William H. Daniels
Producer, Skuespiller
1. december 1901 — 14. juni 1970 (68 år)
William H. Daniels (December 1, 1901 – June 14, 1970) was an American cinematographer. Throughout the 1920s and 1930s, Daniels served as the cinematographer for the early films of director Erich von Stroheim and on all but three of Greta Garbo's films during her tenure at Metro-Goldwyn-Mayer. Later he worked on myriad notable films such as The Shop Around the Corner (1940), Harvey (1950), Cat on a Hot Tin Roof (1958), Ocean's 11 (1960), How the West Was Won (1962), and Valley of the Dolls (1967).
Kendt for
Filmografi
| 1966 | Assault on a Queen · as Associate Producer |
| 1965 | |
| 1965 | None But the Brave · as Associate Producer |
| 1964 | Robin and the 7 Hoods · as Associate Producer |
| 2005 | Garbo · as Self |
| 1960 | Hedda Hopper's Hollywood · as Self |
| 1938 | Another Romance of Celluloid · as Self (uncredited) |
| 1948 | Family Honeymoon · as Arch Armstrong |
| 1970 | Move · as Director Of Photography |
| 1969 | Marlowe · as Director Of Photography |
| 1969 | The Maltese Bippy · as Director Of Photography |
| 1968 | The Impossible Years · as Director Of Photography |
| 1967 | Valley of the Dolls · as Director Of Photography |
| 1967 | In Like Flint · as Director Of Photography |
| 1966 | Assault on a Queen · as Director Of Photography |
| 1965 | Marriage on the Rocks · as Director Of Photography |
| 1965 | Von Ryan's Express · as Director Of Photography |
| 1964 | Robin and the 7 Hoods · as Director Of Photography |
| 1964 | The Money Dance · as Director Of Photography |
| 1963 | The Prize · as Director Of Photography |
| 1963 | Come Blow Your Horn · as Director Of Photography |
| 1962 | Billy Rose's Jumbo · as Director Of Photography |
| 1962 | How the West Was Won · as Director Of Photography |
| 1961 | Come September · as Director Of Photography |
| 1960 | Ocean's Eleven · as Director Of Photography |
| 1960 | All the Fine Young Cannibals · as Director Of Photography |
| 1960 | Can-Can · as Director Of Photography |
| 1959 | Never So Few · as Director Of Photography |
| 1959 | A Hole in the Head · as Director Of Photography |
| 1959 | Never Steal Anything Small · as Cinematographer |
| 1959 | A Stranger in My Arms · as Director Of Photography |
| 1958 | Some Came Running · as Director Of Photography |
| 1958 | Voice in the Mirror · as Director Of Photography |
| 1958 | Cat on a Hot Tin Roof · as Director Of Photography |
| 1957 | Interlude · as Director Of Photography |
| 1957 | My Man Godfrey · as Director Of Photography |
| 1957 | Night Passage · as Director Of Photography |
| 1957 | Istanbul · as Director Of Photography |
| 1956 | The Unguarded Moment · as Director Of Photography |
| 1956 | Away All Boats · as Director Of Photography |
| 1956 | The Benny Goodman Story · as Director Of Photography |
| 1955 | The Girl Rush · as Director Of Photography |
| 1955 | Foxfire · as Director Of Photography |
| 1955 | The Shrike · as Director Of Photography |
| 1955 | Strategic Air Command · as Director Of Photography |
| 1955 | Six Bridges to Cross · as Director Of Photography |
| 1954 | The Far Country · as Director Of Photography |
| 1954 | The Glenn Miller Story · as Director Of Photography |
| 1953 | War Arrow · as Director Of Photography |
| 1953 | Forbidden · as Director Of Photography |
| 1953 | Thunder Bay · as Director Of Photography |
| 1953 | General Electric Theater · as Cinematographer |
| 1953 | Never Wave at a WAC · as Director Of Photography |
| 1952 | Plymouth Adventure · as Director Of Photography |
| 1952 | Ford Theatre: All Star Theatre · as Cinematographer |
| 1952 | When in Rome · as Director Of Photography |
| 1952 | Pat and Mike · as Director Of Photography |
| 1952 | Glory Alley · as Director Of Photography |
| 1951 | Thunder on the Hill · as Director Of Photography |
| 1951 | The Lady Pays Off · as Director Of Photography |
| 1951 | Bright Victory · as Director Of Photography |
| 1950 | Harvey · as Director Of Photography |
| 1950 | Deported · as Director Of Photography |
| 1950 | Winchester '73 · as Director Of Photography |
| 1950 | Three Came Home · as CinematographerPå Plex |
| 1950 | Woman in Hiding · as Director Of Photography |
| 1949 | Abandoned · as Director Of Photography |
| 1949 | The Gal Who Took the West · as Director Of Photography |
| 1949 | Illegal Entry · as Director Of Photography |
| 1949 | The Life of Riley · as Director Of Photography |
| 1948 | Family Honeymoon · as Director Of Photography |
| 1948 | For the Love of Mary · as Director Of Photography |
| 1948 | The Naked City · as Director Of PhotographyPå Plex |
| 1947 | Lured · as Director Of PhotographyPå Plex |
| 1947 | Brute Force · as Director Of PhotographyPå Plex |
| 1944 | Maisie Goes to Reno · as Director Of Photography |
| 1944 | The Canterville Ghost · as Cinematographer |
| 1944 | The Heavenly Body · as Cinematographer |
| 1943 | Girl Crazy · as Director Of Photography |
| 1942 | Keeper of the Flame · as Director Of Photography |
| 1942 | For Me and My Gal · as Director Of Photography |
| 1942 | Dr. Kildare's Victory · as Director Of Photography |
| 1941 | Design for Scandal · as Director Of Photography |
| 1941 | Shadow of the Thin Man · as Director Of Photography |
| 1941 | Honky Tonk · as Director Of Photography |
| 1941 | They Met in Bombay · as Director Of Photography |
| 1941 | Love Crazy · as Director Of Photography |
| 1941 | So Ends Our Night · as Director Of Photography |
| 1941 | Back Street · as Director Of Photography |
| 1940 | New Moon · as Director Of Photography |
| 1940 | The Mortal Storm · as Director Of Photography |
| 1940 | The Shop Around the Corner · as Director Of Photography |
| 1939 | Ninotchka · as Director Of Photography |
| 1939 | Another Thin Man · as Director Of Photography |
| 1939 | Stronger Than Desire · as Director Of Photography |
| 1939 | Idiot's Delight · as Director Of Photography |
| 1938 | Dramatic School · as Director Of Photography |
| 1938 | Three Loves Has Nancy · as Director Of Photography |
| 1938 | Marie Antoinette · as Director Of Photography |
| 1938 | The Shopworn Angel · as Cinematographer |
| 1938 | The Young in Heart · as Cinematographer |
| 1937 | Beg, Borrow or Steal · as Director Of Photography |
| 1937 | The Last Gangster · as Director Of Photography |
| 1937 | Double Wedding · as Director Of Photography |
| 1937 | Broadway Melody of 1938 · as Director Of Photography |
| 1937 | Personal Property · as Director Of Photography |
| 1936 | Camille · as Director Of Photography |
| 1936 | Romeo and Juliet · as Director Of Photography |
| 1936 | Rose-Marie · as Director Of Photography |
| 1935 | Anna Karenina · as Director Of Photography |
| 1935 | Rendezvous · as Director Of Photography |
| 1935 | I Live My Life · as Cinematographer |
| 1935 | Naughty Marietta · as Director Of Photography |
| 1934 | The Painted Veil · as Director Of Photography |
| 1934 | The Barretts of Wimpole Street · as Director Of Photography |
| 1933 | Queen Christina · as Director Of Photography |
| 1933 | Dinner at Eight · as Director Of Photography |
| 1933 | Christopher Bean · as Cinematographer |
| 1933 | The Stranger's Return · as Director Of Photography |
| 1933 | Broadway to Hollywood · as Director Of Photography |
| 1933 | The White Sister · as Director Of Photography |
| 1932 | Rasputin and the Empress · as Director Of Photography |
| 1932 | Skyscraper Souls · as Cinematographer |
| 1932 | As You Desire Me · as Director Of Photography |
| 1932 | Grand Hotel · as Director Of Photography |
| 1932 | Lovers Courageous · as Director Of Photography |
| 1931 | Mata Hari · as Director Of Photography |
| 1931 | Susan Lenox (Her Fall and Rise) · as Director Of Photography |
| 1931 | A Free Soul · as Director Of Photography |
| 1931 | Strangers May Kiss · as Director Of Photography |
| 1931 | Inspiration · as Director Of Photography |
| 1931 | The Great Meadow · as Director Of Photography |
| 1930 | Anna Christie · as Director Of Photography |
| 1930 | Romance · as Director Of Photography |
| 1930 | Strictly Unconventional · as Director Of Photography |
| 1930 | Montana Moon · as Director Of Photography |
| 1930 | Anna Christie · as Director Of Photography |
| 1929 | Queen Kelly · as Cinematographer |
| 1929 | Their Own Desire · as Director Of Photography |
| 1929 | The Kiss · as Director Of Photography |
| 1929 | Wise Girls · as Cinematographer |
| 1929 | The Last of Mrs. Cheyney · as Director Of Photography |
| 1929 | The Trial of Mary Dugan · as Director Of Photography |
| 1929 | Wild Orchids · as Director Of Photography |
| 1928 | A Woman of Affairs · as Director Of Photography |
| 1928 | A Lady of Chance · as Cinematographer |
| 1928 | Dream of Love · as Director Of Photography |
| 1928 | The Mysterious Lady · as Director Of Photography |
| 1928 | Bringing Up Father · as Cinematographer |
| 1927 | Love · as Director Of Photography |
| 1927 | Tillie the Toiler · as Director Of Photography |
| 1927 | Captain Salvation · as Director Of Photography |
| 1926 | Flesh and the Devil · as Director Of PhotographyPå Plex |
| 1926 | The Temptress · as Director Of Photography |
| 1926 | Bardelys the Magnificent · as Director Of Photography |
| 1926 | The Boob · as Director Of Photography |
| 1926 | Money Talks · as Cinematographer |
| 1926 | Torrent · as Director Of Photography |
| 1925 | The Merry Widow · as Cinematographer |
| 1924 | Greed · as Director Of Photography |
| 1924 | Helen's Babies · as Director Of Photography |
| 1923 | Merry-Go-Round · as Director Of Photography |
| 1922 | Foolish Wives · as Director Of Photography |