Not Rated
1962    2h 6mRomance, Drama
7.787%89%7.7
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In the suburbs of Rome, translator Vittoria breaks her engagement with her boyfriend, writer Riccardo, after a troubled night. Vittoria goes downtown to meet her mother, who is addicted to the stock market, and she meets materialist broker Piero on a day the stock-market crashes. Piero and Vittoria begin a monosyllabic relationship.
Directed by Michelangelo Antonioni
  • Alain DelonPiero
  • Monica VittiVittoria
  • Francisco RabalRiccardo
  • Lilla BrignoneVittoria's Mother
  • Rossana RoryAnita
  • Mirella RicciardiMarta
  • Louis SeignerErcoli
  • Cyrus EliasIntoxicated Man (uncredited)
  • Alba MaioliniWoman at the Stock Market (uncredited)
  • Maria TedeschiWoman with Glasses at the Stock Market (uncredited)
  • Michelangelo AntonioniDirector / Story
  • Raymond HakimProducer
  • Robert HakimProducer
  • Piero PolettoProduction Design
  • Gianni Di VenanzoDirector Of Photography
  • Gitt MagriniAssistant Costume Designer
  • Bice BrichettoCostume Design
  • Franco FredaMakeup Artist
  • Franco IndovinaFirst Assistant Director
  • Elvira D'AmicoScript Supervisor
  • lennyofficial2d ago
    An intriguing tug-of-war plays out between a translator named Vittoria and a stockbroker named Piero. Monica Vitti perfectly embodies Vittoria as the very incarnation of romantic angst. She wants to break up with her fiancé—who tries to "make her happy" but only succeeds in driving her further away. The two lovers don't get together right away, held back by Vittoria's insecurity; eventually, however, she lets her guard down and wants to see him again and again, endlessly. Alain Delon commands the screen with his irresistible charm (fuck, I want to be him). I think the final scene represents my ultimate "couple goals" for a lifelong partner. Furthermore, the film makes excellent use of framing and the imagery created by those shots. We are clearly dealing with a high-quality, accomplished work.
  • makdelartMarch 17, 2026
    The most challenging film in Antonioni’s trilogy, but (perhaps) the most compelling and (certainly) the most symbolic.
  • DropsyRocioJune 22, 2025
    This film is a beautiful portrait of solitude. Welcome to a modern world. I think this film proves that the phone destroyed the last bit of beauty we had. I recommend this film to my female friends, but also to the other friends.
  • Charles LondonFebruary 25, 2025
    The story within the pictures isn't as much the story as the pictures telling it. Michelangelo Antonioni uses his camera to create a visual masterpiece in exquisite black-and-white, with his celluloid canvas highlighted by beautiful lead actors in all of their photogenic glory. A chatty picture this is not. It's the lens that does most of the talking.

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