Nicholas Ray
Instruktør, Skuespiller, Forfatter, Producer
7. august 1911 — 16. juni 1979 (67 år)
Nicholas Ray (born Raymond Nicholas Kienzle; 7 August 1911 – 16 June 1979) was an American film director best known for the films Rebel Without a Cause and Johnny Guitar. Described by the Harvard Film Archive as "Hollywood's last romantic" and "one of postwar American cinema’s supremely gifted and ultimately tragic filmmakers," Ray was considered an iconoclastic auteur director who often clashed with the Hollywood studio system of the time, but would prove highly influential to future generations of filmmakers.
His best-known work is the 1955 film Rebel Without a Cause, starring James Dean. He is appreciated for many narrative features produced between 1947 and 1963, including They Live By Night (1948), In A Lonely Place (1950), Johnny Guitar (1954), Bigger Than Life (1956), and King of Kings (1961), as well as an experimental work produced throughout the 1970s titled We Can't Go Home Again, which was unfinished at the time of Ray's death.
During his lifetime, Ray was nominated for an Academy Award for Best Adapted Screenplay for Rebel Without a Cause, twice for the Golden Lion, for Bigger Than Life (1956) and Bitter Victory (1957), and a Palme d'Or for The Savage Innocents (1960). Three of his films were ranked by Cahiers du Cinéma in their Annual Top 10 Lists.
Ray's compositions within the CinemaScope frame and use of color are particularly well regarded and he was an important influence on the French New Wave, with Jean-Luc Godard famously writing in a review of Bitter Victory, "... there is cinema. And the cinema is Nicholas Ray."
His best-known work is the 1955 film Rebel Without a Cause, starring James Dean. He is appreciated for many narrative features produced between 1947 and 1963, including They Live By Night (1948), In A Lonely Place (1950), Johnny Guitar (1954), Bigger Than Life (1956), and King of Kings (1961), as well as an experimental work produced throughout the 1970s titled We Can't Go Home Again, which was unfinished at the time of Ray's death.
During his lifetime, Ray was nominated for an Academy Award for Best Adapted Screenplay for Rebel Without a Cause, twice for the Golden Lion, for Bigger Than Life (1956) and Bitter Victory (1957), and a Palme d'Or for The Savage Innocents (1960). Three of his films were ranked by Cahiers du Cinéma in their Annual Top 10 Lists.
Ray's compositions within the CinemaScope frame and use of color are particularly well regarded and he was an important influence on the French New Wave, with Jean-Luc Godard famously writing in a review of Bitter Victory, "... there is cinema. And the cinema is Nicholas Ray."
Kendt for
Filmografi
| 1980 | |
| 1974 | |
| 1973 | We Can't Go Home AgainPå Plex |
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| 1979 | |
| 1979 | Hair · as The General |
| 1977 | The American Friend · as Derwatt |
| 1974 | Wet Dreams · as The Janitor (segment: The Janitor) |
| 1973 | |
| 1973 | We Can't Go Home Again · as Nick RayPå Plex |
| 1966 | That Woman · as Besucher Beim Sechs-Tage-Rennen |
| 1963 | 55 Days at Peking · as Us Minister (uncredited) |
| 1955 | Rebel Without a Cause · as Man In Last Shot (uncredited) |
| 1945 | A Tree Grows in Brooklyn · as Bakery Clerk (uncredited) |
| 1980 | |
| 1973 | We Can't Go Home AgainPå Plex |
| 1960 | The Savage Innocents · as Screenplay |
| 1957 | Bitter Victory · as Screenplay |
| 1956 | |
| 1954 | |
| 1946 |
| 1954 |
| 2025 | Films to Die For · as Self (archive Footage) (uncredited) |
| 2025 | James Dean - The Emotional Man · as Self |
| 2020 | Natalie Wood: What Remains Behind · as Self - Filmmaker |
| 2018 | Cannes 1968, révolution au palais · as Self |
| 2015 | A Paixão de JL · as Self |
| 2011 | Don't Expect Too Much · as Himself |
| 2010 | Two in the Wave · as Self |
| 2006 | Edge of Outside · as Self |
| 2004 | |
| 1995 | James Dean: A Portrait · as Self - Director |
| 1980 | Garlic Is as Good as Ten Mothers · as Self |
| 1980 | Lightning Over Water · as Self |
| 1975 | James Dean: The First American Teenager · as Self |
| 1974 | I'm a Stranger Here Myself · as Self |
| 1954 | Camera Three · as Self |
| 1964 | Circus World · as Story |
| 1955 | Rebel Without a Cause · as Story |
| 1952 | Androcles and the Lion · as Co-Director |
| 1952 | Macao · as Co-Director |
| 1951 | On Dangerous Ground · as Adaptation |
| 1951 | The Racket · as Additional Director |
| 1949 | Roseanna McCoy · as Co-Director |
| 1948 | They Live by Night · as Adaptation |
| 1945 | The Caribbean Mystery · as Dialogue |
| 1945 | A Tree Grows in Brooklyn · as Dialogue |