Margit Carstensen
Acteur
29 février 1940 — 1 juin 2023 (83 ans)
Margit Carstensen (29 February 1940 – 1 June 2023) was a German theatre and film actress, best known outside Germany for roles in the works of film director Rainer Werner Fassbinder.
Carstensen was born and raised in the northern German city of Kiel. Upon graduation from the local high school in 1958, she studied acting at the Hochschule für Musik und Theater Hamburg. This education led to her first stage appearances in Kleve, Heilbronn, Münster, and Braunschweig. In 1965, Carstensen began a four-year engagement with the German Playhouse in Hamburg.
In 1969, she gained a local profile for her work in the Theater am Goetheplatz in Bremen, where she first met director Rainer Werner Fassbinder. She then worked under his direction in a comedy by the 18th-century Venetian Carlo Goldoni, The Coffee Shop (which was recorded for television in 1970), bringing her national attention in West Germany. She subsequently played the role of serial murderess Geesche Gottfried in the premiere of Fassbinder's own play Bremen Freedom (also televised, in 1972), and then in the title role of his Henrik Ibsen adaptation Nora Helmer (televised in 1974) derived from A Doll's House. Outside of theatre, Carstensen played leading roles in the Fassbinder films The Bitter Tears of Petra von Kant (1972), her best-known role for him; Martha (1974), analysing a traditional marriage in a contemporary setting; Fear of Fear (1975); Mother Küsters' Trip to Heaven (1975); Satan's Brew (1976); Chinese Roulette (1976) and Women in New York (1977). She also appeared in episodes of two Fassbinder television productions: Eight Hours Don't Make a Day (1972), and Berlin Alexanderplatz (1980).
From 1973 to 1976, Carstensen held a steady acting engagement in Darmstadt. In 1977, she moved to West Berlin where she performed on the highly regarded Staatliche Schauspielbühnen. In 1982, she moved to Stuttgart in order to work with director Hansgünther Heyme, where she appeared in a series of plays directed by him.
During this time, Carstensen also worked in international film productions, such as Andrzej Żuławski's Possession (1981) and Agnieszka Holland's Angry Harvest (1985); the latter was nominated for an Academy Award for Best Foreign Language Film. By the late 1980s, she had developed ongoing working relationships with German directors Werner Schroeter, Christoph Schlingensief, and Leander Haußmann.
For the 2003–04 season, Carstensen appeared in the Vienna Burgtheater, in the premiere of Elfriede Jelinek's play Bambiland under the direction of Schlingensief. During the 2007–08 season Carstensen assisted with the Austrian-German TV documentary Mr. Karl – A Person for People, directed by Kurt Mayer.
In 2016, she was still on television, appearing in the long-running series Tatort.
Carstensen received many awards in her career. Among these were the 1973 German Film Awards (Gold), for her acting in The Bitter Tears of Petra von Kant, and the 2002 Bavarian Film Award, for her acting in Scherbentanz. In 1972 she was chosen by the German Film Critics Guild as Best Actress of the Year. In 2019, she was awarded the Götz-George-Preis for her life's work.
Description above from the Wikipedia article Margit Carstensen, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Carstensen was born and raised in the northern German city of Kiel. Upon graduation from the local high school in 1958, she studied acting at the Hochschule für Musik und Theater Hamburg. This education led to her first stage appearances in Kleve, Heilbronn, Münster, and Braunschweig. In 1965, Carstensen began a four-year engagement with the German Playhouse in Hamburg.
In 1969, she gained a local profile for her work in the Theater am Goetheplatz in Bremen, where she first met director Rainer Werner Fassbinder. She then worked under his direction in a comedy by the 18th-century Venetian Carlo Goldoni, The Coffee Shop (which was recorded for television in 1970), bringing her national attention in West Germany. She subsequently played the role of serial murderess Geesche Gottfried in the premiere of Fassbinder's own play Bremen Freedom (also televised, in 1972), and then in the title role of his Henrik Ibsen adaptation Nora Helmer (televised in 1974) derived from A Doll's House. Outside of theatre, Carstensen played leading roles in the Fassbinder films The Bitter Tears of Petra von Kant (1972), her best-known role for him; Martha (1974), analysing a traditional marriage in a contemporary setting; Fear of Fear (1975); Mother Küsters' Trip to Heaven (1975); Satan's Brew (1976); Chinese Roulette (1976) and Women in New York (1977). She also appeared in episodes of two Fassbinder television productions: Eight Hours Don't Make a Day (1972), and Berlin Alexanderplatz (1980).
From 1973 to 1976, Carstensen held a steady acting engagement in Darmstadt. In 1977, she moved to West Berlin where she performed on the highly regarded Staatliche Schauspielbühnen. In 1982, she moved to Stuttgart in order to work with director Hansgünther Heyme, where she appeared in a series of plays directed by him.
During this time, Carstensen also worked in international film productions, such as Andrzej Żuławski's Possession (1981) and Agnieszka Holland's Angry Harvest (1985); the latter was nominated for an Academy Award for Best Foreign Language Film. By the late 1980s, she had developed ongoing working relationships with German directors Werner Schroeter, Christoph Schlingensief, and Leander Haußmann.
For the 2003–04 season, Carstensen appeared in the Vienna Burgtheater, in the premiere of Elfriede Jelinek's play Bambiland under the direction of Schlingensief. During the 2007–08 season Carstensen assisted with the Austrian-German TV documentary Mr. Karl – A Person for People, directed by Kurt Mayer.
In 2016, she was still on television, appearing in the long-running series Tatort.
Carstensen received many awards in her career. Among these were the 1973 German Film Awards (Gold), for her acting in The Bitter Tears of Petra von Kant, and the 2002 Bavarian Film Award, for her acting in Scherbentanz. In 1972 she was chosen by the German Film Critics Guild as Best Actress of the Year. In 2019, she was awarded the Götz-George-Preis for her life's work.
Description above from the Wikipedia article Margit Carstensen, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Connue pour
Filmographie
| 2024 | Nonkonform · as Staatsanwältin |
| 2022 | Peter von Kant · as Petra Von Kant |
| 2013 | Finsterworld · as Frau Sandberg |
| 2010 | The Clock · as Cast |
| 2010 | Fassbinder's World on a Wire - Looking Ahead to Today · as Maya Schmidt-Gentner |
| 2009 | Great Directors · as Margot (clip From Angst Vor Der Angst (tv)) |
| 2007 | It Is Fine! Everything Is Fine. · as Linda Barnes |
| 2007 | Hands off Mississippi · as Frau Strietzel |
| 2004 | Agnes and His Brothers · as Roxy |
| 2002 | Shattered Glass · as Käthe |
| 2000 | Manila · as Regine Gorler |
| 1999 | Sun Alley · as Director |
| 1998 | Feuerreiter · as Sinclair's Mother |
| 1992 | Terror 2000 - Intensivstation Deutschland · as Margret |
| 1989 | 100 Jahre Adolf Hitler - Die letzte Stunde im Führerbunker · as Martha Goebbels |
| 1985 | Angry Harvest · as Eugenia |
| 1983 | The Roaring Fifties · as Sekretärin |
| 1982 | Liebeskonzil · as Staatsanwältin |
| 1981 | Possession · as Margit Gluckmeister |
| 1980 | Berlin Alexanderplatz · as Terah |
| 1979 | The Third Generation · as Petra Vielhaber |
| 1977 | Women in New York · as Sylvia Fowler |
| 1977 | Adolf and Marlene · as Marlene Dietrich |
| 1976 | Chinese Roulette · as Ariane Christ |
| 1976 | Satan's Brew · as Andree |
| 1975 | Fear of Fear · as Margot |
| 1975 | Mother Kusters Goes to Heaven · as Frau Thälmann |
| 1974 | Derrick · as Frau Hauser |
| 1974 | Martha · as Martha |
| 1974 | Nora Helmer · as Nora Helmer |
| 1973 | World on a Wire · as Maya Schmidt-Genter |
| 1973 | Tenderness of the Wolves · as Frau Lindner |
| 1972 | Bremen Freedom · as Geesche Gottfried |
| 1972 | Eight Hours Don't Make A Day · as Erste Hausfrau |
| 1972 | The Bitter Tears of Petra von Kant · as Petra Von Kant |
| 1970 | Tatort · as Margarethe |
| 1970 | The Niklashausen Journey · as Margarete |
| 1970 | The Coffee Shop · as Vittoria |
| 1965 | The brides of my sons · as Lu Silberling |
| 2024 | |
| 2021 | Attabambi Shitonme · as Self |
| 2020 | Schlingensief: A Voice That Shook the Silence · as Self (archive Footage) |
| 2015 | Fassbinder · as Self |
| 2015 | Fassbinder: To Love Without Demands · as Self (archive Footage) |
| 2008 | Mr. Karl - Ein Mensch für Menschen · as Self |
| 1997 | The 120 Days of Bottrop · as Self |
| 1992 | Role Play: Women on Fassbinder · as Self |