

Where to Watch Idioci
- An irreverent, bold window into lucid madness, as well as a cornerstone of the Dogme 95 movement. A sizable group of friends pretends to have intellectual disabilities whenever they interact with the outside world. Initially, the film creates the impression that the characters are genuinely impaired, but once they are alone—away from "prying eyes"—they laugh uproariously at the thought of having thoroughly mocked others. The motive behind this ruse is not merely amusement or a desire to cause annoyance; rather, it stems from a wish to ridicule mass society and the petty bourgeoisie, catching them red-handed in their crude, hypocritical displays of pity. It is a thrill of transgression that is entirely non-criminal. To properly categorize this act of disobedience, one would view it as moral rather than civic; while they do occasionally use facilities reserved for the disabled, that is a minor aspect of their actions, which mostly involve exploiting the good faith of unsuspecting strangers. Another fundamental element of the scheme is the sense of freedom and—above all—happiness the members experience; they escape the confines of their flat, monotonous lives, trading their reputations for happiness or liberty. Perhaps this aspect is even more significant than the attack on society, though the two are inextricably linked. The performances—truly an ensemble effort, with no single lead character overshadowing the others—are excellent throughout, particularly when the actors are "playing the fool," often pushing well beyond the boundaries of "normality." From a technical standpoint—as noted at the outset—the film is a cornerstone of the Dogme 95 movement; consequently, everything is shot handheld using only natural light, with no constructed sets or overly structured elements, lending the work an intimate and almost entirely spontaneous feel. In several scenes, the handheld camera even makes way for the boom microphone. All in all, it is a truly solid film—distinctive and, above all, unusual. After all, a film from the Dogme 95 movement could hardly be anything else...
- Lars von Trier’s controversial Dogma 95 experiment is a deeply uncomfortable, psychologically gruesome watch that still manages to be a surprisingly captivating ride. The core premise of able-bodied adults pretending to be mentally handicapped is undeniably disturbing, made even darker by the director's ruthless, real-life psychological manipulation to extract primal maternal grief from his lead actress. It all culminates in a repulsive, haunting final image of a woman eating cake that will stay permanently burned into your psyche. If you aren't easily offended by explicit shock value and crave a raw, pensive challenge, brace yourself and hit play; for anyone else looking for a comfortable movie night, Neeeext.
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Idioci was released on 20 maja 1998.
Idioci was directed by Lars von Trier.
Idioci has a runtime of 1 h 50 min.
Idioci was produced by Vibeke Windeløv, Dag Alveberg, Svend Abrahamsen.
Grupa inteligentnych, wykształconych młodych ludzi przeprowadza oryginalny eksperyment: zamieszkują w tymczasowo pustej willi, należącej do wuja jednego z nich - przewodzącego grupie Stoffera, z zamiarem udawania ludzi psychicznie chorych. Poszukując ekstremalnych wrażeń, wyzbywają się wszelkich zahamowań, badają granice owej wolności, a jednocześnie świetnie się bawią, obserwując reakcje tzw. normalnych ludzi na ich rzekome kalectwo i bez skrupułów korzystają z wyrozumiałości, jaką otoczenie żywi dla niepełnosprawnych umysłowo.
The key characters in Idioci are Karen (Bodil Jørgensen), Stoffer (Jens Albinus), Susanne (Anne Louise Hassing).
Idioci is rated R.
Idioci is a Dramat, Komedia film.
Idioci has an audience rating of 7.8 out of 10.
Idioci had a budget of 2,5 mln USD.
Idioci has made 7200 USD at the box office.



















