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We're All Going to the World's Fair
Directed by
Jane Schoenbrun
Not Rated
2021
86m
Drama
,
Horror
5.4
91%
28%
Add to Watchlist
Alone in her attic bedroom, teenager Casey becomes immersed in an online role-playing horror game, wherein she begins to document the changes that may or may not be happening to her.
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Where to Watch We're All Going to the World's Fair
Hoopla
Free
Kanopy
Free
Max
Subscription
+3 more
Cast of We're All Going to the World's Fair
Anna Cobb
Casey
Michael J Rogers
JLB
May Leitz
Rebecca
Theo Anthony
Man on Treadmill
Evan Santiago
Tim
Turner Greaves
Alex
Holly Anne Frink
Plastic Girl
Slight Sounds
ASMR Host
Marc Santiago
Michael
Karen Cavanaugh
JLB's ???
David Buzen
Casey's Dad
Ilan Barnoon
Possessed Kid
Carlos Zozaya
Evil Clown
We're All Going to the World's Fair Ratings & Reviews
indieWire
Kate Erbland
By the film's end, "We're All Going to the World's Fair" proves its ASMR-like power: It's impossible to shake, even when it makes you want to do just that.
Slant Magazine
Mark Hanson
Throughout, Jane Schoenbrun reveals themself to be adroitly plugged into both the current technological and sociological landscape.
The Reveal (Substack)
Scott Tobias
Were All Going to the Worlds Fair distinguishes itself most as a tone piece about internet culture, an immersive doomscroll with an emphasis on "doom."
RogerEbert.com
Tomris Laffly
While Schoenbrun's film manages to generate only a vague sense of disquiet on the whole, Cobbs arresting performance holds our gaze and attention.
MovieFreak.com
Sara Michelle Fetters
Themes revolving around personal self-discovery are universal in their eerie effectiveness, and there were multiple moments where I saw myself in the main character, a quiet shiver cascading down my spine every time.
The Hollywood Reporter
Jourdain Searles
A tender and intimate teenage journey.
Los Angeles Times
Carlos Aguilar
A brilliantly distinctive portal into the emotional realities we've built online, writer-director Jane Schoenbrun's debut, "We're All Going to the World's Fair," has coded a story endemic to cyberspace and its visual grammar.
The Ringer
Adam Nayman
When the history of 21st century screen-life horror movies gets written-or blogged about-Schoenbrun's inventive cult favorite will warrant its own chapter.
Digital Trends
A.A. Dowd
For as long as we've had the internet, we've had movies about the internet. Is it too soon, or too hyperbolic, to describe Were All Going to the Worlds Fair as one of the most insightful of them all?
RogerEbert.com
Kristy Puchko
The film overall is a laborious watch, lacking the frenzied energy of online trends or the haunting uncertainty of internet bogeymen.
TheWrap
Lena Wilson
Once you know the creepypasta M.O., "Worlds Fair" gets a lot less confusing. There are no explanations here for n00bs -- those unfamiliar with the real-world subculture on which it is based might feel lost.
The Atlantic
David Sims
We're All Going to the World's Fair feels like a weird piece of internet ephemera one might accidentally discover while browsing late at night. The film will resonate with anyone who's gone down a macabre digital rabbit hole.
Austin Chronicle
Josh Kupecki
A fractured portrait of teenage malaise, of deceptions (both of self and others), and of the awkward probing of a cocoon's inner shell.
AWFJ.org
Alexandra Heller-Nicholas
Low-key, dark, and emphatically superb
New York Times
A.O. Scott
Exploits the overlap between tedium and fright, and locates both in the everyday dystopian realm of the internet.
Vox
Alissa Wilkinson
Genre-defying, subtly unnerving...
Autostraddle
Drew Gregory
None of the formal inventiveness would work if it wasn't grounded by a real person at its center. This may be her first feature, but [Anna Cobb] brings an immense amount of nuance to each moment.
Variety
Guy Lodge
Amounts to an unusually intimate, interior coming-of-age study.
Ty Burr's Watch List (Substack)
Ty Burr
I feel like I absorbed "We're All Going to the World's Fair" at a subcutaneous level and will be feeling its effects for some time to come.
them.
Abby Monteil
Schoenbrun's ability to capture how these liminal online spaces can change us over time announces an exciting new voice in found-footage and trans filmmaking.
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We're All Going To The World's Fair
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