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Spring Forward
Directed by
Tom Gilroy
R
1999
1h 50m
Drama
7.5
88%
81%
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An ex convict befriends an elderly coworker as they both try to find meaning in life and forgiveness for their past.
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Where to Watch Spring Forward
There are no locations currently available for this title
Cast of Spring Forward
Ned Beatty
Murph
Liev Schreiber
Paul
Campbell Scott
Frederickson
Ian Hart
Fran
Peri Gilpin
Georgia
Bill Raymond
Don Regan
Catherine Kellner
Dawn
Hallee Hirsh
Hope
Tom Gilroy
Director / Writer
Gill Holland
Producer
Mike Morley
Producer
Paul S. Mezey
Producer
Spring Forward Ratings & Reviews
TheMovieReport.com
Michael Dequina
Beatty and Schreiber generate a convincing camaraderie that is warm and touching yet with a refreshing lack of sticky sentiment.
Apollo Guide
David Nusair
A breath of fresh air, and an antidote to all the mindless drivel Hollywood churns out on a regular basis.
eFilmCritic.com
David Cornelius
Here's a film that values good dialogue and complex characters over dramatic gimmicks and cheap action.
La Movie Boeuf
David N. Butterworth
A remarkable film, totally absorbing from the first frame to the last. It's a marvel of simplicity and depth, comfort and compassion.
Reeling Reviews
Laura Clifford
every moment is jam packed with a philosophical or heavy moment, never giving his characters a chance to breath
Reeling Reviews
Robin Clifford
...a pair of big-budget performances by Beatty and Schreiber.
The Moving Picture Show
Joe Leydon
While seeming to be about nothing in particular, it gradually builds toward a deeply affecting emotional impact by actually being about everything that's important.
Internet Reviews
Steve Rhodes
The performances are all fine and heartfelt, but the story itself never provides much reason for us to care.
ToxicUniverse.com
John A. Nesbit
What a treat to finally see a pudgy character actor and a stereotypically type cast "bad guy" demonstrate their consummate acting skills
Film Journal International
Bruce Feld
Beatty and Schreiber give accomplished performances, but are handicapped by the staginess of the script and the static nature of Gilroy's direction.
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