

Educazione criminale
Diretto da Nick RowlandAppena uscito di prigione e braccato da nemici molto potenti, Nate deve proteggere a tutti i costi la figlia undicenne Polly, con la quale non è mai riuscito ad avere un vero rapporto. Con a disposizione risorse scarse e non potendosi fidare veramente di nessuno, Nate e Polly stringono un legame forgiato dalla pressione a cui sono sottoposti, mentre lui le insegna come combattere e sopravvivere, e lei gli insegna cosa significhi veramente l'amore incondizionato.
Educazione criminale Ratings e Recensioni
- ivanlo216 settembre 2025So good and so sad at the same time. Really good movie, made me cry 😂
- neilster17 settembre 2025A real gem of a film with outstanding performances from the lead actors.
- Sinawomak16 marzo 2026It was ok nothing to write home about
- Fabrice V.3 dicembre 2025Perfect 👍
- cferaco8 settembre 2025She Rides Shotgun is the kind of story that throws you straight into the chaos and never lets up. It’s dark and dangerous, but what makes it work is the rough, real father–daughter relationship at the center — messy, heartfelt, and worth rooting for. It’s sharp, fast, and hits hard in all the right places.
- Jerry Vasquez22 novembre 2025The father daughter relationship reminded me a bit of Paper Moon or maybe it was the haircut. 🧒🏼
- Shaydeknight8 marzo 2026She Rides Shotgun was a bit of a surprise to me, I didn't think I'd like it as much as I did. It's the kind of film that many viewers will probably label "slow". I found the pacing to be deliberate. To me, the rhythm feels measured rather than sluggish. Scenes are given space to breathe, and the film allows the audience a moment to absorb the emotional weight of what has just happened before moving on. That restraint is unusual in contemporary thrillers, which often hurry from one scene to the next at breakneck speed. Here, the patience works in the film's favour. The centre of the film is the performance by Taron Egerton. He convincingly inhabits a man from the wrong side of the tracks, someone hardened by circumstance but still capable of deep loyalty and protectiveness. The physical and psychological commitment he brings to the role recalls other notable transformations, such as Edward Norton in American History X or Jake Gyllenhaal in Southpaw. Egerton carries the film without ever appearing to push for attention. The character simply feels alive. Opposite him, Ana Sophia Heger gives a remarkably grounded performance. Child roles often fall into exaggeration or sentimentality, but her reactions feel natural and proportionate to the chaos unfolding around her. She behaves like a child trying to understand a frightening and confusing situation, not like a screenwriter's idea of how a child should behave. That realism anchors the emotional core of the story. Rob Yang contributes a quieter but important supporting performance. His role carries less overt drama than the father and daughter at the centre, yet he gives the character weight without trying to compete for attention. The restraint works well in a film already loaded with emotional tension. The setting is another strength. I've lived in the American southwest, and in the film it's presented with a clear understanding of its atmosphere. I recall it as vast, open, and often eerily empty. The film captures that feeling of space that is almost oppressive in its scale. In such landscapes, every small town, roadside diner, or isolated house suggests a separate life with its own story. The environment becomes part of the narrative rather than just a backdrop. The direction remains controlled and largely invisible. There are no obvious stylistic flourishes designed to call attention to themselves. That restraint helps keep the focus where it belongs: on the characters and their relationships. The camera observes rather than intrudes, and the result is a film that feels grounded. The crime elements carry a slightly gritty tone reminiscent of Dragged Across Concrete. Even the action sequences maintain this realism. A standout car chase avoids the exaggerated spectacle typical of modern Hollywood thrillers. It is tense, believable, and staged in a way that prioritizes narrative over spectacle. In the end, She Rides Shotgun feels like a modest film that quietly succeeds at what it sets out to do. It tells a tense, character driven story without unnecessary noise or stylistic distraction. The result is a grounded, well acted thriller that lingers longer than many louder productions.
- marlon11165 febbraio 2026This was a surprisingly great movie from start to finish. Action all the way through.
- Loperator1331 gennaio 2026What a performance by Taron and Ana!!
- John Arnold12 gennaio 2026Absolutely fantastic acting from both leads. Properly moving and believable relationships plus a little action. Loved it.
- K Smithy3 settembre 2025Had no issues with this movie. Loved it start to finish even though there was a bit of tears at the end.. Very emotional step into the protagonist's shoes. Would definitely recommend this movie to anyone.
- Vid14 settembre 2025Best movie I've seen in a couple of years.
- Nicholas DeRoy31 dicembre 2025A gritty, character-driven thriller that leans more on emotion than spectacle. The performances carry real weight, especially in the quiet moments where trust, fear, and survival collide. It doesn’t shy away from darkness, but it balances that edge with a surprisingly tender heart. While the pacing slows in spots and some familiar crime beats creep in, the central relationship keeps it grounded and compelling. Not flawless, but confident, tense, and quietly affecting.
- Dadiolap2 novembre 2025Super movie, lot of suspense. I loved it 😍
- Jigs@w22 dicembre 2025The film has a fairly slow pace, but it works quite well. Taron Egerton is a very good actor, but he is overshadowed by Ana Sophia Eger's performance. I had a good time watching it.
Educazione criminale Trivia
Educazione criminale è stato rilasciato il 8 agosto 2025.
Educazione criminale era diretto da Nick Rowland.
Educazione criminale ha una durata di 2h.
Educazione criminale è stato prodotto da Nate Matteson, Hiro Murai, Collin Creighton, Brad Weston.
Appena uscito di prigione e braccato da nemici molto potenti, Nate deve proteggere a tutti i costi la figlia undicenne Polly, con la quale non è mai riuscito ad avere un vero rapporto. Con a disposizione risorse scarse e non potendosi fidare veramente di nessuno, Nate e Polly stringono un legame forgiato dalla pressione a cui sono sottoposti, mentre lui le insegna come combattere e sopravvivere, e lei gli insegna cosa significhi veramente l'amore incondizionato.
I personaggi principali di Educazione criminale sono Nathan Mcclusky (Taron Egerton), Polly Huff (Ana Sophia Heger), John Park (Rob Yang).
Educazione criminale è votato R.
Educazione criminale è un film Thriller, Dramma, Action.
Educazione criminale ha una valutazione di 9.2 su 10 dal pubblico.
Educazione criminale ha guadagnato 23.443 USD al botteghino.
















