RK
Ray Kellogg
Actor, Director, Producer, Writer, Additional Credits
Born November 15, 1905Died July 5, 1976 (70 years)
Edgar Ray Kellogg was an American special effects artist and film director. During World War II, Kellogg was a U.S. Navy Lieutenant with the O.S.S. Field Photographing Branch where he became acquainted with director John Ford. Following the war, Kellogg went to Hollywood, working in special effects for 20th Century Fox, eventually heading the unit. He made his debut as a director in 1959.
Ray Kellogg Filmography
| 1964 | The Addams Family (TV Series) · as Detective |
| 1963 | Petticoat Junction (TV Series) · as Whitehouse Guard |
| 1962 | The Lucy Show (TV Series) · as Policeman |
| 1968 | |
| 1966 | The Monroes (TV Series) |
| 1960 | |
| 1959 | |
| 1959 | |
| 1945 |
| 1973 | The Red Pony · as Associate Producer |
| 1960 |
| 1970 | Tora! Tora! Tora! · as Second Unit Director |
| 1969 | Castle Keep · as Second Unit Director |
| 1966 | Way... Way Out · as Second Unit Director |
| 1964 | Cheyenne Autumn · as Assistant Director |
| 1963 | Cleopatra · as Second Unit Director |
| 1959 | The Giant Gila Monster · as Story |
| 1957 | Oh, Men! Oh, Women! · as Visual Effects |
| 1956 | Three Brave Men · as Visual Effects |
| 1956 | Love Me Tender · as Visual Effects |
| 1956 | Teenage Rebel · as Visual Effects |
| 1956 | 23 Paces to Baker Street · as Visual Effects |
| 1956 | Bus Stop · as Visual Effects |
| 1956 | The King and I · as Visual Effects |
| 1956 | The Man in the Gray Flannel Suit · as Visual Effects |
| 1955 | The Tall Men · as Visual Effects |
| 1955 | The Left Hand of God · as Visual Effects |
| 1955 | Soldier of Fortune · as Visual Effects |
| 1954 | There's No Business Like Show Business · as Visual Effects |
| 1953 | City of Bad Men · as Visual Effects |
| 1953 | White Witch Doctor · as Visual Effects |
| 1953 | Inferno · as Visual Effects |
| 1953 | Dangerous Crossing · as Visual Effects |
| 1953 | A Blueprint for Murder · as Visual Effects |
| 1953 | Gentlemen Prefer Blondes · as Visual Effects |
| 1953 | Pickup on South Street · as Visual Effects |
| 1953 | Powder River · as Visual Effects |
| 1953 | Treasure of the Golden Condor · as Visual Effects |
| 1953 | Call Me Madam · as Visual Effects |
| 1953 | |
| 1952 | The Snows of Kilimanjaro · as Visual Effects |
| 1952 | We're Not Married! · as Visual Effects |
| 1952 | My Wife's Best Friend · as Visual Effects |
| 1952 | Dreamboat · as Visual Effects |
| 1952 | Don't Bother to Knock · as Visual Effects |
| 1952 | Belles on Their Toes · as Visual Effects |
| 1952 | Deadline - U.S.A. · as Visual Effects |
| 1951 | Fixed Bayonets! · as Visual Effects |
| 1951 | Fourteen Hours · as Visual Effects |
| 1950 | Wagon Master · as Visual Effects |