Raoul Coutard
俳優, 監督
1924年9月16日 — 2016年11月8日 (92年)
Raoul Coutard (16 September 1924 – 8 November 2016) was a French cinematographer. He is best known for his connection with the Nouvelle Vague period and particularly for his work with director Jean-Luc Godard. Coutard also shot films for New Wave director François Truffaut as well as Jacques Demy, a contemporary frequently associated with the movement.
He shot over 75 films during a career that lasted nearly half a century.
Coutard originally planned to study chemistry, but switched to photography because of the cost of tuition. In 1945, Coutard was sent to participate in the French Indochina War; he lived in Vietnam for the next 11 years, working as a war photographer, eventually becoming a freelancer for Paris Match and Look. In 1956, he was approached to shoot a film by Pierre Schoendoerffer, La Passe du Diable. Coutard had never used a movie camera before, and reportedly agreed to the job because of a misunderstanding (he believed he was being hired to shoot production stills of the film).
Coutard's first work collaboration with Jean-Luc Godard was Godard's first feature, À bout de souffle, shot in 1959. He was reportedly "imposed" on Godard by producer Georges de Beauregard; the director had already settled on a different cinematographer.
Coutard photographed nearly all of Godard's work in the Nouvelle Vague era (1959 - 1967), with the exception of Masculin, féminin; their last work during this period was Week-end (1967), which marked the end of Godard's work as a 'mainstream' filmmaker. The two did not work together again until Passion; their final collaboration was Godard's next feature, Prénom Carmen. ...
Source: Article "Raoul Coutard" from Wikipedia in English, licensed under CC-BY-SA 3.0.
He shot over 75 films during a career that lasted nearly half a century.
Coutard originally planned to study chemistry, but switched to photography because of the cost of tuition. In 1945, Coutard was sent to participate in the French Indochina War; he lived in Vietnam for the next 11 years, working as a war photographer, eventually becoming a freelancer for Paris Match and Look. In 1956, he was approached to shoot a film by Pierre Schoendoerffer, La Passe du Diable. Coutard had never used a movie camera before, and reportedly agreed to the job because of a misunderstanding (he believed he was being hired to shoot production stills of the film).
Coutard's first work collaboration with Jean-Luc Godard was Godard's first feature, À bout de souffle, shot in 1959. He was reportedly "imposed" on Godard by producer Georges de Beauregard; the director had already settled on a different cinematographer.
Coutard photographed nearly all of Godard's work in the Nouvelle Vague era (1959 - 1967), with the exception of Masculin, féminin; their last work during this period was Week-end (1967), which marked the end of Godard's work as a 'mainstream' filmmaker. The two did not work together again until Passion; their final collaboration was Godard's next feature, Prénom Carmen. ...
Source: Article "Raoul Coutard" from Wikipedia in English, licensed under CC-BY-SA 3.0.
作品リスト
| 2023 | Godard by Godard · as Self |
| 2022 | Godard Cinema · as Self |
| 2022 | The French New Wave: A Cinema Revolution · as Self |
| 2018 | CzechMate: In Search of Jirí Menzel · as Self |
| 2012 | Miradas múltiples (La máquina loca) · as Self |
| 2012 | Cinephiles of Our Time · as Self |
| 2010 | Two in the Wave · as Self |
| 2007 | Godard: Love and Poetry · as Self |
| 2004 | The Making of 'Rocky Road to Dublin' · as Self |
| 2004 | |
| 2003 | |
| 1993 | Chambre 12, Hôtel de Suède · as Self |
| 1986 | Les yeux brûlés · as Self |
| 1975 | Sunday meetings · as Self |
| 1967 | The Chinese · as Self - Cinematographer (uncredited) |
| 1964 | Filmmakers of our time · as Self |
| 1956 | Cinépanorama · as Self |
| 1982 | |
| 1980 | |
| 1970 |
| 2001 | Wild Innocence · as Director Of Photography |
| 1996 | The Phantom Heart · as Director Of Photography |
| 1993 | The Birth of Love · as Director Of Photography |
| 1991 | Maigret (1991) · as Cinematographer |
| 1990 | La femme fardée · as Cinematographer |
| 1990 | Bethune: The Making of a Hero · as Director Of Photography |
| 1990 | Il gèle en enfer · as Director Of Photography |
| 1989 | Thick Skinned · as Director Of Photography |
| 1988 | Let Sleeping Cops Lie · as Director Of Photography |
| 1988 | Brennende Betten · as Director Of Photography |
| 1986 | Max My Love · as Director Of Photography |
| 1985 | Salt on the Skin · as Director Of Photography |
| 1984 | La garce · as Director Of Photography |
| 1984 | Dangerous Moves · as Director Of PhotographyPlex上 |
| 1983 | First Name: Carmen · as Director Of Photography |
| 1982 | Passion · as Director Of Photography |
| 1977 | Le Crabe-Tambour · as Director Of Photography |
| 1974 | Like a Pot of Strawberries · as Director Of Photography |
| 1973 | A Pain in the Ass · as Director Of Photography |
| 1973 | The Hostage Gang · as Director Of Photography |
| 1972 | Five Leaf Clover · as Director Of Photography |
| 1972 | The Jerusalem File · as Cinematographer |
| 1972 | Embassy · as Director Of Photography |
| 1971 | The Most Gentle Confessions · as Director Of Photography |
| 1970 | Are You Engaged to a Greek Sailor or an Airline Pilot? · as Cinematographer |
| 1970 | The Confession · as Director Of Photography |
| 1970 | Hoa Binh · as Adaptation |
| 1969 | Z · as Director Of Photography |
| 1969 | The Southern Star · as Director Of Photography |
| 1968 | Rocky Road to Dublin · as Director Of Photography |
| 1968 | The Bride Wore Black · as Director Of Photography |
| 1967 | Weekend · as Director Of Photography |
| 1967 | Horizon · as Cinematographer |
| 1967 | The Chinese · as Director Of Photography |
| 1967 | The Sailor from Gibraltar · as Director Of Photography |
| 1967 | 2 or 3 Things I Know About Her · as Director Of Photography |
| 1966 | Made in U.S.A · as Director Of Photography |
| 1966 | The Defector · as Director Of Photography |
| 1965 | Pierrot le Fou · as Director Of Photography |
| 1965 | Hail, Mafia · as Director Of Photography |
| 1965 | Alphaville · as Director Of Photography |
| 1965 | L'avatar botanique de Mlle Flora · as Cinematographer |
| 1965 | The 317th Platoon · as Director Of Photography |
| 1964 | A Married Woman · as Director Of Photography |
| 1964 | Male Companion · as Director Of Photography |
| 1964 | The World's Most Beautiful Swindlers · as Director Of Photography |
| 1964 | Band of Outsiders · as Director Of Photography |
| 1964 | La difficulté d'être infidèle... · as Cinematographer |
| 1964 | Les baisers · as Cinematographer |
| 1964 | The Soft Skin · as Director Of Photography |
| 1963 | Contempt · as Director Of Photography |
| 1963 | Vacances portugaises · as Director Of Photography |
| 1963 | The Carabineers · as Director Of Photography |
| 1963 | The Dark Room of Damocles · as Cinematographer |
| 1963 | The Little Soldier · as Director Of Photography |
| 1962 | La poupée · as Director Of Photography |
| 1962 | And Satan Calls the Turns · as Cinematographer |
| 1962 | Vivre sa vie · as Director Of Photography |
| 1962 | Antoine and Colette · as Director Of Photography |
| 1962 | Love at Twenty · as Director Of Photography |
| 1962 | Jules and Jim · as Director Of Photography |
| 1961 | Chronicle of a Summer · as Director Of Photography |
| 1961 | A Woman Is a Woman · as Director Of Photography |
| 1961 | Lola · as Director Of Photography |
| 1961 | Time Out for Love · as Director Of Photography |
| 1960 | Shoot the Piano Player · as Director Of Photography |
| 1960 | The Army Game · as Director Of Photography |
| 1960 | Breathless · as Director Of Photography |
| 1959 | Island Fishermen · as Cinematographer |
| 1959 | Ramuntcho · as Director Of Photography |
| 1958 | The Devil's Pass · as Director Of Photography |