1981    2h 31minDrame, Guerre
6.856%6.3
Avril 1945. L'étau se ressert sur le IIIème Reich à la suite de la défaite en Normandie. A l'est, les troupes soviétiques enfoncent la résistance allemande. Dans Berlin bombardé et en flammes, Hitler se retranche dans le bunker avec son dernier carré de fidèles. Un lourd climat règne : Goebbels délire, Bormann essaye de mettre de l'ordre, Speer désobéit. Quant au Führer, il lance d'ultimes forces fantômes dans la bataille tout en épousant sa maîtresse, Eva Braun. Le crépuscule des dieux approche...
Réalisé par George Schaefer
  • Anthony HopkinsAdolf Hitler
  • Richard JordanAlbert Speer
  • Cliff GormanJoseph Goebbels
  • James NaughtonJames O'Donnell
  • Michael LonsdaleMartin Bormann
  • Martin JarvisJohannes Hentschel
  • Michael KitchenRochus Misch
  • Andrew RayMajor Otto Günsche
  • Piper LaurieMagda Goebbels
  • Susan BlakelyEva Braun
  • Robert AustinWalter Wagner
  • Geoffrey BatemanRiebold
  • Graham BishopHelmut Goebbels
  • Nathalie BoulmerElga Goebbels
  • Yves BrainvilleGen. Hans Guderian
  • Jane CarrGreta Hentschel
  • Georges CorrafaceGard SS #1
  • Michael CulverGen. Mohnke
  • Larry DannMoss
  • Erick DesmarestzGard SS #2
  • CravanThePugilist18 mai 2026
    They really need to change the poster on this, because this totally is NOT a comedy. But it's advertised as like a Monty Python sketch.
  • stuhannaford23 août 2025
    Well acted, and Hopkins is absolutely fantastic, giving a genuinely chilling portrayal. That being said, I found myself at odds with the film as a whole for long periods. Whether intentional or not, there are at times scenes that I felt showed some form of sympathy for those in and around Hitler, most notably officers. There’s a strange tone that shows itself every now and again, the fond looking back at ‘the good old days’, a certain distancing from evil of some and at times, a humanising of the leader of the Nazi party. Likely intentional, a kind of, it is even more evil, through the unmasking of him as a bogeyman, and revealing him to just be human, but nonetheless, I’m not sure it hits the right note. There are clear scenes that counterbalance any form of empathy, no doubt, but I felt uneasy at times. There’s a tendency to lean towards ‘they were just loyally doing their job,’ which for me is naive, and downplays some of the most incredibly abhorrent moments the world has ever seen, facilitated by such figures. The story itself, is a fascinating one, but I would suggest the telling via Downfall, as a far more authentic and harrowing option.

Le bunker, les derniers jours d'Hitler Trivia