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The Last Shift
Directed by
Andrew Cohn
R
2020
90m
Comedy
,
Drama
5.8
66%
37%
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Stanley's last shift at his fast food job takes an unexpected turn when he befriends a young African-American work employee.
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Where to Watch The Last Shift
Starz Apple TV Channel
Subscription
Amazon Video
Rent $3.99
Buy $12.99
Apple TV
Rent $3.99
Buy $12.99
+3 more
Cast of The Last Shift
Richard Jenkins
Stanley
Shane Paul McGhie
Jevon
Da'Vine Joy Randolph
Shazz
Birgundi Baker
Sydney
Allison Tolman
Evelyn
Ed O'Neill
Dale
DeRon J. Powell
Perry
Julian Parker
Brandon
Tracey Bonner
Crystal
Dano Duran
Fernando
Alex Stein
Rich
Cameron Scott Roberts
High Schooler #1
Holden Ochsenhirt
High Schooler #2
Jennifer Engstrom
Waiting Room Visitor
Cairo McCarter
Carter
Carter McCarter
Carter
Lyle Miller
Charles
Tara Mallen
Angry Customer
Jay Worthington
Sam
Bradley Grant Smith
Donte
John Gawlik
Police Officer #1
Ronald L. Conner
Police Officer #2
Tim Grimm
Jack
Emily Anderson
Cashier
Lucien Cambric
Liquor Store Customer #1
Randall McDonald
Liquor Store Customer #2
Danny Catlow
Co-Worker
The Last Shift Ratings & Reviews
Dennis Schwartz Movie Reviews
Dennis Schwartz
It gets the usual good performance from the character actor Richard Jenkins.
AARP Movies for Grownups
Tim Appelo
The writer and the elder try to open each other's eyes to reality, and their colliding minds add up to a thoroughly entertaining take on race, class, age, retirement, and morality.
rachelsreviews.net
Rachel Wagner
A small yet tender story
Los Angeles Times
Kevin Crust
Trying to get a spark from a damp match is a lot harder than holding a flame to dry kindling.
Arkansas Democrat-Gazette
Philip Martin
It would have been nice had the film given Jenkins a little more to work with, but the actor is more than up to the challenge.
Austin Chronicle
Richard Whittaker
It's another tour de force performance from Jenkins, in the same week as his headturning performance as the pater familias of a clan of grifters in Kajillionaire.
The Weekend Warrior (Substack)
Edward Douglas
Just comes across like a flat and rather mundane attempt that never really goes anywhere.
New York Post
Johnny Oleksinski
It's a low-key rest-stop story that appreciates life's banalities and the struggles of ordinary people.
New York Times
Glenn Kenny
So far, so good in the mismatched maybe-eventual-buddy-comedy department. But the movie... wants a deeper dimension.
Deadline Hollywood Daily
Pete Hammond
RIchard Jenkins is superb in a vivid and poignant look at lives in a fading American town.
The Playlist
Jessica Kiang
You think you know in which mutual lesson-learning direction this is headed. And for a time you're right, but, for better and worse, only for a time.
Solzy at the Movies
Danielle Solzman
The Last Shift serves to start a conversation while displaying some strong performances from its cast.
RogerEbert.com
Nick Allen
Richard Jenkins gives one of his most soulful performances in years.
Shadow and Act
Aramide Tinubu
The film never gets to the root of their issues or the reasons for their disconnection.
IndieWire
David Ehrlich
In such a knowing film about how thoroughly Americans are trained to undervalue themselves and each other, it's hard to fault "The Last Shift" for doing the bare minimum.
The Film Stage
Dan Mecca
There's a lot to admire here, even it all of it doesn't work.
Variety
Amy Nicholson
"The Last Shift" is premiering in an election year where every candidate's campaign is focused on reaching men like Stan, who have the sense life shouldn't be this hard, but misdirect their blame.
ianthomasmalone.com
Ian Thomas Malone
The narrative is a muddled mess. The Last Shift never really establishes a cohesive story, riding a wave of various subplots for the course of its runtime.
AwardsWatch
Clint Worthington
While it gratefully avoids the easy, expected route of "unlikely opposites learning to bridge the gulf in their understanding and become friends" for a slightly more complicated resolution, the road to getting there is too shaky to be worth the trip.
The Hollywood Reporter
David Rooney
This funny-sad chamber piece is underwhelming in cinematic terms, but its perceptive script and the incisively etched characterizations of a sterling ensemble make it warmly satisfying.
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