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Klimt
Directed by
Raúl Ruiz
Not Rated
2006
1h 37m
Drama
,
Romance
,
and more
5.1
32%
29%
5.1
Watch Free
A portrait of Austrian artist Gustav Klimt, whose lavish, sexual paintings came to symbolize the art nouveau style of the late nineteenth and early twentieth century.
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Cast of Klimt
John Malkovich
Gustav Klimt
Veronica Ferres
Midi
Saffron Burrows
mia
Nikolai Kinski
Egon Schiele
Stephen Dillane
Secretary
Sandra Ceccarelli
Serena Lederer
Aglaia Szyszkowitz
Mizzi
Joachim Bißmeier
Hugo Moritz
Ernst Stötzner
Minister Hartl
Paul Hilton
Duke Octave
Annemarie Düringer
Klimt's Mother
Irina Wanka
Berta Zuckerkandl
Florentín Groll
Messerschmidt
Miguel Herz-Kestranek
Dr. Stein
Marion Mitterhammer
Klimt's Sister
Alexander Strobele
Bahr
Georgia Reeve
Double Lea de Castro
Rainer Friedrichsen
Double Klimt
Denis Petkovic
Architect Loos
Stephan Paryla-Raky
Chamberlain
See all
Klimt Ratings & Reviews
Dennis Schwartz Movie Reviews
Dennis Schwartz
Poor excuse for an unconventional biopic.
TV Guide
Ken Fox
Raoul Ruiz's absurdly overwrought phantasmagoria tries to recast the notorious Viennese artist's life as a kind of Divine Comedy: Inferno.
Film Journal International
Doris Toumarkine
The film, however provocative and full of eye candy, is really for hardcore art-house fans only.
New York Times
Stephen Holden
John Malkovich has virtually cornered the market on portraying aesthetes in the thrall of demonic visions. Klimt adds to his gallery of elegant monsters.
culturevulture.net
Beverly Berning
Klimt is a feast for the eyes and the mind.
San Francisco Chronicle
Leba Hertz
A good bio of any historical character has to have a compelling story, whether evil or good. Klimt appears to have had that story. I sure would have liked to know what it was.
Los Angeles Times
Kevin Thomas
Ruiz is terrific in evoking a heady atmosphere of ornate fin de siecle decadence, and Malkovich is ideally cast as a coolly intellectual, free-thinking, free-living aesthete...
Los Angeles Daily News
Bob Strauss
Klimt is obviously not a dumb film, but it is one big ol' fruitcake of a movie.
Boxoffice Magazine
Wade Major
Fact, fiction and chronology are juggled and blurred with such abandon that piecing it all together is bound to be a fruitless and frustrating effort.
L.A. Weekly
Ella Taylor
Ruiz is so intent on harnessing the painter to his own -- here, rather arid -- relativism that he never manages to convey the unfettered eros that brings crowds flocking to exhibitions of Klimt's work, even as critics hold their noses.
Chicago Reader
Jonathan Rosenbaum
[It's] an eyeful.
Reel.com
Pam Grady
A handsome film, but no amount of superior art direction or glittering surface can obscure the rigor mortis that engulfs the drama.
Chicago Sun-Times
Bill Stamets
An easy-viewing intro to a racy episode in art history.
european-films.net
Boyd van Hoeij
The combination of copious amounts of talk in several tongues and kinky games with scantily clad women at times makes Klimt feel like Eyes Wide Shut as directed by Manoel de Oliveira.
Variety
Jay Weissberg
Klimt falls into the philosophical conundrum it attempts to resurrect -- whether portrait and allegory can coexist.
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