Yang ± Yin: Gender in Chinese Cinema
Directed by Stanley Kwan Kam-Pang5.2
An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
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Yang ± Yin: Gender in Chinese Cinema Trivia
Yang ± Yin: Gender in Chinese Cinema was released on June 4, 1998.
Yang ± Yin: Gender in Chinese Cinema was directed by Stanley Kwan Kam-Pang.
Yang ± Yin: Gender in Chinese Cinema has a runtime of 80m.
Yang ± Yin: Gender in Chinese Cinema was produced by Paula Jalfon.
An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
The key characters in Yang ± Yin: Gender in Chinese Cinema are Narrator (Tony Rayns), Self (Chang Cheh), Self (Ti Lung).
Yang ± Yin: Gender in Chinese Cinema is rated G.
Yang ± Yin: Gender in Chinese Cinema is a Documentary film.