无处释放我
Directed by Scott Cooper
讲述布鲁斯·斯普林斯汀在与个人恶魔作斗争的同时，创作了1982年的专辑《内布加斯加》，这也是是近代音乐史上情感最原始、最黑暗、最真实的专辑之一。
无处释放我 Ratings & Reviews
- thomasrogers7532026年4月10日JAW actually singing in the movie was beyond impressive, definitely an above average music biopic that highlights the struggle of the album and life of Springsteen. Enjoyed my time with it even if it is a little basic at its core. Still mad I didn’t see this in theaters last year
- George Almeida2025年12月22日You have to pay attention but it's exceptional.
- RipLinesMan2025年12月23日Springsteen: Deliver Me from Nowhere reads like Event Horzion (1997) filtered through a four-track recorder, with Scott Cooper turning the making of Nebraska into a slow walk down a corridor where the lights keep dimming and the only thing between you and the pit is craft. Jeremy Allen White plays Bruce Springsteen as a guy sealing himself into an emotional engine room on purpose, because he knows the cleanest sound comes from pressure and isolation, while Jeremy Strong’s Jon Landau is the Captain Miller role, the adult in the room who understands that discipline is an airlock and someone has to keep it shut when the void starts calling. Stephen Graham as Douglas Springsteen sits in the background like a gravity well, not always visible but always pulling, and Odessa Young’s Faye Romano is the human warmth that makes the cold feel colder, because she can still see the person inside the noise. Paul Walter Hauser’s Mike Batlan becomes a crucial witness, the guy holding the flashlight while an artist crawls deeper into the ducts, making sure the tape rolls even when the room feels haunted. Paul W. S. Anderson’s masterpiece works because Captain Miller and Dr. William Weir represent containment versus surrender, and Cooper borrows that moral geometry without copying the genre: White’s Bruce keeps flirting with the Weir impulse, the seductive idea that if you just go further into the dark you will come back purified, while Strong’s Landau keeps asking the Miller questions about survival, responsibility, and what it costs to open certain doors. The filmmaking stays controlled and unsentimental, which is why the hellish metaphors land, since the movie never begs for myth and still earns it through texture, timing, and the sound of a man choosing to stare into the red glow and translate it into songs.
- eddie433512025年12月25日Pretty good.
- KRRool2026年2月24日Great movie. Knew nothing about Bruce going in and still loved this story. Good watch start to finish.
- Kevin Ward2025年12月18日A new musical biopic with the differentiator being that this one takes a hyper-specific look at the creation an album. I’ve never been a huge fan of Bruce. Not that I dislike his music, I just probably could provide the name of any of his albums. So absent the connection to the music, I’m sort of left trying to connect to the drama…and I just really didn’t. Found this to be pretty boring for most of the runtime. I’m not out on the music biopic genre, but I’m wondering if maybe we should just skip the 80’s altogether and start doing the 90’s?
- Andrea Seifert2026年2月16日WTF is this shit?
- Erick Lee2026年2月2日It was fine though I would have liked more context into a lot more of his life. Acting was good though I have a hard time seeing past Jeremy Allen White's acting as he usually seems to be the same kind of character. It was fine, but I would have liked more
- Lorne Stein2026年1月29日If Jeremy Allen White wants to play Chef Carmen over and over again.. I'm done with him.
- DeathTech002026年1月2日Great flick
- benjr662026年1月16日Dark, sad, tormented. Difficult to watch. Depressing. Of all the periods Springsteen has, why make a movie about the saddest one. Don't bother unless you want to be depressed.
- Censor_Me_Not2026年1月9日Keep your thumb on the fast-forward button. This could have been a great movie, but instead, it’s filled with miserable, boring, and melancholy scenes. I’d rather watch a biography that highlights a person’s good days, rather than their miserable ones.
- stuhannaford2026年1月6日Springsteen fan? This ultra specific look at the creation of an album may well appeal. Casual enjoyer of The Boss’ music, or even further, not a fan? It is dark, depressing and above all, boring. It focuses on the ‘artiste’, and I admire anyone who finds a connection through the endless conversations about recording equipment, finesse and musical integrity… as a lay person, and someone who likes a song or two by Bruce, it was a really hard watch… dull. It feels like a really unenjoyable journey from Nowhere to, well, Nowhere.
- Austin Burke2025年10月25日Deliver Me from Nowhere started slow, initially struggling to captivate. However, the narrative soon finds its rhythm, ultimately delivering a deeper and more personal story than anticipated.
- PlexecutionerX2026年1月6日Not sure what I was expecting with this movie. Jeremy Allen White is a great actor... LOVE him in Shameless and The Bear, but I just didn't buy him as The Boss. Wished this biopic would have delved more into Springsteen's career than just a couple years of his life.
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无处释放我 Trivia
无处释放我 was released on 2025年10月22日.
无处释放我 was directed by Scott Cooper.
无处释放我 has a runtime of 2小时.
无处释放我 was produced by Scott Stuber, Ellen Goldsmith-Vein, Eric Robinson, Scott Cooper.
讲述布鲁斯·斯普林斯汀在与个人恶魔作斗争的同时，创作了1982年的专辑《内布加斯加》，这也是是近代音乐史上情感最原始、最黑暗、最真实的专辑之一。
The key characters in 无处释放我 are Bruce Springsteen (Jeremy Allen White), Jon Landau (Jeremy Strong), Mike Batlan (Paul Walter Hauser).
无处释放我 is rated PG-13.
无处释放我 is a 音乐, Biography, 剧情 film.
无处释放我 has an audience rating of 8.2 out of 10.
无处释放我 had a budget of US$5500万.
无处释放我 has made US$4519.5万 at the box office.