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The Clan
Directed by
Pablo Trapero
R
2015
1h 49m
Crime
,
Drama
,
and more
6.9
85%
76%
Add to Watchlist
The true story of the Puccio Clan, a family who kidnapped and killed people in the 80s.
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Where to Watch The Clan
Amazon Video
Rent $3.99
Apple TV
Buy $14.99
Rent $3.99
Fandango At Home
Buy $14.99
Rent $3.99
Spectrum On Demand
Rent $3.99
Cast of The Clan
Guillermo Francella
Arquímedes Puccio
Peter Lanzani
Alejandro Puccio
Gastón Cocchiarale
Daniel 'Maguila' Puccio
Franco Masini
Guillermo Puccio
Giselle Motta
Silvia Puccio
Antonia Bengoechea
Adriana Puccio
Liliana Popovich
Epifanía Puccio
Stefanía Koessl
Mónica
Miguel Ángel Lembo
Comodoro
Aldo Onofri
Ordoñez
Aníbal Barengo
Basualdo
Fabio Aste
Secretario Comodoro
Fernando Miró
Gordon
Juan Cruz Márquez de la Serna
Oveja Gonzalo
Santiago Privitera
Eduardo Aulet
Tomás de las Heras
Benito
Joaquín Berthold
Caña Varela
Jorge Sabaté
Florencio Varela
Francisco Donovan
Ricardo Manoukian
Soledad Gómez Schweizer
Sandra
Silvina Gómez Schweizer
Sonia
Luis Armesto
Laborde
Pablo Caramelo
Diaz
The Clan Ratings & Reviews
Boston Globe
Peter Keough
A mordant if unwieldy thriller examining how evil not only becomes the norm, but a virtue.
Arizona Republic
Randy Cordova
Some of the movie's political shadings about Argentina in the early '80s may not quickly resonate with American viewers. Still, it's impossible not to be drawn into the unnerving world of the Puccios.
San Francisco Chronicle
Walter V. Addiego
It's a testimony to the skill of Francella and the filmmaker how much this movie transcends a history lesson.
Washington Post
Ann Hornaday
Stylish, atmospheric and dispiriting, "The Clan" gives cynical new twist to an old saw: The family that preys together stays together - but usually, not for long.
Slant Magazine
Guido Pellegrini
The film's parallels are drawn so bluntly that they lose all suggestive force, since there's little left to suggest.
Chicago Reader
J. R. Jones
A demonic performance from Guillermo Francella anchors this 2015 Argentinian drama about the Puccio clan.
NPR
Bob Mondello
An intriguingly unnerving little civics lesson.
TheWrap
Alonso Duralde
Shares a production team with Wild Tales, and like that previous film, it possesses a pitch-black sense of humor and a willingness to stare with wide-open eyes into the abyss of humanity's worst behavior.
Los Angeles Times
Gary Goldstein
Francella and Lanzani are excellent, not only in their charged moments together, but throughout this nervy and provocative picture.
New York Post
Farran Smith Nehme
Swift, confident, and exceptionally nasty ...
Salt Lake Tribune
Sean P. Means
Trapero copies all the tricks of American gangster films... But he doesn't bring anything fresh to the table and doesn't explore the characters' motivations for murder past the obvious clichs.
New York Times
A.O. Scott
Fascism is seductive not only because it feeds fantasies of power and greatness, but also because, at a primal, visceral, libidinal level, it can be a lot of fun.
Film Comment Magazine
Michael Sragow
Director Pablo Trapero, who also co-wrote the script, pulls off his share of show-off sequences without succumbing to empty virtuosity.
The Young Folks
Gary Shannon
Suffers from the same problems most 'supposedly' moralistic crime sagas do, finding far more fascination with the gory exploits than the human drama surrounding the crimes.
The Patriot Ledger
Al Alexander
It's two parts Scorsese and one part "Sopranos," and totally immersive, largely because Trapero has studied his influences well. And what he's learned most is the value of humor in telling the story of repulsive people behaving badly.
The Playlist
Jessica Kiang
The stylishly grimy "El Clan" asks but never quite fully explores one overriding question: can anyone be innocent of complicity in a crime when they heard and ignored the screams coming from the basement?
Mark Reviews Movies
Mark Dujsik
The Clan is a shallow examination of the inescapable influence of family...
Reeling Reviews
Robin Clifford
Pablo Trapero shows deft skill in directing his talented cast and telling the shocking true story of the Puccio family.
Reeling Reviews
Laura Clifford
Trapero's film shares some of the eerie economical horror of Mexico's 2011 film "We Are What We Are", but his is more horrifying given the looming shadow of Argentina's recent history and the utterly corrupt evil which Francella conjures.
Washington City Paper
Tricia Olszewski
Francella, along with that stare, lends a calm to Arqumedes that's mesmerizingly magnetic, convincing viewers to take his side regardless of the character's horrific acts.
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