RS
Robert Surtees
Additional Credits
Born August 9, 1906Died January 5, 1985 (78 years)
From Wikipedia, the free encyclopedia
Robert L. Surtees, A.S.C. (August 9, 1906 – January 5, 1985) was an American cinematographer who won Academy Awards three times, for the films King Solomon's Mines, The Bad and the Beautiful and the 1959 version of Ben Hur.
Robert L. Surtees began working in Hollywood as assistant cameraman to Gregg Toland, A.S.C. in the late 1920s, before moving to Germany for several years, eventually returning to Hollywood. He became one of the most accomplished cinematographers in motion pictures. His credits include Ben-Hur (1959), Mutiny on the Bounty (1962), The Graduate (1967), The Liberation of L.B. Jones (1970), The Last Picture Show (1971), Summer of '42 (1971), The Sting (1973), A Star is Born (1976) and Same Time, Next Year (1978).
His son Bruce was also a cinematographer.
Robert L. Surtees, A.S.C. (August 9, 1906 – January 5, 1985) was an American cinematographer who won Academy Awards three times, for the films King Solomon's Mines, The Bad and the Beautiful and the 1959 version of Ben Hur.
Robert L. Surtees began working in Hollywood as assistant cameraman to Gregg Toland, A.S.C. in the late 1920s, before moving to Germany for several years, eventually returning to Hollywood. He became one of the most accomplished cinematographers in motion pictures. His credits include Ben-Hur (1959), Mutiny on the Bounty (1962), The Graduate (1967), The Liberation of L.B. Jones (1970), The Last Picture Show (1971), Summer of '42 (1971), The Sting (1973), A Star is Born (1976) and Same Time, Next Year (1978).
His son Bruce was also a cinematographer.
Robert Surtees Filmography
| 1953 | The 25th Annual Academy Awards · as Self - Winner For Cinematography Black & White Film |
| 1978 | Bloodbrothers · as Director Of Photography |
| 1978 | Same Time, Next Year · as Director Of Photography |
| 1977 | The Turning Point · as Director Of Photography |
| 1976 | A Star Is Born · as Director Of Photography |
| 1975 | The Hindenburg · as Director Of Photography |
| 1975 | The Great Waldo Pepper · as Director Of Photography |
| 1973 | The Sting · as Director Of Photography |
| 1973 | Oklahoma Crude · as Director Of Photography |
| 1973 | Lost Horizon · as Director Of Photography |
| 1972 | The Other · as Director Of Photography |
| 1972 | The Cowboys · as Director Of Photography |
| 1971 | The Last Picture Show · as Director Of Photography |
| 1971 | Summer of '42 · as Director Of Photography |
| 1970 | The Liberation of L.B. Jones · as Director Of Photography |
| 1970 | Two Mules for Sister Sara · as Cinematographer |
| 1969 | The Arrangement · as Director Of Photography |
| 1969 | Sweet Charity · as Director Of Photography |
| 1968 | Coogan's Bluff · as Director Of Photography |
| 1967 | The Graduate · as Director Of Photography |
| 1967 | Doctor Dolittle · as Director Of Photography |
| 1966 | Lost Command · as Director Of Photography |
| 1965 | The Third Day · as Director Of Photography |
| 1965 | The Collector · as Director Of Photography |
| 1965 | The Hallelujah Trail · as Director Of Photography |
| 1965 | The Satan Bug · as Director Of Photography |
| 1964 | Kisses for My President · as Director Of Photography |
| 1963 | PT 109 · as Director Of Photography |
| 1962 | Mutiny on the Bounty · as Director Of Photography |
| 1960 | Cimarron · as Director Of Photography |
| 1960 | It Started in Naples · as Director Of Photography |
| 1959 | Ben-Hur · as Director Of Photography |
| 1958 | The Law and Jake Wade · as Director Of Photography |
| 1958 | Merry Andrew · as Director Of Photography |
| 1957 | Les Girls · as Director Of Photography |
| 1957 | Raintree County · as Director Of Photography |
| 1956 | The Swan · as Director Of Photography |
| 1956 | Tribute to a Bad Man · as Director Of Photography |
| 1955 | |
| 1955 | Trial · as Director Of Photography |
| 1954 | Valley of the Kings · as Director Of Photography |
| 1954 | The Long, Long Trailer · as Director Of Photography |
| 1953 | Escape from Fort Bravo · as Director Of Photography |
| 1953 | Mogambo · as Director Of Photography |
| 1953 | Ride, Vaquero! · as Director Of Photography |
| 1952 | The Bad and the Beautiful · as Director Of Photography |
| 1952 | The Merry Widow · as Director Of Photography |
| 1952 | The Wild North · as Director Of Photography |
| 1951 | Quo Vadis · as Director Of Photography |
| 1951 | The Light Touch · as Director Of Photography |
| 1951 | The Strip · as Director Of Photography |
| 1950 | King Solomon's Mines · as Director Of Photography |
| 1949 | Intruder in the Dust · as Director Of Photography |
| 1949 | That Midnight Kiss · as Director Of Photography |
| 1949 | Big Jack · as Director Of Photography |
| 1948 | Act of Violence · as Director Of Photography |
| 1948 | The Kissing Bandit · as Director Of Photography |
| 1948 | A Date with Judy · as Director Of Photography |
| 1948 | Big City · as Director Of Photography |
| 1948 | Tenth Avenue Angel · as Director Of Photography |
| 1947 | The Unfinished Dance · as Director Of Photography |
| 1946 | No Leave, No Love · as Director Of Photography |
| 1946 | Two Sisters from Boston · as Director Of Photography |
| 1945 | Strange Holiday · as Director Of Photography |
| 1945 | Our Vines Have Tender Grapes · as Director Of Photography |
| 1944 | Music for Millions · as Director Of Photography |
| 1944 | Thirty Seconds Over Tokyo · as Director Of Photography |
| 1944 | Two Girls and a Sailor · as Director Of Photography |
| 1944 | Meet the People · as Director Of Photography |
| 1943 | Lost Angel · as Director Of Photography |
| 1943 | Don't You Believe It · as Director Of Photography |
| 1943 | Heavenly Music · as Director Of Photography |