亡命父女
Directed by Nick Rowland内特（泰隆艾格顿 饰）出狱之后渴望能够重新做人，但他在狱中招惹到的犯罪集团却开始追杀他的家人作为报复，内特被迫带着关系疏远的11岁女儿波莉（安娜苏菲亚海格 饰）展开逃亡之旅，并设法向生性胆小的她传授生存之道……。
亡命父女 Ratings & Reviews
- Sinawomak2026年3月16日It was ok nothing to write home about
- ivanlo212025年9月6日So good and so sad at the same time. Really good movie, made me cry 😂
- neilster2025年9月17日A real gem of a film with outstanding performances from the lead actors.
- Shaydeknight2026年3月8日She Rides Shotgun was a bit of a surprise to me, I didn't think I'd like it as much as I did. It's the kind of film that many viewers will probably label "slow". I found the pacing to be deliberate. To me, the rhythm feels measured rather than sluggish. Scenes are given space to breathe, and the film allows the audience a moment to absorb the emotional weight of what has just happened before moving on. That restraint is unusual in contemporary thrillers, which often hurry from one scene to the next at breakneck speed. Here, the patience works in the film's favour. The centre of the film is the performance by Taron Egerton. He convincingly inhabits a man from the wrong side of the tracks, someone hardened by circumstance but still capable of deep loyalty and protectiveness. The physical and psychological commitment he brings to the role recalls other notable transformations, such as Edward Norton in American History X or Jake Gyllenhaal in Southpaw. Egerton carries the film without ever appearing to push for attention. The character simply feels alive. Opposite him, Ana Sophia Heger gives a remarkably grounded performance. Child roles often fall into exaggeration or sentimentality, but her reactions feel natural and proportionate to the chaos unfolding around her. She behaves like a child trying to understand a frightening and confusing situation, not like a screenwriter's idea of how a child should behave. That realism anchors the emotional core of the story. Rob Yang contributes a quieter but important supporting performance. His role carries less overt drama than the father and daughter at the centre, yet he gives the character weight without trying to compete for attention. The restraint works well in a film already loaded with emotional tension. The setting is another strength. I've lived in the American southwest, and in the film it's presented with a clear understanding of its atmosphere. I recall it as vast, open, and often eerily empty. The film captures that feeling of space that is almost oppressive in its scale. In such landscapes, every small town, roadside diner, or isolated house suggests a separate life with its own story. The environment becomes part of the narrative rather than just a backdrop. The direction remains controlled and largely invisible. There are no obvious stylistic flourishes designed to call attention to themselves. That restraint helps keep the focus where it belongs: on the characters and their relationships. The camera observes rather than intrudes, and the result is a film that feels grounded. The crime elements carry a slightly gritty tone reminiscent of Dragged Across Concrete. Even the action sequences maintain this realism. A standout car chase avoids the exaggerated spectacle typical of modern Hollywood thrillers. It is tense, believable, and staged in a way that prioritizes narrative over spectacle. In the end, She Rides Shotgun feels like a modest film that quietly succeeds at what it sets out to do. It tells a tense, character driven story without unnecessary noise or stylistic distraction. The result is a grounded, well acted thriller that lingers longer than many louder productions.
- marlon11162026年2月5日This was a surprisingly great movie from start to finish. Action all the way through.
- Loperator132026年1月31日What a performance by Taron and Ana!!
- John Arnold2026年1月12日Absolutely fantastic acting from both leads. Properly moving and believable relationships plus a little action. Loved it.
- Nicholas DeRoy2025年12月31日A gritty, character-driven thriller that leans more on emotion than spectacle. The performances carry real weight, especially in the quiet moments where trust, fear, and survival collide. It doesn’t shy away from darkness, but it balances that edge with a surprisingly tender heart. While the pacing slows in spots and some familiar crime beats creep in, the central relationship keeps it grounded and compelling. Not flawless, but confident, tense, and quietly affecting.
- Fabrice V.2025年12月3日Perfect 👍
- Jigs@w2025年12月22日The film has a fairly slow pace, but it works quite well. Taron Egerton is a very good actor, but he is overshadowed by Ana Sophia Eger's performance. I had a good time watching it.
- cferaco2025年9月8日She Rides Shotgun is the kind of story that throws you straight into the chaos and never lets up. It’s dark and dangerous, but what makes it work is the rough, real father–daughter relationship at the center — messy, heartfelt, and worth rooting for. It’s sharp, fast, and hits hard in all the right places.
- Mdziegiel2025年12月14日Not so great!
- Len2025年12月10日I don’t know what to say or how to say it. It just was not very good.
- varga.ta2025年12月8日It was a realistic and tense drama for me.
- Pete Martinez2025年12月2日Sad but very entertaining!
亡命父女 Trivia
亡命父女 was released on 2025年8月8日.
亡命父女 was directed by Nick Rowland.
亡命父女 has a runtime of 2小时.
亡命父女 was produced by Nate Matteson, Hiro Murai, Collin Creighton, Brad Weston.
内特（泰隆艾格顿 饰）出狱之后渴望能够重新做人，但他在狱中招惹到的犯罪集团却开始追杀他的家人作为报复，内特被迫带着关系疏远的11岁女儿波莉（安娜苏菲亚海格 饰）展开逃亡之旅，并设法向生性胆小的她传授生存之道……。
The key characters in 亡命父女 are Nathan Mcclusky (Taron Egerton), Polly Huff (Ana Sophia Heger), John Park (Rob Yang).
亡命父女 is rated R.
亡命父女 is a 惊悚, 剧情, Action film.
亡命父女 has an audience rating of 9.2 out of 10.
亡命父女 has made US$23,443 at the box office.