their photogenic glory. A chatty picture this is not. It's the lens that does most of the talking.
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