Callum reviewed
You
November 5, 2025
⭐⭐⭐⭐⭐ – You – Love, Obsession, and the Logic of a Madman You is a love story told through cracked glass — glossy, obsessive, and disturbingly intimate. It’s the kind of show that makes you realise how thin the line can be between affection and fixation, and how easily one can masquerade as the other when seen through the wrong lens. Penn Badgley’s Joe Goldberg is the perfect unreliable narrator: charming enough to draw you in, unsettling enough to make you wish you hadn’t. What makes You brilliant isn’t the blood or the bodies — it’s the logic. Joe kills for what he believes are good reasons: protection, justice, love. Each murder is rationalised with a poet’s sincerity and a sociopath’s precision. And yet, as the story unfolds across seasons, we start to see the scaffolding of delusion holding him up. He’s not a monster born — he’s a man built by trauma, loss, and the naive belief that love can justify anything. Each new woman he meets becomes both muse and mirror, reflecting his madness in fresh shades. He changes cities, names, even moral codes, but the pattern never shifts. He falls, he kills, he repents, he repeats — and we watch, not because we expect redemption, but because we can’t look away from the inevitability of his downfall. Like an air crash investigation, the fascination lies not in if it’ll go wrong, but how. You captures that strange, uncomfortable brilliance where empathy meets revulsion. It’s beautiful, horrifying, and addictive — a perfect portrait of how love, when warped by obsession, becomes just another form of control. 🥃 Pairing: A glass of old bourbon — smooth, deceptive, and dangerous in the wrong hands, just like Joe himself.
Hipster ZOMBIE reviewed
You
May 12, 2025
Imagine a show about a killer who you know you should hate but somehow end up rooting for. No, I’m not talking about Dexter, I’m talking about Netflix’s stalker obsessed, darkly addictive series, You. Across five seasons, the show masterfully walks a tightrope between psychological thriller and black comedy, thanks to clever writing and a phenomenal cast that brings every twisted turn to life. At the center of it all is Penn Badgley’s hauntingly brilliant performance as Joe Goldberg, the charming, soft-spoken book lover with a disturbingly warped moral compass. Like Dexter Morgan, but instead of having a code, Joe convinces himself to the point of obsession with each woman he falls for. He also just as easily falls out of love with them. Badgley doesn’t just play Joe—he is Joe, making viewers complicit in his descent as he narrates each thought with eerie intimacy. Again, like Dexter’s dark passenger. What makes You stand out in the crowded true-crime streaming landscape is how it weaponizes genre tropes. It takes the rom-com format, turns it inside out, and reveals the sinister underbelly beneath idealized love. Each girl he falls for, from Beck to Brontë, is different from the other. He’s a serial stalker but one who isn’t committed to a certain type. Like the real life serial killer, Ted Bundy, Joes victims are random the only common thread being how hard he almost instantly falls for them. The writing is consistently smart, self-aware, and laced with irony. From Joe’s internal monologues to the series’ satirical take on influencers, academia, and the elite, You manages to be both pulpy and profound. The tone dances effortlessly between suspenseful, funny, and chilling. The ensemble cast is equally outstanding. From Elizabeth Lail’s innocent yet layered Guinevere Beck to Victoria Pedretti’s magnetic and chaotic Love Quinn, and later Charlotte Ritchie’s enigmatic Kate, every actor elevates their character beyond expectations. In the end, the show never allows the viewers to forget that at the end of the day, Joe is not a good guy. Hes a liar, a cheater, and ultimately a killer. The series finale delivers a satisfying ending and gives closure to plot threads left dangling from previous seasons. Joe is one of the best written and complex characters we have seen in a series in a very long time.

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Callum reviewed
Callum reviewed
You
November 5, 2025
⭐⭐⭐⭐⭐ – You – Love, Obsession, and the Logic of a Madman You is a love story told through cracked glass — glossy, obsessive, and disturbingly intimate. It’s the kind of show that makes you realise how thin the line can be between affection and fixation, and how easily one can masquerade as the other when seen through the wrong lens. Penn Badgley’s Joe Goldberg is the perfect unreliable narrator: charming enough to draw you in, unsettling enough to make you wish you hadn’t. What makes You brilliant isn’t the blood or the bodies — it’s the logic. Joe kills for what he believes are good reasons: protection, justice, love. Each murder is rationalised with a poet’s sincerity and a sociopath’s precision. And yet, as the story unfolds across seasons, we start to see the scaffolding of delusion holding him up. He’s not a monster born — he’s a man built by trauma, loss, and the naive belief that love can justify anything. Each new woman he meets becomes both muse and mirror, reflecting his madness in fresh shades. He changes cities, names, even moral codes, but the pattern never shifts. He falls, he kills, he repents, he repeats — and we watch, not because we expect redemption, but because we can’t look away from the inevitability of his downfall. Like an air crash investigation, the fascination lies not in if it’ll go wrong, but how. You captures that strange, uncomfortable brilliance where empathy meets revulsion. It’s beautiful, horrifying, and addictive — a perfect portrait of how love, when warped by obsession, becomes just another form of control. 🥃 Pairing: A glass of old bourbon — smooth, deceptive, and dangerous in the wrong hands, just like Joe himself.
Hipster ZOMBIE reviewed
Hipster ZOMBIE reviewed
You
May 12, 2025
Imagine a show about a killer who you know you should hate but somehow end up rooting for. No, I’m not talking about Dexter, I’m talking about Netflix’s stalker obsessed, darkly addictive series, You. Across five seasons, the show masterfully walks a tightrope between psychological thriller and black comedy, thanks to clever writing and a phenomenal cast that brings every twisted turn to life. At the center of it all is Penn Badgley’s hauntingly brilliant performance as Joe Goldberg, the charming, soft-spoken book lover with a disturbingly warped moral compass. Like Dexter Morgan, but instead of having a code, Joe convinces himself to the point of obsession with each woman he falls for. He also just as easily falls out of love with them. Badgley doesn’t just play Joe—he is Joe, making viewers complicit in his descent as he narrates each thought with eerie intimacy. Again, like Dexter’s dark passenger. What makes You stand out in the crowded true-crime streaming landscape is how it weaponizes genre tropes. It takes the rom-com format, turns it inside out, and reveals the sinister underbelly beneath idealized love. Each girl he falls for, from Beck to Brontë, is different from the other. He’s a serial stalker but one who isn’t committed to a certain type. Like the real life serial killer, Ted Bundy, Joes victims are random the only common thread being how hard he almost instantly falls for them. The writing is consistently smart, self-aware, and laced with irony. From Joe’s internal monologues to the series’ satirical take on influencers, academia, and the elite, You manages to be both pulpy and profound. The tone dances effortlessly between suspenseful, funny, and chilling. The ensemble cast is equally outstanding. From Elizabeth Lail’s innocent yet layered Guinevere Beck to Victoria Pedretti’s magnetic and chaotic Love Quinn, and later Charlotte Ritchie’s enigmatic Kate, every actor elevates their character beyond expectations. In the end, the show never allows the viewers to forget that at the end of the day, Joe is not a good guy. Hes a liar, a cheater, and ultimately a killer. The series finale delivers a satisfying ending and gives closure to plot threads left dangling from previous seasons. Joe is one of the best written and complex characters we have seen in a series in a very long time.
  
 
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