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The British Masters

Season 1

Noisey's favorite music writer John Doran interviews the most influential and colorful figures from British popular music history.

Where to Watch Season 1

10 Episodes

  • Roxy Music's Bryan Ferry
    E1
    Roxy Music's Bryan FerryFirst up is Roxy Music frontman, and successful solo artist, Bryan Ferry, who is currently celebrating 4 decades in music by releasing an album of his own songs performed by a swing orchestra.
  • Gary Numan, Synth Pop Prodigy
    E2
    Gary Numan, Synth Pop Prodigy In Johns Words "Today I'm talking to Gary Numan, who became an overnight sensation in 1979 when his post punk group Tubeway Army released the single "Are 'Friends' Electric?" and then achieved worldwide success later the same year with the release of his first solo album, and one of the cornerstones of synth pop, 'The Pleasure Principle.' Following some very lean years in the wilderness, Gary started the long and arduous task of rebuilding his career in the mid-90s, becoming a peer of many industrial and techno artists he had originally been an influence on. We catch him on tour in the UK as he gears up for the release of his 18th solo album, the much anticipated "Splinter."
  • Luke Haines, Accidental Britpop Inventor and Author
    E3
    Luke Haines, Accidental Britpop Inventor and AuthorHe's a man who's been accused of inventing Britpop -- when his band The Auteurs released their debut album New Wave in 1993. With this and other projects such as Black Box Recorder, Haines became balefulness personified in an age of bland and chipper compliance."
  • Johnny Marr
    E4
    Johnny MarrIn John's words, Marr is "a musical savant who indelibly altered the sound of British rock and pop music. He soundtracked the adolescence of a generation and has been a beacon of inspiration to many born since."
  • Arab Strap's Aidan Moffat
    E5
    Arab Strap's Aidan MoffatMoffat is "as much a poet as a singer. His lyrics come from a hard bitten Scottish literary tradition that includes writers such as James Kelman and Alan Warner. His words are as funny as they are shocking, as they are moving".
  • Adam Ant
    E6
    Adam AntAdam Ant was a notable outlier in his genre, and was also responsible for a lot of allergic reactions in the 80s through his starting of the British face-painting craze. In John's own words, Adam Ant's "brand of pop was one of the most berserk and adventurous ever heard, and remains a symbol of what the pure flight of the imagination can achieve."
  • Tricky
    E7
    TrickyJohn Doran meets Tricky, to discuss missing out on working with Kurt Cobain, and how he came to be onstage with Beyonce. In Johns words "During the culturally conservative mid 90s of Brit Pop, Tricky represented what it was actually like to be British and living in a city. As his music, fashion, entire aesthetic and philosophy was the product of embracing culture clash - we needed him then to kick against the pricks, as much as we need him back now"
  • John Lydon
    E8
    John LydonLydon airs his opinions on why The Clash have no right to imitate black music and how we won't need governments for much longer. We also hear how Miles Davis terrified him and about Harvey Keitels 'method acting' with real loaded guns.
  • Nicky Wire of Manic Street Preachers
    E9
    Nicky Wire of Manic Street Preachers In Johns words: "The Manics appeared in the early 90's antagonizing nearly everyone they came across with their fiercely anti-fashion stance. They put out a homespun philosophy of culture alienation, boredom and despair wrapped in fake leopard skin and lipstick. They rejected slacker culture in favour of proud working class intellectualism and self-determination. Forget the Libertines, Manic Street Preachers are the last truly great mainstream British rock band"
  • Dizzee Rascal
    E10
    Dizzee RascalIn John's own words: "Cutting his teeth as an MC in his early teens, Dizzee wasn't even out of school when he was one of small group of rappers and producers responsible for the birth of grime. Just 10 years ago he released the genre-defining 'Boy in da Corner' which deservedly won him the Mercury Prize. Since then he has turned his attentions almost effortlessly to the pop charts. With five number 1's under his belt, I get the feeling he is only just warming up, and his eyes are squarely on the international crown."

 

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