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- “White man’s burden.” Glad that breaking my sobriety didn’t feel as good as this! Danny Darko (Never realized how similar the psychologist scene was) Such an amazing opening. The music is some of the greatest in cinema (throughout!) and that helicopter fly-by will always shock me how low to the ground it was The surprise Winnie the Pooh cameo will make you go, “What the fuck?” literally every single time Such insidious evil. The dread is unmatched. Sooo many Oscar snubs Watched at Warren Regal East Featured in Stanley Kubrick ranked
- ## Synopsis A family is invited to stay over the winter in an isolated hotel, where mysterious forces push the family over the edge all while the son's psychic ability makes him see bodies from the past and present. ## Review In today's movie standards this is a slog. Every conversation just last too long. The exposition of what is happening is just spoon-fed and takes too long. That is until you reach the halfway mark. From here it feels like a modern movie with the pacing well done. Jack Nicholson and Danny Lloyd were so good. Jack's creepy face, like the face he gives the young/old naked woman, is so well done and is basically how I picture him in every movie. Even ones like [[The Departed]]. Danny's voices are really good and his playing of a more troubled kid or another person really works well and shows a decent level of maturity to keep the voice the same. I know the rules on child actors has probably changed a lot since then to the [[Harry Potter Movie Series]] where they had to provide school to the kids, plus he isn't in most of the scenes so it might have been easier, but keeping the same voice is impressive. I think Shelly Duvall is what takes me out of the movie most. She is so flippant in how she interacts with Jack that it is confusing. The scene where she accuses Jack of hurting Danny, then comes back to say that he was attacked by a random lady, and then Jack says/implies that he did it to himself. All 3 of those switches there isn't a remembrance of the previous. For instance, the last one she doesn't say, well "How do I know you didn't do it since you couldn't find the lady he said was there" especially after she admitted he had hurt him before. ## [My Rating] The whole aspect of the psychic son seems lost on me. I get that it is the explanation of how he had Tony and could talk to the chef. However, it isn't around enough to name the movie after the effects. I mean, is the explanation that Jack's character also has it, just not in the same way? I am not sure. I did like this movie, while it is a bit slow, the scares and creep still hold up. What really makes this movie well done is the camera work and the transitions. Just fantastic. I am giving this an 8. ## [Parental Rating] There is a lot of language and some nudity. There is also an extreme amount of violence, which yeah duh. I know my dad watched it back in the day, so I am curious what he thought then vs. now, but I can say that this is rejected by both.
- A shining example This film is a timeless classic, a Stanley Kubrick shining star of achievement. My all-time favourite and number one horror movie. Flawless performances by Jack Nicholson and Shelley Duvall with a special guest appearance by Scatman Crothers, based loosely on the Stephen King novel of the same name. The ‘Shining’ in both works is a special kind of telepathy. Stephen King did not like this movie adaptation. He claimed it wasn’t true to the book, and I agree it wasn’t, but what movie adaptation ever is? Some of the scenes, still to this day, make the hair on my arms stand up. Very scary, but not in the cheap sadistic way that modern horror movies are scary, instead done with grace and style using true Hitchcockian suspense tactics. Artistically shot in a fictional hotel based on a real hotel in the Colorado mountains. Nicholson’s character slowly loses his mind in this career defining role. Duvall, Jacks wife in the movie, actually experienced emotional trauma during filming and she had to get therapy for it after filming concluded. It shows in her raw performance. Both their performances are etched in my mind as archetypes now. The musical score by Wendy Carlos, a longtime collaborator, is so good it feels like another character in the story. The opening shots and particularly the score alone are scary enough to shock the timid and are iconic on their own. You’ll swear you’ve heard the music before. Definitely worth a watch, whether you like horror movies or not and in my opinion … no - just a fact - that it is one of the greatest films of all time. 
- Yet another instance where the book was better. So much better. Admittedly, very few of King's novels have gotten close to a decent film adaptation and King himself hated this one. Kubrick still produced a masterpiece but it fails to match the level of King's original horror. Tons of classic scenes that are guaranteed to chill viewers though, especially the scenes with Danny alone in the hotel. Truthfully, I preferred the sequel, Doctor Sleep. Now THAT was a great film!
- Yeah, yeah, the book is better, I know. ...Still. This is simultaneously a very comfy and very stressful movie; great if you want to gawk at Kubrick composition, try to parse your own version of what's happening story wise or just admire how cute Shelly Duvall is in every shot she's in. I really like Shelly Duvall.
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El resplandor was released on 23 de mayo de 1980.
El resplandor was directed by Stanley Kubrick.
El resplandor has a runtime of 2h 23min.
El resplandor was produced by Stanley Kubrick.
Jack Torrance se traslada, junto a su mujer y a su hijo, al impresionante hotel Overlook, en Colorado, para encargarse del mantenimiento del mismo durante la temporada invernal, en la que permanece cerrado y aislado por la nieve. Su idea es escribir su novela al tiempo que cuida de las instalaciones durante esos largos y solitarios meses de invierno, pero desde su llegada al hotel, Jack comienza a padecer inquietantes transtornos de personalidad, al mismo tiempo que en el lugar comienzan a suceder diversos fenómenos paranormales.
The key characters in El resplandor are Jack Torrance (Jack Nicholson), Wendy Torrance (Shelley Duvall), Danny (Danny Lloyd).
El resplandor is rated 16.
El resplandor is a Terror, Suspense, Drama film.
El resplandor has an audience rating of 9.3 out of 10.
El resplandor had a budget of 19 M US$.
El resplandor has made 50,3 M US$ at the box office.






















