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The Passion of Anna
Directed by
Ingmar Bergman
R
1969
1h 41m
Drama
7.6
100%
84%
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A recently divorced man meets an emotionally devastated widow and they begin a love affair.
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Where to Watch The Passion of Anna
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Cast of The Passion of Anna
Max von Sydow
Andreas Winkelman
Liv Ullmann
Anna Fromm
Bibi Andersson
Eva Vergerus
Erland Josephson
Elis Vergerus
Erik Hell
Johan Andersson
Sigge Fürst
Verner
Svea Holst
Verner's Wife (uncredited)
Annicka Kronberg
Katarina
Hjördis Petterson
Johan's Sister (uncredited)
Ingmar Bergman
Narrator (voice) (uncredited)
Lars-Owe Carlberg
Police Officer (uncredited)
Brian Wikström
Police Officer (uncredited)
Barbro Hiort af Ornäs
Woman in Dream (uncredited)
Malin Ek
Woman in Dream (uncredited)
Britta Brunius
Woman in Dream (uncredited)
Brita Öberg
Woman in Dream (uncredited)
Marianne Karlbeck
Woman in Dream (uncredited)
The Passion of Anna Ratings & Reviews
Dennis Schwartz Movie Reviews
Dennis Schwartz
Never less than fascinating, even when it falters.
New York Times
Vincent Canby
The Passion of Anna is one of Bergman's most beautiful films (it is his second in color), all tawny, wintry grays and browns, deep blacks, and dark greens, highlighted occasionally by splashes of red, sometimes blood.
Mountain Xpress (Asheville, NC)
Ken Hanke
Flawed, but still brilliant, The Passion is an essential.
Alternate Ending
Tim Brayton
Has so many different ideas to try out that it's not surprising that they don't end up working together all the time.
New York Magazine/Vulture
Judith Crist
The Passion of Anna is a complex and beautiful work, one which bears the pondering and probing that so few films merit. It is an encounter, above all, with a sophisticated and subtle mind concerned with mature human relationships.
The New Yorker
Michael Sragow
The performances and the staging have a risky, improvisatory edge; Bergman even cuts away to interviews with his four lead actors.
Chicago Reader
Don Druker
A tentative, plotless film that pulses with the rhythms of life rather than the rhythms of drama.
Combustible Celluloid
Jeffrey M. Anderson
Sven Nykvist's color cinematography makes Ullmann's blue eyes a thing to behold.
Not Coming to a Theater Near You
Leo Goldsmith
The "passion" of the film's title is not a physical suffering, like Christ's at Golgotha, but an emotional one, an exposing of oneself to the world for the sake of love.
The New Yorker
Penelope Gilliatt
Ingmar Bergman's The Passion of Anna, which is a masterpiece, is one of the most specifically modern films I have ever seen, yet there is barely a modern object in sight.
TV Guide
The Passion of Anna employs some interesting techniques, such as interviews with each of the four main actors and also sheds some light on many of the baroque mannerisms and symbols that have come to be associated with Bergman.
Floating World
Dustin Chang
Emotionally bare and structurally, technically jarring, The Passion of Anna is a deeply pessimistic, open wound of a film.
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