0:000:00

Approved
1956    80mHorror, Science Fiction
7.797%85%7.5
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Dr. Miles Bennell returns to his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged doppelgangers are able to answer detailed questions about their victim's lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon.
Directed by Don Siegel

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  • Kevin McCarthyDr. Miles J. Bennell
  • Dana WynterBecky Driscoll
  • King DonovanJack Belicec
  • Carolyn JonesTheodora 'Teddy' Belicec
  • Larry GatesDr. Dan 'Danny' Kauffman
  • Kenneth PattersonStanley Driscoll
  • Virginia ChristineWilma Lentz
  • Jean WillesNurse Sally Withers
  • Ralph DumkePolice Chief Nick Grivett
  • Guy WayOfficer Sam Janzek
  • Bobby ClarkJimmy Grimaldi
  • Beatrice MaudeGrandma Grimaldi
  • Whit BissellEmergency Room Psychiatrist
  • Richard DeaconEmergency Room Doctor (uncredited)
  • Robert OsterlohAmbulance Attendant
  • Guy RennieRestaurant Owner
  • Eileen StevensAnne Grimaldi
  • Tom FaddenUncle Ira Lentz
  • Jean AndrenEleda Lentz
  • Everett GlassDr. Ed Pursey
  • Guglielmo LombardiMarch 5, 2026
    Leading film on the theme of fear of homologation, even if it is often meanly conveyed to attack the political opponent, on both sides. Fantastic way to create a fear not related to physical coercion: it shifts the focus to the anguish of losing identity; sober and pleasing special effects. Absolute masterpiece.
  • Kevin WardMay 24, 2026
    Finally knocked this one off my Shame List, and it absolutely earns its reputation. A tight, eerie sci‑fi classic that was built as an allegory for the fear of communism and the erosion of individuality, but it possesses a certain timelessness that lets you map its paranoia onto almost anything. You can feel the DNA of this in Vince Gilligan’s Pluribus all over it with the same anxieties about conformity and the gradual collapse of self. It’s also just a gorgeous film to look at, crisp and shadowy in that way only fifties genre movies seem to pull off. Now I’m curious to dive into the remakes and see how each era reshapes the metaphor.
  • mickerdooMay 5, 2026
    I know it's a metaphor and product of its time but it's actually pretty spooky at its core. Builds well. Dana Wynter is a stunner.

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