遠い空の向こうに
監督:Joe Johnston
1957年10月、ソ連が人類初の人工衛星スプートニクの打ち上げに成功した。ウエスト・ヴァージニア州の炭坑の町コールウッドで、その美しい軌跡を見ていた青年ホーマーは、自らの手でロケットを打ち上げたいと思い、級友3人とともに本格的なロケットづくりにとりかかった。
遠い空の向こうにの評価とレビュー
- Jon Allen2025年12月31日Great movie.Terrific acting and very well directed.
- mickerdoo2025年10月30日There should be more like this. Incredible story. Deeply staisfying father son dynamic. Perfect casting.
- Toronto1222025年2月17日True story that's well told, sad at times, and at other times makes you smile with joy. A feel good movie for everyone.
- carmen.s292025年10月27日Perfect movie to watch in October. Very solid story line, that is based on a true story. The movie does a very good job of capturing the essence of the era the plot takes place in. The movie is easy to follow as it runs at a steady pace, with good character development and acting.
- vangh12025年9月21日As a big Jake Gyllenhaal fan, I was excited to watch his first lead role and a movie that's been on my Watchlist for a long time! I'm really curious what the Jake of today thinks of this role. I consider him one of the top tier actors working today, and I'm not sure I would have been able to predict that based on this performance. It's good, he even nails the big emotional moments in a believable way that older performers sometimes miss, but nonetheless taken as a whole I don't think I would have seen this and thought, "This guy is absolutely going places, he's going to be a heavyweight for decades to come!" The future is hard to predict man. As for the movie, it definitely prefers to play its beats for emotional impact or thematic resonance, rather than realism, but I think there's just enough depth to the characters and the world that they get away with it. The moment that stood out the most to me was Homer, awaiting the elevator's descent into his first shift in the coal mine looking skyward, and at that exact moment and in that exact spot Sputnik goes by. We're shown through the start of the film that Homer isn't especially adept or interested in anything. He's rotten at football, he's not an especially strong student, he has no interest in the coal veins that make up the lifeblood of the town. But then... Sputnik. A flash of inspiration. A genuine passion. That is, until harsh reality intercedes and he's forced to take up work in the mine to support the family, and so as he gazes up at Sputnik one last time, the elevator pulls him down into the darkness exactly where he swore he would never be and where he's blind to the part of the world that actually makes his life feel worth living. It's the type of moment that really strains credulity. For Sputnik to be right in that spot at that moment seems unlikely. But it's such a strong thematic image that you forgive it, because damn it who hasn't made those soul crushing compromises for real world considerations, and why couldn't it go over right then and there? Why not? I think the movie gets away with moments like that because it's not all just big melodramatic swings. At first blush it feels like that may be the case, but I think the movie does just enough to lay a solid groundwork to build on. I REALLY appreciated the lengths the movie went to, to show just how difficult success and the scientific process is. It takes countless iterations, failure after failure, a spirit unabated by a daily 8 mile hike and having to build not only the rockets from scratch again and again, but building the buildings with no experience and "borrowed" materials, it takes help from people with little reason to help you, it takes ignoring the doubters and the bullies and a powerful system made to confine you within it. It's fucking HARD to progress. It's fucking HARD to breakout and succeed. And this movie doesn't gloss over that at all, it really holds a lens up to it. It doesn't just give us a plucky montage, we have multiple extended sequences of exactly what it takes, with significant setbacks, and that makes the emotional moments feel satisfying rather than saccharine. I was also really impressed by Chris Cooper as Homer's dad, John. Again, at a surface level he seems like a really flat and stereotypical "angry dad who doesn't understand his kid" but there's a little bit of depth there and it makes all the difference. They do a really effective job of not only showing, but addressing, the way in which John is a genuinely caring and thoughtful person (to pretty much everyone except Homer.) It's made clear that the coalmine isn't just a job to John. Unlike pretty much everybody else in town, who thinks of it as the only unfortunate option, John sees it as his calling, sees it as important and far reaching work, and sees it as something he is very adept it. In multiple ways the coal mining trade is John's identity. And so to have his youngest son belittle it, and mock it, and abandon it creates a pervasive sense of embarrassment and an acute identity crisis. And in that case, the simplest solution is to lash out at the most obvious source (Homer) and obstruct the things he feels have pulled Homer away from him. There's just enough nuance to the relationship, dynamics, arguments, and struggles between these two that it does feel like more than your straight forward "I don't want to be like you, Dad" conflict. Lastly, the thing I thought was really depicted in an entertaining and engaging way was the way in which Homer's hope becomes a communal hope. As I mentioned before, the movie makes it pretty clear that coal mining in Coalwood is a dying industry and nobody but nobody is doing it for the love of the game. And so when the goofy son of the mine manager decides to look up to the stars instead of down into the mine, of course there's your usual jokes, insults, and chides but soon enough as the boys start to actually figure this thing out, pretty much the whole town can't help but get on board, because they're reminded that this hope Homer has that he won't let settle or die is the same one each of them had at some point, except theirs wasn't lasting, and maybe his still could be. Overall it definitely doesn't play as a super heavy, mind opening, paradigm shifting movie. But I think there's no doubt it has a little more to it then first meets the eye, like a real good coal vein under the surface I guess. It's always nice when a feel good piece can do more than just placate the viewer's desire for a happy ending.
- Eithan2025年2月24日Classic.
遠い空の向こうにに関するトリビア
遠い空の向こうには1999年2月19日に公開されました。
遠い空の向こうにはJoe Johnstonが監督を務めました。
遠い空の向こうにの上映時間は1h 47mです。
遠い空の向こうにはLarry Franco, Charles Gordonがプロデューサーを務めました。
1957年10月、ソ連が人類初の人工衛星スプートニクの打ち上げに成功した。ウエスト・ヴァージニア州の炭坑の町コールウッドで、その美しい軌跡を見ていた青年ホーマーは、自らの手でロケットを打ち上げたいと思い、級友3人とともに本格的なロケットづくりにとりかかった。
遠い空の向こうにの主要人物はHomer Hickam (Jake Gyllenhaal), John Hickam (Chris Cooper), Quentin Wilson (Chris Owen)です。
遠い空の向こうにはGと評価されています。
遠い空の向こうにはドラマ, ファミリー, Biography映画です。
遠い空の向こうには、視聴者によって10点満点中8.8点をつけられています。
遠い空の向こうにの予算は$2500万です。
遠い空の向こうにの興行収入は$3469.9万です。