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The Twilight Zone
Season 4
TV-14
86%90%
The fourth season of The Twilight Zone aired Thursdays at 9:00–10:00 pm on CBS from January 3 to May 23, 1963.
This season broke with the previous seasons in presenting hour-long episodes instead of the earlier half-hour episodes. A very different and more complex set of graphics was used for the intro, and Rod Serling's narration changed from the earlier seasons as well:
"You unlock this door with the key of imagination. Beyond it is another dimension. A dimension of sound. A dimension of sight. A dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone."
This season broke with the previous seasons in presenting hour-long episodes instead of the earlier half-hour episodes. A very different and more complex set of graphics was used for the intro, and Rod Serling's narration changed from the earlier seasons as well:
"You unlock this door with the key of imagination. Beyond it is another dimension. A dimension of sound. A dimension of sight. A dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone."
Where to Watch Season 4
18 Episodes
- The Thirty-Fathom GraveE2
The Thirty-Fathom GraveAs a U.S. Navy destroyer cruises near Guadalcanal in the South Pacific, its sonar detects muted but constant hammering on metal undersea. The eerie sounds emanate from a submarine on the ocean floor, apparently there since World War II. The ship's chief boatswain's mate becomes very nervous, having served aboard that sub - and he was its sole survivor. - The Incredible World of Horace FordE15
The Incredible World of Horace FordToymaker Horace Ford is increasingly preoccupied with memories of his childhood, endangering his job and marriage - but a visit to his old neighborhood brings a haunting encounter, suggesting the time was not as idyllic as he remembers. - The BardE18
The BardJulius Moomer, a talentless, but relentless, self-promoting hack who dreams of becoming a successful television writer, uses a book of magic to summon William Shakespeare to write dramatic teleplays that Moomer will pass off as his own. Shakespeare becomes irritated by Moomer's lack of appreciation and is even more appalled when he discovers the changes wrought on his plays by cynical television executives.