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Two Evil Eyes
Directed by
Dario Argento
,
George A. Romero
R
1990
2h
Horror
,
Thriller
6.1
63%
39%
6.1
Add to Watchlist
A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.
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Cast of Two Evil Eyes
Adrienne Barbeau
Jessica Valdemar
Harvey Keitel
Roderick Usher
Ramy Zada
Dr. Robert Hoffman
E.G. Marshall
Steven Pike
Madeleine Potter
Annabel
Bingo O'Malley
Ernest Valdemar
John Amos
Det. Legrand
Kim Hunter
Gloria Pym
Martin Balsam
Mr. Pym
Sally Kirkland
Eleonora
Holter Graham
Christian
Chuck Aber
Mr. Pratt
Tom Atkins
Det. Grogan
Julie Benz
Betty
Christine Forrest
Nurse
Anthony DiLeo Jr.
Taxi Driver
Jeff Howell
Policeman
Peggy McIntaggart
Young Policewoman
Tom Savini
The Monomaniac / Special Effects Key Makeup Artist
Jeff Monahan
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Two Evil Eyes Ratings & Reviews
Rue Morgue Magazine
Rocco T. Thompson
As an ambitious, not-quite masterpiece by two nearly past their prime filmmakers, Two Evil Eyes is a good deal better than it gets credit for.
Fat Guys at the Movies
Kevin Carr
A grisly and graphic anthology horror that cuts itself off with too few stories in its collection.
Film Frenzy
Matt Brunson
The word on the street -- Rue Morgue or otherwise -- is that the Argento segment far outshines the Romero tale, but I found them of comparable quality.
Q Network Film Desk
James Kendrick
a grim, uneven affair that highlights its respective directors' strengths and weaknesses in relatively equal measure
TV Guide
TV Guide Staff
While far from the worst adaptation of Poe's work... Two Evil Eyes breaks no new ground.
Den of Geek
Jenny Sanders
Playing out like a mediocre episode of Tales From The Crypt, it's slow, largely uneventful and not particularly exciting when something does happen... The Black Cat is a much more solid film, with a considerably better screenplay and some excellent acting
Los Angeles Times
Kevin Thomas
It is amazing what Argento has been able to do in his 65-minute "The Black Cat," which is the more ingenious--and gory--of the two parts.
Combustible Celluloid
Jeffrey M. Anderson
I wasn't too surprised to find that I liked both parts of this film, regardless of the negative buzz.
Mountain Xpress (Asheville, NC)
Ken Hanke
It's a tough call as to which director's episode is lamer.
New Times
Luke Y. Thompson
You can't go too wrong with these directors. Maybe just a little bit wrong, but it's still good.
Slant Magazine
Ed Gonzalez
It was a match made in hell, a dream realized for many horror fans.
Washington Post
Richard Harrington
But where Romero goes for the cheap, linear approach, Argento's storytelling is painfully poetic, with ever-shifting points of view and asides... There's a madness in Argento's method and it's always appropriate.
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