Milton Krasner
17 de fevereiro de 1904 — 16 de julho de 1988 (84 anos)
Milton Krasner (February 17, 1901 - July 17, 1988) was a film cinematographer. He won an Academy Award for Three Coins in the Fountain (1954).
Filmes e Séries no Plex
Conhecido Por
Filmografia
| 1989 | The 61st Annual Academy Awards · as Self - Memorial Tribute |
| 1955 | The 27th Annual Academy Awards · as Self - Nominee & Winner |
| 1971 | McMillan and Wife · as Cinematographer |
| 1971 | Columbo · as Cinematographer |
| 1970 | Beneath the Planet of the Apes · as Director Of Photography |
| 1969 | The Sterile Cuckoo · as Director Of Photography |
| 1968 | Don't Just Stand There · as Director Of Photography |
| 1967 | The St. Valentine's Day Massacre · as Director Of Photography |
| 1967 | Hurry Sundown · as Director Of Photography |
| 1967 | The Ballad of Josie · as Director Of Photography |
| 1966 | The Venetian Affair · as Director Of Photography |
| 1966 | The Singing Nun · as Director Of Photography |
| 1966 | Made in Paris · as Director Of Photography |
| 1965 | Red Line 7000 · as Director Of Photography |
| 1965 | The Sandpiper · as Director Of Photography |
| 1965 | The World of Abbott and Costello · as Cinematographer |
| 1964 | Goodbye Charlie · as Director Of Photography |
| 1964 | Looking for Love · as Director Of Photography |
| 1964 | Fate Is the Hunter · as Director Of Photography |
| 1964 | Advance to the Rear · as Director Of Photography |
| 1963 | Love with the Proper Stranger · as Director Of Photography |
| 1963 | A Ticklish Affair · as Director Of Photography |
| 1963 | The Courtship of Eddie's Father · as Director Of Photography |
| 1962 | How the West Was Won · as Director Of Photography |
| 1962 | Two Weeks in Another Town · as Director Of Photography |
| 1962 | Sweet Bird of Youth · as Director Of Photography |
| 1962 | The Four Horsemen of the Apocalypse · as Director Of Photography |
| 1961 | King of Kings · as Director Of Photography |
| 1961 | Go Naked in the World · as Director Of Photography |
| 1960 | Bells Are Ringing · as Director Of Photography |
| 1960 | Home from the Hill · as Director Of Photography |
| 1959 | The Man Who Understood Women · as Cinematographer |
| 1959 | Count Your Blessings · as Director Of Photography |
| 1958 | The Remarkable Mr. Pennypacker · as Director Of Photography |
| 1958 | A Certain Smile · as Director Of Photography |
| 1958 | The Gift of Love · as Director Of Photography |
| 1957 | Kiss Them for Me · as Director Of Photography |
| 1957 | An Affair to Remember · as Director Of Photography |
| 1957 | Boy on a Dolphin · as Director Of Photography |
| 1956 | 23 Paces to Baker Street · as Director Of Photography |
| 1956 | Bus Stop · as Director Of Photography |
| 1955 | The Rains of Ranchipur · as Director Of Photography |
| 1955 | The Girl in the Red Velvet Swing · as Director Of Photography |
| 1955 | How to Be Very, Very Popular · as Director Of Photography |
| 1955 | The Seven Year Itch · as Director Of Photography |
| 1954 | Désirée · as Director Of Photography |
| 1954 | Demetrius and the Gladiators · as Director Of Photography |
| 1954 | Garden of Evil · as Director Of PhotographyNo Plex |
| 1954 | Three Coins in the Fountain · as Director Of Photography |
| 1953 | Taxi · as Director Of Photography |
| 1953 | Vicki · as Director Of Photography |
| 1953 | Dream Wife · as Director Of Photography |
| 1952 | O. Henry's Full House · as Cinematographer |
| 1952 | Monkey Business · as Director Of Photography |
| 1952 | Dreamboat · as Director Of Photography |
| 1952 | Deadline - U.S.A. · as Director Of Photography |
| 1952 | Phone Call from a Stranger · as Director Of PhotographyNo Plex |
| 1951 | The Model and the Marriage Broker · as Director Of Photography |
| 1951 | People Will Talk · as Director Of PhotographyNo Plex |
| 1951 | Half Angel · as Director Of Photography |
| 1951 | I Can Get It for You Wholesale · as Director Of Photography |
| 1951 | Rawhide · as Director Of Photography |
| 1950 | The Jack Benny Program · as Cinematographer |
| 1950 | All About Eve · as Director Of Photography |
| 1950 | No Way Out · as Director Of Photography |
| 1950 | Three Came Home · as Director Of PhotographyNo Plex |
| 1949 | Holiday Affair · as Director Of Photography |
| 1949 | House of Strangers · as Director Of Photography |
| 1949 | The Accused · as Director Of Photography |
| 1949 | The Set-Up · as Director Of Photography |
| 1948 | The Saxon Charm · as Director Of Photography |
| 1948 | Up in Central Park · as Director Of Photography |
| 1947 | A Double Life · as Director Of Photography |
| 1947 | Something in the Wind · as Director Of Photography |
| 1947 | The Egg and I · as Director Of Photography |
| 1947 | The Farmer's Daughter · as Director Of Photography |
| 1946 | The Dark Mirror · as Director Of PhotographyNo Plex |
| 1946 | Without Reservations · as Director Of Photography |
| 1945 | Scarlet Street · as Director Of PhotographyNo Plex |
| 1945 | Along Came Jones · as Director Of Photography |
| 1945 | Delightfully Dangerous · as Director Of Photography |
| 1944 | The Woman in the Window · as Director Of Photography |
| 1944 | The Invisible Man's Revenge · as Director Of Photography |
| 1944 | Hat Check Honey · as Cinematographer |
| 1943 | 'Gung Ho!': The Story of Carlson's Makin Island Raiders · as Director Of PhotographyNo Plex |
| 1943 | The Mad Ghoul · as Director Of Photography |
| 1943 | We've Never Been Licked · as Director Of Photography |
| 1943 | Two Tickets to London · as Cinematographer |
| 1942 | Arabian Nights · as Director Of Photography |
| 1942 | Pardon My Sarong · as Director Of Photography |
| 1942 | Men of Texas · as Director Of Photography |
| 1942 | The Spoilers · as Director Of Photography |
| 1942 | A Gentleman After Dark · as Cinematographer |
| 1942 | The Ghost of Frankenstein · as Director Of Photography |
| 1941 | Paris Calling · as Director Of Photography |
| 1941 | This Woman Is Mine · as Director Of Photography |
| 1941 | Bachelor Daddy · as Cinematographer |
| 1941 | The Lady from Cheyenne · as Director Of Photography |
| 1941 | Buck Privates · as Director Of Photography |
| 1940 | Trail of the Vigilantes · as Director Of Photography |
| 1940 | The Bank Dick · as Director Of Photography |
| 1940 | Hired Wife · as Director Of Photography |
| 1940 | Private Affairs · as Cinematographer |
| 1940 | Ski Patrol · as Cinematographer |
| 1940 | The House of the Seven Gables · as Director Of Photography |
| 1940 | The Invisible Man Returns · as Director Of Photography |
| 1939 | Missing Evidence · as Cinematographer |
| 1939 | I Stole a Million · as Director Of Photography |
| 1939 | The House of Fear · as Director Of Photography |
| 1939 | The Family Next Door · as Cinematographer |
| 1939 | You Can't Cheat an Honest Man · as Director Of Photography |
| 1938 | The Missing Guest · as Director Of Photography |
| 1938 | The Devil's Party · as Director Of PhotographyNo Plex |
| 1938 | The Crime of Doctor Hallet · as Director Of Photography |
| 1938 | Midnight Intruder · as Director Of Photography |
| 1938 | The Jury's Secret · as Director Of Photography |
| 1937 | There Goes the Groom · as Director Of Photography |
| 1937 | We Have Our Moments · as Director Of Photography |
| 1937 | She's Dangerous · as Cinematographer |
| 1936 | Mister Cinderella · as Cinematographer |
| 1936 | The Girl on the Front Page · as Director Of Photography |
| 1936 | Yellowstone · as CinematographerNo Plex |
| 1936 | Crash Donovan · as Director Of Photography |
| 1935 | The Great Impersonation · as Director Of Photography |
| 1935 | Cheers of the Crowd · as Director Of Photography |
| 1935 | Honeymoon Limited · as Director Of Photography |
| 1935 | Murder in the Fleet · as Director Of Photography |
| 1935 | Great God Gold · as Director Of Photography |
| 1934 | Death on the Diamond · as Director Of Photography |
| 1934 | Paris Interlude · as Director Of Photography |
| 1933 | Sitting Pretty · as Director Of Photography |
| 1933 | Golden Harvest · as Cinematographer |
| 1933 | Strictly Personal · as Director Of Photography |