
Working in the Theatre
Season 6
Bringing together performers, directors, playwrights, designers, choreographers, producers and behind-the-scenes personnel from the American and international theatre, the program offers a rare opportunity for students and audiences to see the people who create theatre engaged in thoughtful conversation with one another. With more than 600 past guests, "Working in the Theatre" has become an unequaled archive of theatrical talk, a chance to hear from the people behind the characters, stories and productions that draw us to the theatre.
Where to Watch Season 6
7 Episodes
- Production: Dancing in the End ZoneE2
Production: Dancing in the End ZoneThe business team for the play "Dancing In The End Zone" - literary agent Mitch Douglas, producers Dasha Epstein and Morton Gottlieb, publicist Milly Schoenbaum, and general manager Richard Seader - talk about the responsibilities of the producer, the benefits of a workshop versus going out-of-town, the role of a press agent, comparing large off-Broadway houses to Broadway, and the evolution of opening night events including critics now attending previews. Jean Dalrymple & Brendan Gill moderate. - PerformanceE4
PerformanceThe panel of actors - Sinead Cusack ("Cyrano De Bergerac"), Frank Langella ("After The Fall"), Joe Mantegna ("Glengarry Glen Ross"), Theresa Merritt ("Ma Rainey's Black Bottom"), and Sigourney Weaver ("Hurlyburly") - talk about their training, auditioning for their first major roles, the rehearsal process, working in the ensemble, actors who are also playwrights, and establishing relationships as a result of stage work. Jean Dalrymple and Brendan Gill moderate. - Production: HurlyburlyE6
Production: HurlyburlyThe business team behind "Hurlyburly" - advertising representative Rick Elice, agent Milton Goldman, legal counsel Jay S. Harris, stage manager Peter Lawrence, press representative Sandra Manley, and producer Frederick Zollo - discuss how David Rabe's play found a producer, director, and high profile cast for its debut at Chicago's Goodman Theatre, its successful off-Broadway run prior to Broadway, producing with a profit pool plan, production costs including the advertising budget, and the present state of the American play. Jean Dalrymple and Brendan Gill moderate.