GB
George Barnes
Additional Credits
Born October 16, 1892Died May 30, 1953 (60 years)
From Wikipedia
George S. Barnes, A.S.C. (October 16, 1892 – May 30, 1953) was an American cinematographer from the era of silent films to the early 1950s. Over the course of his career, he was nominated for an Academy Award eight times, including his work on The Devil Dancer (1927) with Gilda Gray and Clive Brook. However, he only won once, for his work on the Alfred Hitchcock film Rebecca (1940). He died at the age of 60 in Los Angeles, California after having worked on at least 142 films.
He was married to Joan Blondell from 1933 to 1936, and was the father of television executive Norman S. Powell.
George S. Barnes, A.S.C. (October 16, 1892 – May 30, 1953) was an American cinematographer from the era of silent films to the early 1950s. Over the course of his career, he was nominated for an Academy Award eight times, including his work on The Devil Dancer (1927) with Gilda Gray and Clive Brook. However, he only won once, for his work on the Alfred Hitchcock film Rebecca (1940). He died at the age of 60 in Los Angeles, California after having worked on at least 142 films.
He was married to Joan Blondell from 1933 to 1936, and was the father of television executive Norman S. Powell.
George Barnes Filmography
| 1953 | Little Boy Lost · as Director Of Photography |
| 1953 | The War of the Worlds · as Director Of Photography |
| 1952 | Road to Bali · as Director Of Photography |
| 1952 | Just for You · as Director Of Photography |
| 1952 | Somebody Loves Me · as Director Of Photography |
| 1952 | Something to Live For · as Director Of Photography |
| 1952 | The Greatest Show on Earth · as Director Of Photography |
| 1951 | Here Comes the Groom · as Director Of Photography |
| 1950 | Mr. Music · as Director Of Photography |
| 1950 | Let's Dance · as Director Of Photography |
| 1950 | Riding High · as Director Of Photography |
| 1949 | Samson and Delilah · as Director Of Photography |
| 1949 | The File on Thelma Jordon · as Director Of Photography |
| 1948 | Force of Evil · as Director Of Photography |
| 1948 | The Boy with Green Hair · as Director Of Photography |
| 1948 | No Minor Vices · as Director Of Photography |
| 1948 | Good Sam · as Director Of Photography |
| 1948 | The Emperor Waltz · as Director Of Photography |
| 1947 | Mourning Becomes Electra · as Director Of Photography |
| 1947 | Sinbad, the Sailor · as Director Of Photography |
| 1946 | Sister Kenny · as Director Of Photography |
| 1946 | From This Day Forward · as Director Of Photography |
| 1945 | Spellbound · as Director Of Photography |
| 1945 | The Bells of St. Mary's · as Director Of Photography |
| 1945 | The Spanish Main · as Director Of Photography |
| 1944 | None But the Lonely Heart · as Director Of Photography |
| 1944 | Frenchman's Creek · as Director Of Photography |
| 1944 | Since You Went Away · as Cinematographer |
| 1943 | Jane Eyre · as Director Of Photography |
| 1943 | Mr. Lucky · as Director Of Photography |
| 1942 | Broadway · as Director Of Photography |
| 1942 | Once Upon a Honeymoon · as Director Of Photography |
| 1942 | Nightmare · as Director Of Photography |
| 1942 | Rings on Her Fingers · as Director Of Photography |
| 1942 | Sex Hygiene · as Director Of Photography |
| 1941 | Remember the Day · as Director Of Photography |
| 1941 | Unholy Partners · as Director Of Photography |
| 1941 | Ladies in Retirement · as Director Of Photography |
| 1941 | Meet John Doe · as Director Of Photography |
| 1941 | That Uncertain Feeling · as Director Of Photography |
| 1940 | Hudson's Bay · as Director Of Photography |
| 1940 | The Return of Frank James · as Director Of Photography |
| 1940 | Maryland · as Director Of Photography |
| 1940 | Free, Blonde and 21 · as Director Of Photography |
| 1940 | Rebecca · as Director Of Photography |
| 1939 | Here I Am a Stranger · as Cinematographer |
| 1939 | Stanley and Livingstone · as Director Of Photography |
| 1939 | Jesse James · as Director Of Photography |
| 1938 | Devil's Island · as Director Of Photography |
| 1938 | Gold Diggers in Paris · as Cinematographer |
| 1938 | The Beloved Brat · as Cinematographer |
| 1938 | Love, Honor and Behave · as Director Of Photography |
| 1937 | Hollywood Hotel · as Cinematographer |
| 1937 | Varsity Show · as Cinematographer |
| 1937 | Ever Since Eve · as Cinematographer |
| 1937 | The Prince and the Pauper · as Cinematographer |
| 1937 | Marked Woman · as Director Of Photography |
| 1937 | The Barrier · as Cinematographer |
| 1937 | Black Legion · as Director Of Photography |
| 1936 | Cain and Mabel · as Director Of Photography |
| 1936 | Love Begins at 20 · as Director Of Photography |
| 1936 | The Singing Kid · as Director Of Photography |
| 1935 | Stars Over Broadway · as Cinematographer |
| 1935 | I Live for Love · as Cinematographer |
| 1935 | The Irish in Us · as Director Of Photography |
| 1935 | Broadway Gondolier · as Cinematographer |
| 1935 | In Caliente · as Director Of Photography |
| 1935 | Traveling Saleslady · as Director Of Photography |
| 1935 | Gold Diggers of 1935 · as Cinematographer |
| 1934 | Flirtation Walk · as Director Of Photography |
| 1934 | Kansas City Princess · as Director Of Photography |
| 1934 | Dames · as Director Of Photography |
| 1934 | He Was Her Man · as Cinematographer |
| 1934 | Smarty · as Cinematographer |
| 1934 | Gambling Lady · as Director Of Photography |
| 1934 | Massacre · as Director Of Photography |
| 1933 | Havana Widows · as Director Of Photography |
| 1933 | Footlight Parade · as Director Of Photography |
| 1933 | Goodbye Again · as Director Of Photography |
| 1933 | Peg o' My Heart · as Director Of Photography |
| 1933 | Broadway Bad · as Director Of Photography |
| 1932 | Sherlock Holmes · as Director Of Photography |
| 1932 | Blondie of the Follies · as Director Of Photography |
| 1932 | Society Girl · as Director Of Photography |
| 1932 | The Wet Parade · as Director Of Photography |
| 1932 | Polly of the Circus · as Cinematographer |
| 1932 | The Greeks Had a Word for Them · as Director Of Photography |
| 1931 | The Unholy Garden · as Director Of Photography |
| 1931 | Street Scene · as Director Of Photography |
| 1931 | Five and Ten · as Director Of Photography |
| 1930 | One Heavenly Night · as Director Of Photography |
| 1930 | The Devil to Pay! · as Director Of Photography |
| 1930 | A Lady's Morals · as Director Of Photography |
| 1930 | What a Widow! · as Director Of Photography |
| 1930 | Raffles · as Director Of Photography |
| 1929 | The Trespasser · as Director Of Photography |
| 1929 | Condemned! · as Director Of Photography |
| 1929 | Bulldog Drummond · as Director Of Photography |
| 1928 | The Awakening · as Director Of Photography |
| 1928 | Our Dancing Daughters · as Director Of Photography |
| 1928 | Sadie Thompson · as Director Of Photography |
| 1927 | The Devil Dancer · as Director Of Photography |
| 1927 | The Magic Flame · as Director Of Photography |
| 1927 | The Love of Sunya · as Director Of Photography |
| 1927 | The Night of Love · as Director Of Photography |
| 1926 | The Winning of Barbara Worth · as Director Of Photography |
| 1926 | The Son of the Sheik · as Director Of Photography |
| 1925 | The Eagle · as Director Of Photography |
| 1925 | Zander the Great · as Director Of Photography |
| 1924 | Yolanda · as Director Of Photography |
| 1922 | Peg o' My Heart · as Director Of Photography |
| 1920 | The Woman in the Suitcase · as Director Of Photography |
| 1919 | Dangerous Hours · as Cinematographer |