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Three Days of Rain
Directed by
Michael Meredith
R
2002
1h 38m
Drama
5.5
40%
29%
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Six Anton Chekhov short stories set in modern day Cleveland during a three day rain storm.
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Where to Watch Three Days of Rain
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Cast of Three Days of Rain
Peter Falk
Waldo
Erick Avari
Alex
Lyle Lovett
Disc Jockey
Michael Santoro
Thunder
Merle Kennedy
Tess
Mark Feuerstein
Car Buyer
Joey Billow
Denis
Wayne Rogers
Business Man
Don Meredith
John Horton
Penelope Allen
Helen
Jordan Elliott
Young Tess (uncredited)
Three Days of Rain Ratings & Reviews
New York Times
Jeannette Catsoulis
Inspired by Chekhov's short stories, Three Days of Rain belongs to the now-familiar genre of overlapping tales of urban desperation.
Austin Chronicle
Marjorie Baumgarten
As a filmmaker, Meredith has a strong, if derivative, visual sense, although his screenplay is packed with too many clichs and familiar riffs.
New York Daily News
Jami Bernard
The ends of each story work beautifully, but getting there requires traveling some washed-out roads, despite the imprimatur of executive producer Wim Wenders.
New York Post
V.A. Musetto
A well-written and -acted drama that's also unrelentingly grim.
Chicago Sun-Times
Roger Ebert
In the genre of interlocking stories about lonely lives, Three Days of Rain is only a sketch compared to the power of Rodrigo Garcia's Nine Lives, which continues to grow in my memory.
Boxoffice Magazine
Bridget Byrne
Meredith has created a mood piece that avoids self-indulgence as it explores the self-indulgent nature of a handful of diverse people, caught up in the major and minor miseries of life's foolish ironies and genuine woes.
Film Threat
Merle Bertrand
It's simply a pleasure watching these seasoned pros, a collection of recognizable faces, if not exactly household names, massage these characters and bring them and their stories to life.
Variety
Ronnie Scheib
Rain strives for a Magnolia-type tapestry of quiet desperation. But after 90 unremitting minutes of badly acted, atrociously written histrionic misery, pic leaves one praying for frogs.
Village Voice
Darren Reidy
The real subversion is director Michael Meredith's insistence on not capturing interactions between human beings in a frame; with some forethought he could have filmed the actors individually and spliced.
L.A. Weekly
Matthew Duersten
A hypnotic mood piece -- where characters' blank existential stares are framed through rain-beaded car windows -- and a murky riff on urban Midwestern ennui (by way of the Russian steppes).
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