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Lamb
Directed by
Ross Partridge
R
2015
1h 33m
Drama
6.3
83%
56%
Add to Watchlist
When a man meets a young girl in a parking lot he attempts to help her avoid a bleak destiny by initiating her into the beauty of the outside world. The journey shakes them in ways neither expects.
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Where to Watch Lamb
Kanopy
Free
VUDU Free
Free
Fubo
Subscription
+5 more
Cast of Lamb
Oona Laurence
Tommie
Ross Partridge
David Lamb
Jess Weixler
Linny
Scoot McNairy
Jesse
Lindsay Pulsipher
Linda
Joel Murray
Wilson
Tom Bower
Foster
Jennifer Lafleur
Melissa
Ron Burkhardt
Walter Lamb
Mark Kelly
Radio Reporter (voice)
Jennifer Spriggs
On-Site Reporter (voice)
Iris Elliot
Melissa's Daughter
Amirah Griffin
Tommie's Friend #1
Drew Langer
Fisherman (voice)
Robert Longstreet
Fishing Show Narrator (voice)
Matt Oberg
Baseball Announcer (voice)
Mackenzie Paige
Tommie's Friend #2
Erin Kennedy Portress
Tommie's Friend #3
Maggie Raymond
Witness (voice)
Kathleen Vernon
Coroner
Lamb Ratings & Reviews
AV Club
Noel Murray
Throughout Lamb, Laurence makes sure that every one of the character's bad choices makes sense. That's what makes the movie so sad.
San Francisco Chronicle
David Lewis
Partridge has a strong screen presence, but the potential power of his storytelling approach is negated when emotions get mushy in the third act. That's when we figure out that this film doesn't know exactly what it wants to say.
Philadelphia Inquirer
Tirdad Derakhshani
Partridge portrays David with immaculate timing and meticulous attention to detail. We feel for the character's pain, but never quite trust him.
RogerEbert.com
Matt Zoller Seitz
"Lamb" is empathetic and untrustworthy, haunting but often unpersuasive. In the end it's hard to say what the film's point is. But it lingers in the mind.
Slant Magazine
Clayton Dillard
Ross Partridge seems flatly fascinated by Lamb's pathology without trying to understand its formation from environmental factors.
The Playlist
Kimber Myers
Though not always successful, this is a complicated film that should cause its audience to continue to think about its characters and the actions they take.
Uproxx
Scott Tobias
Ross Partridge's unsettling drama Lamb, based on Bonnie Nadzam's novel, leaves this agonizing question to linger over the action for most of the way, which isn't quite as cruel a proposition as it seems.
New York Times
Manohla Dargis
In the novel, Lamb is a fantasist who uses Tommie as a blank (pure) slate on which to write a new life story. Mr. Partridge never figures out how to complicate his version and its voices, or maybe doesn't want to.
Los Angeles Times
Robert Abele
Feeling creeped out is unavoidable, but it's an inquisitive unsettling born of a faith that people are inherently complicated, worthy of love, capable of good and yet all too often mired in well-meaning intentions that hurt more than help.
NPR
Andrew Lapin
The film shifts from Daniel's to Tommie's point of view in a remarkably subtle fashion, altering the makeup of the story and the ways we're forced to wrestle with it.
Village Voice
Danny King
An uneasy and intermittently revealing adaptation of Bonnie Nadzam's 2011 novel ...
Variety
Justin Chang
Beautiful and troubling.
The Hollywood Reporter
Frank Scheck
Lamb proves itself a deeply intriguing psychological drama that should inspire much spirited debate.
Under the Radar
Julia Bembenek
By turns creepy, beautiful, heartbreaking, and threatening, Lamb powerfully reckons with the human need to find someone to hold onto.
Cleveland Plain Dealer
Joanna Connors
It is at once earnest, sinister, tender and impossible to figure out.
Newcity
Ray Pride
"Lamb" is a narrative game, cunning in constructing its own pathology. Its rural idyll draws us in.
HeraldNet (Everett, WA)
Robert Horton
Lamb clearly wants to make a thoughtful exploration of two lost people, yet the intentions get waylaid by the sheer weirdness of the situation.
Madison Movie
Rob Thomas
The film's more difficult trick is to make us care for Lamb even as we recoil at how he near he gets to a moral precipice. The friendship between the two characters may be wildly inappropriate, but that doesn't mean it doesn't have value to them.
Charlotte Observer
Lawrence Toppman
Ross Partridge directed, wrote the screenplay (from a novel by Bonnie Nadzam) and delivers the strong central performance. He keeps us on edge in all three capacities ...
SF Weekly
Sherilyn Connelly
It's a beautifully shot film, and Oona Laurence evokes 1970s Jodie Foster, which is appropriate considering that it's exactly the kind of role Foster would have crushed back in the day. Hopefully, Laurence will turn out as well.
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