15
1996    1 t 50 mDrama, Thriller
7.383%85%7.0
Pusheren Frank, der bliver opdaget af strisserne under en deal og efter en hæsblæsende jagt formår at skille sig af med bevismaterialet - en stor pose "puddersukker". Politiet kan ikke knalde ham, men Franks gode "ven" Milo vil gerne snart have sine penge igen, og han gider ikke høre på Franks røverhistorier. Næh du, hvis Milo ikke får sine penge, så vanker der!
Instrueret af Nicolas Winding Refn
  • Kim BodniaFrank
  • Mads MikkelsenTonny
  • Laura DrasbækVic
  • Zlatko BurićMilo
  • Slavko LabovićRadovan
  • Peter AnderssonHasse
  • Vasilije BojičićBranko
  • Lisbeth RasmussenRita
  • Levino JensenMike
  • Nicolas Winding RefnBrian / Instruktør / Manuskript / Producer
  • Thomas Bo LarsenJunkie
  • Lars BomUro'er
  • Michael HasselflugUro'er
  • Jesper LohmannMikkel
  • Steen FridbergLasse
  • Gordon KennedyAnders
  • Gyda Hansen Mor
  • Kenneth SchultzSteff
  • Coco C.P. DalbertTheis
  • Karsten SchrøderKarsten
  • danilichd
    danilichd7. august 2026
    Damn good first feature film. Betrayal and disloyalty. Everywhere. People will screw you over in a "you or them" situation in the blink of an eye. Zero good guys. Refreshing.
  • lennyofficial
    lennyofficial23. juli 2026
    A gripping and brutal film set in Copenhagen's criminal underworld. The plot revolves around Frank, a young drug dealer partnered with Serbian criminals—to whom, however, he becomes indebted. This comes about through the absurd twists and turns that unfold as Frank attempts to close specific deals. The situation spirals out of control with each passing day, turning the protagonist into an increasingly enraged beast, constantly scrambling for cash to settle his debts. The events play out over a tight timeframe of roughly a week, maintaining a heart-pounding pace. Just when everything seems resolved—with an agreement reached because the Serbian boss, Milo, feels their situation is attracting too much attention—Frank is "betrayed" and robbed by someone completely unexpected; this ending sets the stage for the story to continue. Technically, the film is simple yet frenetic; it relies on natural light—eschewing stylized color palettes or elaborate lighting setups—and is shot primarily handheld. This approach lends the film a raw realism that draws the viewer in, effectively sucking them into the vortex of violence and chaos from the very start. The performances are excellent and perfectly match the film's relentless pace. This story promises to develop into an interesting trilogy...
  • Burnharm
    Burnharm22. juni 2026
    Pusher is a raw, almost documentary-like crime film that prioritizes immediacy over polish. What stands out most is how unrefined and emotionally exposed it feels the camera stays close to desperation, debt, and panic, and the story unfolds in a way that feels unstable rather than structured. The acting is intentionally hard to “judge” in a traditional sense because it doesn’t aim for theatrical performance or clean character arcs. It leans into awkwardness, pressure, and survival behavior, which makes everything feel more authentic but also slightly uncomfortable to evaluate. That’s part of the design: it resists refinement. What makes the film work overall is its consistency of tone. Even when it feels chaotic or rough, it never breaks its emotional logic. The experience is less about plot satisfaction and more about sustained tension and degradation. That rawness is exactly what gives it its impact.
  • godzill416
    godzill41626. april 2025
    Although not especially unique, Refn has some serious, consistent personality attached to this one. Good characters, steady development, and most importantly, realized stakes.

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